The Complete Recordings on Deutsche Grammophon & Decca

~ Release by Claudio Abbado (see all versions of this release, 1 available)

Annotation

The complete set of recordings made by Claudio Abbado for Deutsche Grammophon and Decca. The set includes 258 CDs, 8 DVDs, a 112-page hardcover book with essays and photographs, and two booklets with tracklistings and credits. All CDs have original jacket artwork. The set is limited to 2,650 copies.

The set was originally released without the recording of Mozart's Piano Concerto no. 16 by Rudolf Serkin and Claudio Abbado. This missing disc was available on request from Deutsche Grammophon.

Annotation last modified on 2023-11-24 10:07 UTC.

Tracklist

1▶CD: Bach: Brandenburg Concertos nos. 1, 3 & 5
2▶CD: Bach: Brandenburg Concertos nos. 6, 4 & 2
3▶CD: Bartók: The Miraculous Mandarin / Two Portraits (One Ideal - One Grotesque)
4▶CD: Bartók: Piano Concertos nos. 1 & 2
5▶CD: Beethoven: Symphonies nos. 1 & 3 “Eroica” (Berliner Philharmoniker)
6▶CD: Beethoven: Symphonies nos. 2 & 4 (Berliner Philharmoniker)
7▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral” (Berliner Philharmoniker)
8▶CD: Beethoven: Symphonies nos. 7 & 8 (Berliner Philharmoniker)
9▶CD: Beethoven: Symphony no. 9 “Choral” (Berliner Philharmoniker)
10▶CD: Beethoven: Symphonies nos. 1 & 2 (Wiener Philharmoniker)
11▶CD: Beethoven: Symphony no. 3 “Eroica” (Wiener Philharmoniker)
12▶CD: Beethoven: Symphonies nos. 4 & 5 (Wiener Philharmoniker)
13▶CD: Beethoven: Meeresstille und glückliche Fahrt / Symphony no. 6 “Pastoral” / Choral Fantasy (Wiener Philharmoniker)
14▶CD: Beethoven: Symphonies nos. 7 & 8 (Wiener Philharmoniker)
15▶CD: Symphony no. 9 “Choral” (Wiener Philharmoniker)
16▶CD: Beethoven: Overtures
17▶CD: Beethoven: Overtures: Fidelio / Leonore I-III
18▶CD: Beethoven: Symphonies nos. 7 & 8 / Overture “Die Geschöpfe des Prometheus”
19▶CD: Beethoven: Piano Concertos nos. 1 & 2
20▶CD: Beethoven: Piano Concertos nos. 3 & 4
21▶CD: Beethoven: Piano Concerto no. 5 “Emperor” / Triple Concerto
22▶CD: Beethoven: Piano Concertos nos. 3 & 2
23▶CD: Beethoven: Musik zu Goethes Trauerspiel “Egmont” / “Ah! perfido” / Overture “Leonore III” / Choral Fantasy
24▶CD: Beethoven: Musik zu Die Weihe des Hauses / Leonore Prohaska / Egmont (Excerpts)
25▶CD: Beethoven: Fidelio (Act I)
26▶CD: Beethoven: Fidelio (Act II)
27▶CD: Berg: Lulu Suite / 3 Pieces for Orchestra / Altenberg Lieder
28▶CD: Berg: Altenberg Lieder / 3 Pieces from the Lyric Suite / Lulu Suite
29▶CD: Berg: 7 Early Songs / Der Wein / 3 Pieces for Orchestra
30▶CD: Berg: Wozzeck (Act I)
31▶CD: Berg: Wozzeck (Acts II & III)
32▶CD: Berlioz: Symphonie fantastique
33▶CD: Berlioz: Te Deum
34▶CD: Bizet: L'Arlésienne Suites nos. 1 & 2 / Carmen Suite
35▶CD: Bizet: Carmen (Acts I & II beg.)
36▶CD: Bizet: Carmen (Acts II cont. & III)
37▶CD: Brahms: Symphony no. 1 / Gesang der Parzen
38▶CD: Brahms: Alto Rhapsody, op. 53 / Symphony no. 2
39▶CD: Brahms: Tragische Ouvertüre / Schicksalslied / Symphony no. 3
40▶CD: Brahms: Haydn Variations / Nänie / Symphony no. 4
41▶CD: Brahms: Symphony no. 1
42▶CD: Brahms: Symphony no. 2 / Akademische Festouvertüre
43▶CD: Brahms: Symphony no. 3 / Haydn Variations
44▶CD: Brahms: Symphony no. 4 / Tragische Ouvertüre
45▶CD: Brahms: Serenades nos. 1 & 2
46▶CD: Brahms: Hungarian Dances
47▶CD: Brahms: Piano Concerto no. 2 (Pollini)
48▶CD: Brahms: Piano Concerto no. 1 (Brendel)
49▶CD: Brahms: Piano Concerto no. 2 (Brendel)
50▶CD: Brahms: Piano Concerto no. 1 (Pollini)
51▶CD: Brahms: Piano Concerto no. 2 (Pollini)
52▶CD: Brahms: Violin Concerto / Akademische Festouvertüre
53▶CD: Brahms: Violin Concerto
54▶CD: Brahms: Violin Concerto / Double Concerto
55▶CD: Brahms: Ein Deutsches Requiem
56▶CD: Brahms: Rinaldo / Schicksalslied
57▶CD: Bruckner: Symphony no. 1 (Wiener Philharmoniker, 1996)
58▶CD: Bruckner: Symphony no. 4 “Romantic”
59▶CD: Bruckner: Symphony no. 5
60▶CD: Bruckner: Symphony no. 7
61▶CD: Bruckner: Symphony no. 9 (Wiener Philharmoniker, 1996)
62▶CD: Bruckner: Symphony no. 1 (Lucerne Festival Orchestra, 2012)
63▶CD: Bruckner: Symphony no. 1 (Wiener Philharmoniker, 1969)
64▶CD: Bruckner: Symphony no. 9 (Lucerne Festival Orchestra, 2013)
65▶CD: Chopin & Liszt: Piano Concertos nos. 1
66▶CD: Chopin: Piano Concerto no. 2 / Polonaise, op. 44
67▶CD: Debussy: Prélude à l'après-midi d'un faune / Nocturnes / Pelléas et Mélisande - Concert Suite
68▶CD: Debussy: Nocturnes / La Mer / Ravel: Daphnis et Chloé (Fragments symphoniques II) / Pavane pour une infante défunte
69▶CD: Debussy: La Damoiselle élue / Prélude à l'après-midi d'un faune / Images Nᵒ 2 « Ibéria »
70▶CD: Debussy: Pelléas et Melisande (Acts I-III beg.)
