Back to the Seventies

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Roxanne
tecnico:
Chris Gray (UK engineer) e Nigel Gray (UK producer)
produttore:
The Police (British rock band)
basso elettrico :
Sting (singer, songwriter & member of The Police)
batteria :
Stewart Copeland (drummer, percussionist, pianist and composer)
chitarra elettrica :
Andy Summers
voce:
Sting (singer, songwriter & member of The Police)
arrangiatore:
The Police (British rock band)
diritti fonografici (℗) detenuti da:
A&M Records (nel 1978), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (nel 1978), A&M Records, Inc. (nel 1997) e A&M Records, Ltd. (nel 2003)
registrata presso:
Surrey Sound Studios in Leatherhead, Surrey, England, Regno Unito
video musicali:
Roxanne (Music video) di The Police (British rock band)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 388)
registrazione di:
Roxanne
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
Mushroom Music (Mushroom label’s publishing company) e Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Police4.33:12
2Mr. Blue Sky
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Jeff Lynne
basso :
Kelly Groucutt (nel 1977)
batteria, altri strumenti [fire extinguisher] e percussione :
Bev Bevan (English rock drummer) (nel 1977)
chitarra , sintetizzatore e voce principale:
Jeff Lynne (nel 1977)
tastiera :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1977)
voce di accompagnamento:
Bev Bevan (English rock drummer) (nel 1977) e Kelly Groucutt (nel 1977)
direttore d'orchestra:
Louis Clark (nel 1977)
arrangiatore:
Louis Clark, Jeff Lynne e Richard Tandy (keyboardist for Electric Light Orchestra)
diritti fonografici (℗) detenuti da:
Epic Records (J-pop label, established 1978; use ONLY for releases by Japanese domestic artists after 2001!) (nel 1977), Jet Records (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977, nel 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1977)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (nel 1977)
mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 17) e Q50 – December 2005 (numero: 33)
registrazione di:
Mr. Blue Sky (nel 1977)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Polygon Publishing Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
Concerto for a Rainy Day
Electric Light Orchestra4.65:08
3I’m a Train
tecnico:
Roy Halee
produttore:
D. Altfeld, Roy Halee e Albert Hammond
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1974) e Sony Music Entertainment España, S.L. (not for release label use!) (nel 2010)
registrazione di:
I’m a Train
autore:
Albert Hammond e Mike Hazlewood
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Leeds Music Corp. (nel 1974)
Albert Hammond23:17
4Rosetta
produttore:
Mike Smith (60’s & 70’s UK Producer)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1971)
registrazione di:
Rosetta
paroliere e compositore:
Michael Snow (songwriter of “Rosetta”)
editore:
St. George Music Ltd.
Georgie Fame & Alan Price32:45
5Beautiful Noise
registrazione di:
Beautiful Noise
paroliere:
Neil Diamond
compositore:
Neil Diamond (nel 1976)
editore:
Stonebridge Music (publisher) (nel 1976)
Neil Diamond3:24
6I Will Survive
produttore:
Dino Fekaris
produttore associato:
Freddie Perren
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1978) e Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1979)
edit di:
I Will Survive (12″ single version) di Gloria Gaynor
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 251) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 489)
registrazione di:
I Will Survive
autore:
Dino Fekaris e Freddie Perren
editore:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:16
7The Hustle
registrazione di:
The Hustle
paroliere e compositore:
Van McCoy
editore:
Van McCoy Music, Warner Bros. Music Co. Ltd. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Van McCoy4:04
8(Get Up I Feel Like Being a) Sex Machine
basso :
Bootsy Collins (US funk musician & songwriter) (il 1970-04-25)
chitarra :
Catfish Collins (il 1970-04-25)
membranofono :
John Starks (il 1970-04-25)
organo e voce di accompagnamento:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) (il 1970-04-25)
pianoforte e voce principale:
James Brown (The Godfather of Soul) (il 1970-04-25)
sassofono tenore :
Robert McCollough (il 1970-04-25)
tromba :
Clayton Gunnells (il 1970-04-25) e Darryl Hassan Jamison (il 1970-04-25)
registrata presso:
Starday Sound Studios in Nashville, Tennessee, Stati Uniti (il 1970-04-25)
registrazione parziale di:
Get Up (I Feel Like Being Like a) Sex Machine (il 1970-04-25)
autore:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) e Ron Lenhoff
editore:
Dynatone Publishing Co. e Intersong Music Ltd.
James Brown42:48
9I Want You Back
produttore:
The Corporation (Motown songwriters)
batteria :
Gene Pello e Johnny Jackson (drummer for Jackson 5) (nel 1969-07)
chitarra :
Donald Peake, David T. Walker e Tito Jackson (nel 1969-07)
chitarra [lead guitar] :
Louis Shelton (nel 1969-07)
chitarra basso :
Wilton Felder (nel 1969-07)
percussione :
Sandra Crouch e Marlon Jackson (nel 1969-07)
pianoforte :
Fonce Mizell, Freddie Perren, Joe Sample e Ronnie Rancifer (nel 1969-07)
tastiera :
Clarence McDonald e Ronnie Rancifer (nel 1969-07)
voce:
Jackie Jackson (member of the Jackson 5) (nel 1969-07)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1969-07), Marlon Jackson (nel 1969-07) e Tito Jackson (nel 1969-07)
voce principale:
Michael Jackson (“King of Pop”) (nel 1969-07)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
The Sound Factory West in West Hollywood, California, Stati Uniti (nel 1969-07, dal 1969-07 al 1969-09)
video musicali:
I Want You Back di The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 23), Billboard Year-End Hot 100 singles of 1970 (numero: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 104) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 120)
registrazione di:
I Want You Back (nel 1969-07)
paroliere e compositore:
The Corporation (Motown songwriters)
editore:
EMI April Music Inc. e Jobete Music Co., Inc.
