Messe in h‐moll

~ Release by Johann Sebastian Bach; Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Messe in h‐Moll, BWV 232: Ia. Coro “Kyrie eleison”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach12:16
2Messe in h‐Moll, BWV 232: Ib. Duetto (Soprano I, Soprano II) “Christe eleison”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
soprano vocals:
Maria Stader (soprano) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
performer:
Maria Stader (soprano) (in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:49
3Messe in h‐Moll, BWV 232: Ic. Coro “Kyrie eleison”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:52
4Messe in h‐Moll, BWV 232: IIa. Coro “Gloria in excelsis Deo”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:01
5Messe in h‐Moll, BWV 232: IIb. Coro “Et in terra pax”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:49
6Messe in h‐Moll, BWV 232: IIc. Aria (Soprano II) “Laudamus te”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:31
7Messe in h‐Moll, BWV 232: IId. Coro “Gratias agimus”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:28
8Messe in h‐Moll, BWV 232: IIe. Duetto (Soprano I, Tenore) “Domine Deus”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
soprano vocals:
Maria Stader (soprano) (in 1961-02, in 1961-04)
tenor vocals:
Ernst Haefliger (tenor) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:36
9Messe in h‐Moll, BWV 232: IIf. Coro “Qui tollis peccata mundi”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:03
10Messe in h‐Moll, BWV 232: IIg. Aria (Alto) “Qui sedes ad dexteram Patris”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:29
11Messe in h‐Moll, BWV 232: IIh. Aria (Basso) “Quoniam tu solus Sanctus”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
bass vocals:
Kieth Engen (operatic bass) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:52
12Messe in h‐Moll, BWV 232: IIi. Coro “Cum Sancto Spiritu”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:12
2▶CD

Credits

Release group

included in:111 Years of Deutsche Grammophon: The Collectors’ Edition by Various Artists (add compilations to this artist)