71▶CD: Debussy: Pelléas et Melisande (Acts III cont. - V)
72▶CD: Dvořák: Symphony no. 9
73▶CD: Haydn: Symphony, Hob. I:93 / Symphony “The Clock”, Hob. I:101
74▶CD: Haydn: Symphony “The Miracle”, Hob. I:96 / Sinfonia concertante, Hob. I:105
75▶CD: Haydn: Overture to “Il mondo della luna” / Symphony, Hob I:98 / “Military” Symphony, Hob. I:100
76▶CD: Haydn: Symphony, Hob. I:102 / “Drum Roll” Symphony, Hob. I:103
77▶CD: Hindemith: Symphonie »Mathis der Maler« / Nobilissima visione / Symphonische Metamorphosen
78▶CD: Hindemith: Symphonische Metamorphosen / Janáček: Sinfonietta / Prokofiev: Romeo and Juliet (Excerpts)
79▶CD: Janáček: The Diary of One Who Disappeared / Sinfonietta
80▶CD: Kurtág: Grabstein fär Stephan / Stele / Stockhausen: Gruppen
81▶CD: Mahler: Symphony no. 1 “Titan” (Berliner Philharmoniker)
82▶CD: Mahler: Symphony no. 2 “Resurrection” (Lucerne Festival Orchestra)
83▶CD: Mahler: Symphony no. 3 (Part I) (Berliner Philharmoniker)
84▶CD: Mahler: Symphony no. 3 (Part II) (Berliner Philharmoniker)
85▶CD: Mahler: Symphony no. 4 / Berg: 7 Early Songs (Berliner Philharmoniker)
86▶CD: Mahler: Symphony no. 5 (Berliner Philharmoniker)
87▶CD: Mahler: Symphony no. 6 (Berliner Philharmoniker)
88▶CD: Mahler: Symphony no. 7 (Berliner Philharmoniker)
89▶CD: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part I) (Berliner Philharmoniker)
90▶CD: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part II) (Berliner Philharmoniker)
91▶CD: Mahler: Symphony no. 9 (Berliner Philharmoniker)
92▶CD: Mahler: Symphony no. 10 (unfinished) / Symphony no. 2 “Resurrection” (beg.) (Wiener Philharmoniker)
93▶CD: Mahler: Symphony no. 2 “Resurrection” (cont.) (Wiener Philharmoniker)
94▶CD: Mahler: Symphony no. 3 (Parts I & II beg.) (Wiener Philharmoniker)
95▶CD: Mahler: Symphony no. 3 (Part II cont.) (Wiener Philharmoniker)
96▶CD: Mahler: Symphony no. 4 (Wiener Philharmoniker)
97▶CD: Mahler: Symphony no. 9 (Wiener Philharmoniker)
98▶CD: Mahler: Symphony no. 1 “Titan” (Chicago Symphony Orchestra)
99▶CD: Mahler: Symphony no. 2 “Resurrection” (Chicago Symphony Orchestra)
100▶CD: Mahler: Symphony no. 5 (Chicago Symphony Orchestra)
101▶CD: Mahler: Symphony no. 6 (beg.) (Chicago Symphony Orchestra)
102▶CD: Mahler: Symphony no. 6 (cont.) / Rückert Lieder (Chicago Symphony Orchestra)
103▶CD: Mahler: Symphony no. 7 (Chicago Symphony Orchestra)
104▶CD: Mahler: Lieder nach Gedichten aus Des Knaben Wunderhorn
105▶CD: Mendelssohn: Symphony no. 1 / Scherzo from Octet, op. 20 / Overtures: Ein Sommernachtstraum / Die Hebriden / Meeresstille und glückliche Fahrt
106▶CD: Mendelssohn: Symphony no. 2 “Hymn of Praise”
107▶CD: Mendelssohn: Symphony no. 3 “Scottish” / Overtures: Die schöne Melusine / Trompeten-Ouvertüre / Ruy Blas
108▶CD: Mendelssohn: Symphonies nos. 1 “Italian” & 5 “Reformation” / Overture for Wind Instruments
109▶CD: Mendelssohn: Symphonies nos. 3 “Scottish” & 4 “Italian”
110▶CD: Mendelssohn: Violin Concerto / Bruch: Violin Concerto no. 1
111▶CD: Mozart: Symphonies nos. 35 “Haffner”, 29 & 33
112▶CD: Mozart: Symphonies nos. 38 “Prague” & 41 “Jupiter”
113▶CD: Mozart: Symphonies nos. 39 & 40
114▶CD: Mozart: Symphonies nos. 40 & 41 “Jupiter”
115▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 12 (Serkin)
116▶CD: Mozart: Piano Concertos nos. 9 “Jeunehomme” & 17 (Serkin)
117▶CD: Mozart: Piano Concertos nos. 15 & 22 (Serkin)
118▶CD: Mozart: Piano Concertos nos. 18 & 24 (Serkin)
119▶CD: Mozart: Piano Concertos nos. 25 & 19 “Second Coronation Concerto” (Serkin)
120▶CD: Mozart: Piano Concertos nos. 20 & 27 (Serkin)
121▶CD: Mozart: Piano Concertos nos. 21 & 23 (Serkin)
122▶CD: Mozart: Piano Concertos nos. 14 & 26 “Coronation” (Pires)
123▶CD: Mozart: Piano Concertos nos. 17 & 21 (Pires)