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
The Jackson 54.153:00
10You’re the First, the Last, My Everything
registrazione di:
You’re the First, the Last, My Everything
autore:
Peter Sterling Radcliffe, Tony Sepe e Barry White
editore:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. e World Song Publishing Inc.
Barry White4:32
11The Guitar Man
tecnico:
Armin Steiner
produttore:
David Gates (singer/songwriter, lead singer of Bread)
produttore associato:
James Griffin (soft rock singer/songwriter/guitarist)
batteria e percussione :
Michael Botts
chitarra :
David Gates (singer/songwriter, lead singer of Bread) e James Griffin (soft rock singer/songwriter/guitarist)
chitarra basso :
David Gates (singer/songwriter, lead singer of Bread)
pianoforte :
James Griffin (soft rock singer/songwriter/guitarist)
arrangiatore:
David Gates (singer/songwriter, lead singer of Bread)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1972), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972) e Warner Music International (trademark of Warner Music International the company) (nel 1973)
registrata presso:
Elektra Sound Recorders in Los Angeles, California, Stati Uniti
registrazione di:
The Guitar Man
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music Publishing (do not use as a release label!) e Screen Gems–Columbia Music, Inc.
Bread43:47
12Long Train Runnin’
tecnico:
Donn Landee
produttore:
Ted Templeman
armonica (a bocca) :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
chitarra :
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
chitarra steel :
Jeff “Skunk” Baxter
congas , piatti e timbales :
Michael Hossack
membranofono :
John Hartman (drummer for the Doobie Brothers) e Michael Hossack
organo , pianoforte e tastiera :
Bill Payne
percussione :
John Hartman (drummer for the Doobie Brothers) e Ted Templeman
sintetizzatore :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
sintetizzatore ospite :
Malcolm Cecil e Robert Margouleff
voce:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter e Patrick Simmons
arrangiatore archi :
Nick de Caro
arrangiatore basso :
Tiran Porter
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, nel 1973) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973)
registrata presso:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Long Train Runnin’
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (nel 1982) e Warner Chappell Music (publisher as Warner/Chappell Music) (nel 1991)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:27
13Show Me the Way
produttore:
Peter Frampton
batteria [drums] :
John Siomos
chitarra :
Peter Frampton e Bob Mayo (US session keyboardist & guitarist)
chitarra basso :
Stanley Sheldon (bass player)
organo , piano Rhodes e pianoforte a coda :
Bob Mayo (US session keyboardist & guitarist)
talk box :
Peter Frampton
voce:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) e Stanley Sheldon (bass player)
arrangiatore:
Peter Frampton
diritti fonografici (℗) detenuti da:
A&M Records (nel 1976)
registrazione dal vivo di:
Show Me the Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e United Artists Music Co., Inc.
Peter Frampton3.74:35
14Coz I Luv You
registrazione di:
Coz I Luv You
autore:
Noddy Holder e Jim Lea
editore:
Barn Publishing (Slade) Ltd. e Warner Chappell
Slade3:32
15Girls Girls Girls
tecnico:
Jeffrey Lesser e Al Scott (Oysterband, engineer, song writer)
produttore:
Georg Kajanus, Jeffrey Lesser e Al Scott (Oysterband, engineer, song writer)
produttore associato:
Rupert Holmes
tecnico di missaggio:
Jeffrey Lesser
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1974)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1975-10)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 51)
registrazione di:
Girls, Girls, Girls (nel 1975-10)
paroliere e compositore:
Georg Kajanus
editore:
Chappell Morris Ltd.
registrazione di:
Girls, Girls, Girls
paroliere:
Nikki Sixx
compositore:
Tommy Lee (Mötley Crüe drummer), Mick Mars e Nikki Sixx
editore:
Mars Mountain Music, Sixx/Gunner Music, Tommyland Music e WB Music Corp. (1929–2019)
Sailor33:01
16Weekend
registrazione di:
Weekend (Earth and Fire)
paroliere e compositore:
Gerard Koerts
editore:
Nada Music (Dutch publisher)
Earth and Fire3:34
17Black Betty
produttore:
Jerry Kasenetz e Jeff Katz (music producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (dal 1977 a oggi) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Ram Jam4.52:30
18She’s Not There
produttore:
Tom Coster e Carlos Santana
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1977), RCA/Jive Label Group (holding company, not a release label) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrazione cover di:
She’s Not There
paroliere e compositore:
Rod Argent
editore:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA e Parker Music
sub-editore:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Santana34:05
19You Ain’t Seen Nothing Yet
tecnico:
Mark Smith (Canadian engineer)
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1974), Phonogram, Inc. (nel 1974, nel 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:39
20Radar Love
produttore:
Golden Earring
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1973) e Red Bullet Productions B.V. (nel 1973)
registrazione di:
Radar Love
paroliere:
Barry Hay
compositore:
George Kooymans
editore:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) e Sony/ATV Music Publishing
Golden Earring4.255:04

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