124▶CD: Mozart: Piano Concertos nos. 27 & 20 (Pires)
125▶CD: Mozart: Piano Concertos nos. 25 & 20 (Argerich)
126▶CD: Mozart: Piano Concertos nos. 20 & 21 (Gulda)
127▶CD: Mozart: Piano Concertos nos. 25 & 27 (Gulda)
128▶CD: Mozart: Violin Concertos nos. 1-3
129▶CD: Mozart: Violin Concertos nos. 4 & 5 / Sinfonia concertante, K. 364 (320d)
130▶CD: Mozart: Violin Concertos nos. (7) & 4 / Violin Sonata, K. 454
131▶CD: Mozart: Sinfonia concertante, K. 297b / Concerto for Flute, Harp and Orchestra
132▶CD: Mozart: Horn Concertos nos. 1-4
133▶CD: Mozart: Clarinet Concerto / Flute Concerto no. 2 / Bassoon Concerto
134▶CD: Mozart: Horn Concerto no. 3 / Bassoon Concerto / Oboe Concerto / Allegro for Oboe and Orchestra / Haydn: Trumpet Concerto, Hob. VIIe:1
135▶CD: Auf Mozarts Spuren
136▶CD: Mozart: Missa solemnis “Waisenhaus”
137▶CD: Mozart: Requiem / Laudate Dominum / Aria »Betracht dies Herz und frage mich«
138▶CD: Mozart: Arias / R. Strauss: Orchestral Songs
139▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
140▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
141▶CD: Mozart: Le nozze di Figaro (Act IV)
142▶CD: Mozart: Don Giovanni (Act I beg.)
143▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
144▶CD: Mozart: Don Giovanni (Act II cont.) / Bonus - Arias
145▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
146▶CD: Mozart: Die Zauberflöte (Act II cont.)
147▶CD: Mussorgsky: Night on Bald Mountain / Choral Works / Pictures at an Exhibition (Berliner Philharmoniker)
148▶CD: Mussorgsky: Pictures at an Exhibition (London Symphony Orchestra)
149▶CD: Mussorgsky: Khovanshchina (Act I)
150▶CD: Mussorgsky: Khovanshchina (Acts II & III)
151▶CD: Mussorgsky: Khovanshchina (Acts IV & V)
152▶CD: Nono: Como una ola de fuerza y luz / ..... sofferte onde serene ... / Contrappunto dialettico alla mente
153▶CD: Pergolesi: Stabat Mater / Violin Concerto / Salve Regina
154▶CD: Pergolesi: Missa S. Emidio / Salve Regina / Manca la guida al piè / Laudate pueri Dominum
155▶CD: Pergolesi: Confitebor tibi, Domine / Chi non ode e chi non vede / Salve Regina / Dixit Dominus
156▶CD: Pergolesi: Stabat Mater
157▶CD: Prokofiev: Symphonies nos. 1 “Classical” & 3 / Ballet Suite “Chout” (Excerpts)
158▶CD: Prokofiev: March, op. 99 / Peter and the Wolf / Overture on Hebrew Themes / Symphony no. 1 “Classical”
159▶CD: Prokofiev: Scythian Suite / Lieutenant Kijé
160▶CD: Prokofiev: Romeo and Juliet (Excerpts)
161▶CD: Prokofiev: Piano Concertos nos. 1 & 3
162▶CD: Prokofiev: Piano Concerto no. 3 / Ravel: Piano Concerto in G major
163▶CD: Prokofiev: Alexander Nevsky
164▶CD: Prokofiev: Violin Concertos nos. 1 & 2
165▶CD: Rachmaninoff: Piano Concertos nos. 2 & 3
166▶CD: Rachmaninoff: Rhapsody on a Theme of Paganini / Piano Concerto no. 2
167▶CD: Ravel: Boléro / Rapsodie espagnole / Ma mère l'Oye / Pavane pour une infante défunte
168▶CD: Ravel: Daphnis et Chloé / Valses nobles et sentimentales
169▶CD: Ravel: Le Tombeau de Couperin / Alborada del gracioso / Shéhérazade, M. 17 / Menuet antique / La Valse
170▶CD: Ravel: Piano Concerto in G major / Piano Concerto for the Left Hand / Tzigane / Shéhérazade, M.41
171▶CD: Rossini: Overtures (London Symphony Orchestra)
172▶CD: Rossini: Overtures (Chamber Orchestra of Europe)
173▶CD: Rossini: L'italiana in Algeri (Act I)
174▶CD: Rossini: L'italiana in Algeri (Act II)
175▶CD: Rossini: Il barbiere di Siviglia (Act I beg.) (Chamber Orchestra of Europe)
176▶CD: Rossi: Il barbiere di Siviglia (Acts I cont. & II) (Chamber Orchestra of Europe)
177▶CD: Rossini: Il barbiere di Siviglia (Act I beg.) (London Symphony Orchestra)
178▶CD: Rossini: Il barbiere di Siviglia (Act I cont. & II) (London Symphony Orchestra)
179▶CD: Rossini: La Cenerentola (Act I beg.)
180▶CD: Rossini: La Cenerentola (Act I cont. & II)
181▶CD: Rossini: Il viaggio a Reims (beg.)
182▶CD: Rossini: Il viaggio a Reims (cont.)
183▶CD: Schoenberg: Gurre-Lieder (Part I)
184▶CD: Schoenberg: Gurre-Lieder (Parts II & III)
185▶CD: Schubert: Symphonies nos. 1 & 2
186▶CD: Schubert: Symphonies nos. 3 & 4 “Tragic”
187▶CD: Schubert: Symphonies nos. 5 & 6
188▶CD: Schubert: Symphony no. 8 “Unfinished” / Grand Duo
189▶CD: Schubert: Symphony no. 9 “Great” / Overture “Die Zauberharfe”
190▶CD: Schubert: Symphonies nos. 8 “Unfinished” & 5
191▶CD: Schubert: Symphony no. 9 “Great”
192▶CD: Schubert: Rosamunde, Prinzessin von Zypern
193▶CD: Schubert: Mass no. 2 / Tantum ergo / Psalm 23 / Schumann: Requiem für Mignon
194▶CD: Schubert: Mass no. 6
195▶CD: Schubert: Lieder with Orchestra
196▶CD: Schubert: Fierrabras (Act I)
197▶CD: Schubert: Fierrabras (Acts II & III)
198▶CD: Schumann: Symphony no. 2 / Overtures: Manfred, Genoveva
199▶CD: Schumann: Piano Concerto / Piano Quintet
200▶CD: Schumann & Schoenberg: Piano Concertos
201▶CD: Schumann: Piano Concerto / Weber: Konzertstück
202▶CD: R. Strauss: Don Juan / Till Eulenspiegels lustig
203▶CD: R. Strauss: Orchestral Songs
204▶CD: Stravinsky: Le Sacre du printemps / L'Oiseau de feu / Jeu de cartes
205▶CD: Stravinsky: Pétrouchka / Pulcinella
206▶CD: Tchaikovsky: Symphony no. 2 “Little Russian”
207▶CD: Tchaikovsky: Symphony no. 4
208▶CD: Tchaikovsky: Symphony no. 5
209▶CD: Tchaikovsky: Symphony no. 6 “Pathétique”
210▶CD: Tchaikovsky: The Tempest / Slavonic March / Romeo and Juliet / Ouverture solennelle “1812”
211▶CD: Tchaikovsky: Romeo and Juliet / Scriabin: Le Poème de l'extase
212▶CD: Tchaikovsky: Piano Concerto no. 1 (Argerich)
213▶CD: Tchaikovsky: Piano Concerto no. 1 (Pogorelich)
214▶CD: Tchaikovsky & Mendelssohn: Violin Concertos
215▶CD: Verdi: Overtures and Preludes
216▶CD: Verdi: Messa da Requiem (beg.) (Wiener Philharmoniker)
217▶CD: Verdi: Messa da Requiem (cont.) / Quattro pezzi sacri (Wiener Philharmoniker)
218▶CD: Verdi: Messa da Requiem (beg.) (Coro e Orchestra del Teatro alla Scala)
219▶CD: Verdi: Messa da Requiem (cont.) (Coro e Orchestra del Teatro alla Scala)
220▶CD: Verdi: Macbeth (Acts I & II)
221▶CD: Verdi: Macbeth (Acts III & IV)
222▶CD: Verdi: Simon Boccanegra (Prologue & Act I)
223▶CD: Verdi: Simon Boccanegra (Acts II & III)
224▶CD: Verdi: Un ballo in maschera (Act I)
225▶CD: Verdi: Un ballo in maschera (Acts II & III)
226▶CD: Verdi: Don Carlos (Acts I & II beg.)
227▶CD: Verdi: Don Carlos (Acts II cont. & III)
228▶CD: Verdi: Don Carlos (Act IV)
229▶CD: Verdi: Don Carlos (Act V & Appendix)
230▶CD: Verdi: Aida (Acts I & II)
231▶CD: Verdi: Aida (Acts III & IV)
232▶CD: Verdi: Falstaff (Acts I & II beg.)
233▶CD: Verdi: Falstaff (Acts II cont. & III)
234▶CD: Verdi: Choruses
235▶CD: Verdi: Arias
236▶CD: Verdi: Arias & Scenes
237▶CD: Vivaldi: Le quattro stagioni / Concerto “Per l'orchestra di Dresda”, RV 577
238▶CD: Vivaldi: Le quattro stagioni
239▶CD: Wagner: Orchestral Music
240▶CD: Wagner: Opera Arias
241▶CD: Wagner Gala 1993
242▶CD: Wagner: Lohengrin (Acts I & II beg.)
243▶CD: Wagner: Lohengrin (Act II cont.)
244▶CD: Wagner: Lohengrin (Act III)
245▶CD: Berlin Gala 1997: A Salute to Carmen
246▶CD: Berlin Gala 1998
247▶CD: Jonas Kaufmann - Sehnsucht
248▶CD: Schoenberg: Chamber Symphony no. 1 / Sciarrino: Autoritratto nella notte / Ligeti: Six Bagatelles / Double Concerto
249▶CD: Anna Netrebko - Sempre libera
250▶CD: New Year's Concert 1988
251▶CD: New Year's Concert 1991
252▶CD: Schoenberg: A Survivor from Warsaw / Bach/Webern: Fuga (Ricercata no. 2) / Webern: Passacaglia
253▶CD: Wien Modern I
254▶CD: Wien Modern II
255▶CD: Wien Modern III
256▶CD: Janáček: From the House of the Dead (Acts I & II)
257▶CD: Janáček: From the House of the Dead (Act III)
258▶CD: Mozart: Piano Concerto no. 16
259▶DVD: A Russian Night
260▶DVD: Claudio Abbado in Concert: Mozart & Schubert
261▶DVD: Claudio Abbado in Concert: Brahms & Rossini
262▶DVD: Neujahrskonzert 1991
263▶DVD: Peter and the Wolf: A Prokofiev Fantasy
264▼DVD: La Cenerentola
#TitleArtistRatingLength
1La Cenerentola: Sinfonia (Ouverture)
shot in:
Wien (Vienna), Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
video director:
Jean-Pierre Ponnelle
shot at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Sinfonia
composer:
Gioachino Rossini (composer)
part of:
La Cenerentola, ossia La bontà in trionfo
Gioachino Rossini7:43
2La Cenerentola: Atto primo. Introduzione: “No, no, no: non v'è” (Clorinda, Tisbe)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 1. Introduzione “No, no, no: non v'è” … “Una volta c'era un re” (Clorinda, Tisbe, Cenerentola) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 1. Introduzione “No, no, no: non v'è” … “Una volta c'era un re” (Clorinda, Tisbe, Cenerentola) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini1:45
3La Cenerentola: Atto primo. “Una volta c'era un re” (Cenerentola, Clorinda, Tisbe, Alidoro)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Alidoro, filosofo, maestro di Don Ramiro]:
Paul Plishka (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Frederica von Stade (mezzo-soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 1. Introduzione “No, no, no: non v'è” … “Una volta c'era un re” (Clorinda, Tisbe, Cenerentola) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 1. Introduzione “No, no, no: non v'è” … “Una volta c'era un re” (Clorinda, Tisbe, Cenerentola) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini4:42
4La Cenerentola: Atto primo. “O figlie amabili” (coro, Clorinda, Tisbe, Cenerentola, Alidoro)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Alidoro, filosofo, maestro di Don Ramiro]:
Paul Plishka (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
choir vocals:
Coro del Teatro alla Scala (in 1981-01, from 1981-08 until 1981-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Frederica von Stade (mezzo-soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 1. Introduzione “Un tantin di carita” … “O figlie amabili” … “Cenerentola vien qua” (Alidoro, Cenerentola, Coro, Clorinda, Tisbe) (in 1981-01)
composer:
Gioachino Rossini (composer)
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 1. Introduzione “Un tantin di carita” … “O figlie amabili” … “Cenerentola vien qua” (Alidoro, Cenerentola, Coro, Clorinda, Tisbe) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
part of:
La Cenerentola: Atto I
Gioachino Rossini4:07
5La Cenerentola: Atto primo. Recitativo e cavatina: “Cenerentola, presto” (Tisbe, Clorinda, Cenerentola)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Frederica von Stade (mezzo-soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 1. Recitativo “Date lor mezzo scudo” … “Cenerentola, presto” (Clorinda, Cenerentola, Alidoro, Tisbe) (in 1981-01)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 1. Recitativo “Date lor mezzo scudo” … “Cenerentola, presto” (Clorinda, Cenerentola, Alidoro, Tisbe) (from 1981-08 until 1981-09)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini0:50
6La Cenerentola: Atto primo. “Miei rampolli femminini” (Magnifico)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 1. Cavatina “Miei rampolli femminini” (Magnifico) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 1. Cavatina “Miei rampolli femminini” (Magnifico) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini5:04
7La Cenerentola: Atto primo. Recitativo: “Sappiate che fra poco” (Clorinda, Tisbe, Magnifico)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 1. Recitativo “Sappiate che fra poco” (Clorinda, Tisbe, Magnifico) (in 1981-01)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 1. Recitativo “Sappiate che fra poco” (Clorinda, Tisbe, Magnifico) (from 1981-08 until 1981-09)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini1:24
8La Cenerentola: Atto primo. Scena e duetto: “Tutto è deserto” (Ramiro, Cenerentola)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Frederica von Stade (mezzo-soprano) (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 1. Scena e duetto “Tutto e deserto” … “Un soave non so che” (Ramiro, Cenerentola) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 1. Scena e duetto “Tutto e deserto” … “Un soave non so che” (Ramiro, Cenerentola) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini3:29
9La Cenerentola: Atto primo. “Un soave non so che” (Ramiro, Cenerentola, Clorinda, Tisbe)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Frederica von Stade (mezzo-soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 1. Scena e duetto “Tutto e deserto” … “Un soave non so che” (Ramiro, Cenerentola) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 1. Scena e duetto “Tutto e deserto” … “Un soave non so che” (Ramiro, Cenerentola) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini6:54
10La Cenerentola: Atto primo. Recitativo: “Non so che dir” (Ramiro, Magnifico)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 1. Recitativo “Non so che dir” (Ramiro, Magnifico)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini1:28
11La Cenerentola: Atto primo. Coro e cavatina: “Scegli la sposa” (coro)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
choir vocals:
Coro del Teatro alla Scala (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 1. Coro “Scegli la sposa” / Cavatina “Come un’ape ne’giorni d’aprile” (Coro, Dandini, Clorinda, Tisbe, Magnifico, Ramiro) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 1. Coro “Scegli la sposa” / Cavatina “Come un’ape ne’giorni d’aprile” (Coro, Dandini, Clorinda, Tisbe, Magnifico, Ramiro) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini1:03
12La Cenerentola: Atto primo. “Come un'ape ne' giorni d'aprile” (Dandini, Clorinda, Tisbe, Magnifico, Ramiro, coro)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
baritone vocals [Dandini, suo cameriere]:
Claudio Desderi (baritone and conductor) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
choir vocals:
Coro del Teatro alla Scala (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 1. Coro “Scegli la sposa” / Cavatina “Come un’ape ne’giorni d’aprile” (Coro, Dandini, Clorinda, Tisbe, Magnifico, Ramiro) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 1. Coro “Scegli la sposa” / Cavatina “Come un’ape ne’giorni d’aprile” (Coro, Dandini, Clorinda, Tisbe, Magnifico, Ramiro) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini5:23
13La Cenerentola: Atto primo. Recitativo e quintetto: “Allegrissimamente, che bei quadri!” (Dandini, Clorinda, Magnifico, Ramiro, Tisbe, Cenerentola)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
baritone vocals [Dandini, suo cameriere]:
Claudio Desderi (baritone and conductor) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Frederica von Stade (mezzo-soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 1. Recitativo “Allegrissimamente” (Dandini, Clorinda, Magnifico, Ramiro, Tisbe) (in 1981-01)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 1. Recitativo “Allegrissimamente” (Dandini, Clorinda, Magnifico, Ramiro, Tisbe) (from 1981-08 until 1981-09)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini2:42
14La Cenerentola: Atto primo. “Signor, una parola” (Cenerentola, Magnifico, Dandini, Ramiro, Alidoro)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
baritone vocals [Dandini, suo cameriere]:
Claudio Desderi (baritone and conductor) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Alidoro, filosofo, maestro di Don Ramiro]:
Paul Plishka (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Frederica von Stade (mezzo-soprano) (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 1. Recitativo e quintetto “Signor, una parola” (Cenerentola, Ramiro, Dandini, Magnifico, Alidoro) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 1. Recitativo e quintetto “Signor, una parola” (Cenerentola, Ramiro, Dandini, Magnifico, Alidoro) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini10:49
15La Cenerentola: Atto primo. Recitativo ed aria: “Sì, tutto cangerà” (Alidoro, Cenerentola)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Alidoro, filosofo, maestro di Don Ramiro]:
Paul Plishka (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Frederica von Stade (mezzo-soprano) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 1. Recitativo “Figlia? Figlia voi mi chiamate?” … “Si, tutto cangera” (Alidoro, Cenerentola) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 1. Recitativo “Figlia? Figlia voi mi chiamate?” … “Si, tutto cangera” (Alidoro, Cenerentola) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini2:06
16La Cenerentola: Atto primo. “Là del ciel nell'arcano profondo” (Alidoro)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Alidoro, filosofo, maestro di Don Ramiro]:
Paul Plishka (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 1. Aria “La del ciel nel’arcano profondo” (Alidoro) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 1. Aria “La del ciel nel’arcano profondo” (Alidoro) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini5:37
17La Cenerentola: Atto primo. Recitativo: “Ma bravo, bravo, bravo!” (Dandini, Magnifico, Ramiro, Clorinda, Tisbe)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
baritone vocals [Dandini, suo cameriere]:
Claudio Desderi (baritone and conductor) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 2. Recitativo “Ma bravo! Ma bravo!” … “Ora sono da voi” (Dandini, Magnifico, Ramiro, Clorinda, Tisbe) (in 1981-01)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 2. Recitativo “Ma bravo! Ma bravo!” … “Ora sono da voi” (Dandini, Magnifico, Ramiro, Clorinda, Tisbe) (from 1981-08 until 1981-09)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini3:18
18La Cenerentola: Atto primo. Coro ed aria: “Conciossiacosacché” … “Intendente? Direttor?” (coro, Magnifico)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
choir vocals:
Coro del Teatro alla Scala (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 3. Coro “Conciossiacosacche” … “Noi Don Magnifico” (Coro, Magnifico) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 3. Coro “Conciossiacosacche” … “Noi Don Magnifico” (Coro, Magnifico) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini4:54
19La Cenerentola: Atto primo. Duetto e finale I: “Zitto zitto, piano, piano” (Ramiro, Dandini)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
baritone vocals [Dandini, suo cameriere]:
Claudio Desderi (baritone and conductor) (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 3. Duetto e finale “Zitto, zitto, piano, piano” (Ramiro, Dandini, Clorinda, Tisbe) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 3. Duetto e finale “Zitto, zitto, piano, piano” (Ramiro, Dandini, Clorinda, Tisbe) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini2:54
20La Cenerentola: Atto primo. “Principino, dove siete?” (Clorinda, Tisbe, Dandini, Ramiro, Alidoro, coro)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
baritone vocals [Dandini, suo cameriere]:
Claudio Desderi (baritone and conductor) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Alidoro, filosofo, maestro di Don Ramiro]:
Paul Plishka (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
choir vocals:
Coro del Teatro alla Scala (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 3. Duetto e finale “Zitto, zitto, piano, piano” (Ramiro, Dandini, Clorinda, Tisbe) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 3. Duetto e finale “Zitto, zitto, piano, piano” (Ramiro, Dandini, Clorinda, Tisbe) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini4:31
21La Cenerentola: Atto primo. “Ah! se velata ancor” (coro)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
choir vocals:
Coro del Teatro alla Scala (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 3. Chorus “Venga, inoltri” … “Ah! Se velata ancor” … “Parlar – pensar – vorrei” (Coro, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Cenerentola) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 3. Chorus “Venga, inoltri” … “Ah! Se velata ancor” … “Parlar – pensar – vorrei” (Coro, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Cenerentola) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini1:10
22La Cenerentola: Atto primo. “Sprezzo quei don” (Cenerentola, Ramiro, Dandini, Clorinda, Tisbe, Alidoro)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
baritone vocals [Dandini, suo cameriere]:
Claudio Desderi (baritone and conductor) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Alidoro, filosofo, maestro di Don Ramiro]:
Paul Plishka (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Frederica von Stade (mezzo-soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 3. Chorus “Venga, inoltri” … “Ah! Se velata ancor” … “Parlar – pensar – vorrei” (Coro, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Cenerentola) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 3. Chorus “Venga, inoltri” … “Ah! Se velata ancor” … “Parlar – pensar – vorrei” (Coro, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Cenerentola) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini6:05
23La Cenerentola: Atto primo. “Signor, Altezza, è in tavola” (Magnifico, Clorinda, Tisbe, Cenerentola, Ramiro, Dandini)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
baritone vocals [Dandini, suo cameriere]:
Claudio Desderi (baritone and conductor) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Frederica von Stade (mezzo-soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto I, scena 3. Recitativo “Signor, Altezza, in tavola” (Magnifico, Clorinda, Tisbe, Cenerentola, Ramiro, Dandini, Alidoro) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 3. Recitativo “Signor, Altezza, in tavola” (Magnifico, Clorinda, Tisbe, Cenerentola, Ramiro, Dandini, Alidoro) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini4:33
24La Cenerentola: Atto secondo. Recitativo ed aria: “Mi par che quei birbanti” (Magnifico, Tisbe, Clorinda)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto II, scena 1. Recitativo “Mi par che quei birbanti” (Magnifico, Tisbe, Clorinda) (in 1981-01)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 1. Recitativo “Mi par che quei birbanti” (Magnifico, Tisbe, Clorinda) (from 1981-08 until 1981-09)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini2:33
25La Cenerentola: Atto secondo. “Sia qualunque delle figlie” (Magnifico)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto II, scena 1. Aria “Sia qualunque delle figlie” (Magnifico) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 1. Aria “Sia qualunque delle figlie” (Magnifico) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini4:47
26La Cenerentola: Atto secondo. Recitativo, scena ed aria: “Ah! questa bella incognita” (Ramiro, Dandini, Cenerentola, Alidoro)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
baritone vocals [Dandini, suo cameriere]:
Claudio Desderi (baritone and conductor) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Alidoro, filosofo, maestro di Don Ramiro]:
Paul Plishka (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Frederica von Stade (mezzo-soprano) (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto II, scena 1. Recitativo “Ah! questa bella incognita” (Tisbe, Clorinda, Ramiro, Dandini, Cenerentola, Alidoro) (in 1981-01)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 1. Recitativo “Ah! questa bella incognita” (Tisbe, Clorinda, Ramiro, Dandini, Cenerentola, Alidoro) (from 1981-08 until 1981-09)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini3:20
27La Cenerentola: Atto secondo. “Sì, ritrovarla io giuro” (Ramiro, coro)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
choir vocals:
Coro del Teatro alla Scala (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto II, scena 1. Recitativo “E allor... se non ti spaccio” ... Aria “Si, ritrovarla io giuro” (Ramiro, Coro) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 1. Recitativo “E allor... se non ti spaccio” ... Aria “Si, ritrovarla io giuro” (Ramiro, Coro) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini6:03
28La Cenerentola: Atto secondo. Recitativo e duetto: “Ma dunque io sono un ex” (Dandini, Magnifico)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera) and Rainer Mockert (producer) (task: production manager)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
baritone vocals [Dandini, suo cameriere]:
Claudio Desderi (baritone and conductor) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
video director:
David Watkin (director of photography)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto II, scena 1. Recitativo e duetto “Ma dunque io sono un ex” … “Un segreto d’importanza” (Dandini, Magnifico) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 1. Recitativo e duetto “Ma dunque io sono un ex” … “Un segreto d’importanza” (Dandini, Magnifico) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini2:29
29La Cenerentola: Atto secondo. “Un segreto d'importanza” (Dandini, Magnifico)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
baritone vocals [Dandini, suo cameriere]:
Claudio Desderi (baritone and conductor) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto II, scena 1. Recitativo e duetto “Ma dunque io sono un ex” … “Un segreto d’importanza” (Dandini, Magnifico) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 1. Recitativo e duetto “Ma dunque io sono un ex” … “Un segreto d’importanza” (Dandini, Magnifico) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini4:58
30La Cenerentola: Atto secondo. Canzone: “Una volta c'era un re” (Cenerentola)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Frederica von Stade (mezzo-soprano) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto II, scena 2. Canzone “Una volta c’era un re” (Cenerentola) / Recitativo “Quanto sei caro!” (Cenerentola, Clorinda, Magnifico, Tisbe) (in 1981-01)
composer:
Luca Agolini and Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 2. Canzone “Una volta c’era un re” (Cenerentola) / Recitativo “Quanto sei caro!” (Cenerentola, Clorinda, Magnifico, Tisbe) (from 1981-08 until 1981-09)
composer:
Luca Agolini and Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini1:40
31La Cenerentola: Atto secondo. Recitativo: “Quanto sei caro!” (Cenerentola, Clorinda, Magnifico, Tisbe)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Frederica von Stade (mezzo-soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto II, scena 2. Canzone “Una volta c’era un re” (Cenerentola) / Recitativo “Quanto sei caro!” (Cenerentola, Clorinda, Magnifico, Tisbe) (in 1981-01)
composer:
Luca Agolini and Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 2. Canzone “Una volta c’era un re” (Cenerentola) / Recitativo “Quanto sei caro!” (Cenerentola, Clorinda, Magnifico, Tisbe) (from 1981-08 until 1981-09)
composer:
Luca Agolini and Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini2:10
32La Cenerentola: Atto secondo. Temporale
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto II, scena 2. Temporale (in 1981-01)
composer:
Gioachino Rossini (composer)
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 2. Temporale (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
part of:
La Cenerentola: Atto II
Gioachino Rossini2:24
33La Cenerentola: Atto secondo. Recitativo e sestetto: “Scusate, amici” (Dandini, Magnifico, Ramiro, Clorinda, Cenerentola)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
baritone vocals [Dandini, suo cameriere]:
Claudio Desderi (baritone and conductor) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Frederica von Stade (mezzo-soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto II, scena 2. Recitativo “Scusate, amici” (Dandini, Magnifico, Ramiro, Clorinda, Cenerentola) (in 1981-01)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 2. Recitativo “Scusate, amici” (Dandini, Magnifico, Ramiro, Clorinda, Cenerentola) (from 1981-08 until 1981-09)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini1:49
34La Cenerentola: Atto secondo. “Siete voi?” … “Questo è un nodo avviluppato” (Ramiro, Cenerentola, Tisbe, Clorinda, Dandini, Magnifico)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
baritone vocals [Dandini, suo cameriere]:
Claudio Desderi (baritone and conductor) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Frederica von Stade (mezzo-soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto II, scena 2. Sestetto “Siete voi?” - “Questo è un nodo avviluppato” (Ramiro, Cenerentola, Tisbe, Clorinda, Dandini, Magnifico) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 2. Sestetto “Siete voi?” - “Questo è un nodo avviluppato” (Ramiro, Cenerentola, Tisbe, Clorinda, Dandini, Magnifico) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini4:30
35La Cenerentola: Atto secondo. “Donna sciocca, alma di fango!” (Clorinda, Magnifico, Ramiro, Dandini, Tisbe, Cenerentola)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
baritone vocals [Dandini, suo cameriere]:
Claudio Desderi (baritone and conductor) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Frederica von Stade (mezzo-soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto II, scena 2. Sestetto “Siete voi?” - “Questo è un nodo avviluppato” (Ramiro, Cenerentola, Tisbe, Clorinda, Dandini, Magnifico) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 2. Sestetto “Siete voi?” - “Questo è un nodo avviluppato” (Ramiro, Cenerentola, Tisbe, Clorinda, Dandini, Magnifico) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini8:25
36La Cenerentola: Atto secondo. Recitativo: “Dunque noi siam burlate?” (Tisbe, Clorinda, Alidoro)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Alidoro, filosofo, maestro di Don Ramiro]:
Paul Plishka (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto II, scena 2. Recitativo “Dunque noi siam burlate” (Tisbe, Clorinda, Alidoro) (in 1981-01)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 2. Recitativo “Dunque noi siam burlate” (Tisbe, Clorinda, Alidoro) (from 1981-08 until 1981-09)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini2:42
37La Cenerentola: Atto secondo. Coro, scena e rondò finale: “Della fortuna instabile” (coro)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
choir vocals:
Coro del Teatro alla Scala (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini1:40
38La Cenerentola: Atto secondo. “Sposa…” - “Signor, perdona” (Ramiro, Cenerentola, Magnifico)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Frederica von Stade (mezzo-soprano) (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini1:35
39La Cenerentola: Atto secondo. “Nacqui all'affanno” (Cenerentola e tutti gli altri)
shot in:
Vienna, Austria (from 1981-08 until 1981-09)
miscellaneous support:
Mike Connor (camera operator) (task: camera), Fritz Beckhoff (camera operator) (task: camera), Freddy Cooper (task: camera), Rainer Mockert (producer) (task: production manager) and David Watkin (director of photography) (task: director of photography)
sound engineer:
Gernot R. Westhäuser (Engineer), Klaus Hiemann (engineer/producer), Peter Kellerhals (audio engineer), Walter Kellerhals and Hartmut Tscharke (audio engineer)
executive producer:
Horant H. Hohlfeld (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Monika Bergmann and Gudrun Mockert-Keyser (film editor)
harpsichord:
Vincenzo Scalera (pianist) (in 1981-01, from 1981-08 until 1981-09)
baritone vocals [Dandini, suo cameriere]:
Claudio Desderi (baritone and conductor) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Alidoro, filosofo, maestro di Don Ramiro]:
Paul Plishka (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (in 1981-01, from 1981-08 until 1981-09)
choir vocals:
Coro del Teatro alla Scala (in 1981-01, from 1981-08 until 1981-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Frederica von Stade (mezzo-soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1981-01, from 1981-08 until 1981-09)
soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1981-01, from 1981-08 until 1981-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Francisco Araiza (tenor) (in 1981-01, from 1981-08 until 1981-09)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01, from 1981-08 until 1981-09)
conductor:
Claudio Abbado (conductor) (in 1981-01, from 1981-08 until 1981-09)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01, from 1981-08 until 1981-09)
assistant video director:
Christoph Böllinger and Franziska Polanski
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) (in 1981-01)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) (from 1981-08 until 1981-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini7:18
265▶DVD: Rossini: Il barbiere di Siviglia
266▶DVD: Janáček: From the House of the Dead