| # | Title | Artist | Rating | Length |
|---|
| 1 | People Get Ready- recording engineer:
- Ann Mincieli
- membranophone programming:
- Kerry "Krucial" Brothers
- assistant engineer:
- Valente Torrez and Stuart White
- producer:
- Kerry "Krucial" Brothers and Alicia Keys
- assistant mixer:
- Jared Robbins
- mixer:
- Manny Marroquin
- bass [live bass]:
- Steve Mostyn
- guitar family:
- Artie White and Jubu
- horn [horns]:
- CHOPS
- piano:
- Alicia Keys
- Rhodes piano [Rhodes]:
- Onree Gill
- background vocals:
- L. Green
- vocals:
- Lyfe Jennings and Alicia Keys
- recorded at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States and The Oven Studios in Chelsea, New York, New York, United States
- mixed at:
- Larrabee Sound North in North Hollywood, Los Angeles, California, United States
- cover recording of:
- People Get Ready
- lyricist and composer:
- Curtis Mayfield
- publisher:
- Mijac Music, Warner Chappell Music Ltd. and Warner–Tamerlane Publishing Corp.
| Alicia Keys and Lyfe Jennings | | 2:43 |
| 2 | Ain't That Peculiar | Marvin Gaye | 3.25 | 3:01 |
| 3 | Uptight (Everything's Alright) | Stevie Wonder | 4.7 | 2:55 |
| 4 | Dancing in the Street- producer:
- William Stevenson
- baritone saxophone:
- Thomas Bowles (on 1964-06-29)
- bass guitar:
- James Jamerson (on 1964-06-29)
- drums (drum set):
- Marvin Gaye (on 1964-06-29)
- guitar:
- Joe Messina (on 1964-06-29), Robert White (on 1964-06-29) and Eddie Willis (on 1964-06-29)
- other instruments [tire iron]:
- Ivy Jo Hunter (on 1964-06-29)
- percussion, tambourine and vibraphone [vibes]:
- Jack Ashford (on 1964-06-29)
- tenor saxophone:
- Henry Cosby (on 1964-06-29)
- trombone:
- George Bohanon (on 1964-06-29) and Paul Riser (on 1964-06-29)
- trumpet:
- Russell Conway (on 1964-06-29) and Herbert Williams (on 1964-06-29)
- background vocals:
- Rosalind Ashford (on 1964-06-29), Ivy Jo Hunter (on 1964-06-29), Betty Kelly (on 1964-06-29) and William Stevenson (on 1964-06-29)
- lead vocals:
- Martha Reeves (on 1964-06-29)
- publisher:
- EMI Music Publishing
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1964) and UMG Recordings, Inc. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 7), Rolling Stone: 500 Greatest Songs of All Time (number: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 130) and Billboard: The 500 Best Pop Songs (number: 403)
- recording of:
- Dancing in the Street (on 1964-06-29)
- writer:
- I. Hunter, M. Gaye and W. Stevenson
- publisher:
- EMI Music , EMI Music Publishing , FCG Music, Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Martha and the Vandellas | 3.55 | 2:41 |
| 5 | I'm on My Way to Canaan | Mahalia Jackson | | 3:23 |
| 6 | Can You Do It | The Contours | | 2:20 |
| 7 | Shake It Up Baby (aka Twist and Shout)- cover recording of:
- Twist and Shout
- writer:
- Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
- publisher:
- EMI Music Publishing , EMI Music Publishing Ltd. , Progressive Music Publishing Company Inc., Progressive Music, Inc , Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. , Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell
- part of:
- Baby It’s You!
| The Isley Brothers | | 2:30 |
| 8 | Down in the Boondocks | Billy Joe Royal | | 2:36 |
| 9 | I've Been Loving You Too Long (to Stop Now) | Otis Redding | | 3:14 |
| 10 | Ain't That Good News | The Meditation Singers | | 2:40 |
| 11 | I Will Make the Darkness Light | Alicia Keys | | 2:26 |
| 12 | Glory Road- recording engineer:
- Steve Kempster
- programming:
- Paul Linford
- producer:
- Trevor Rabin
- mixer:
- Steve Kempster, Paul Linford and Trevor Rabin
- editor:
- Jeanette Surga
- choir vocals [choir] arranger:
- Carmen Twillie
- orchestrator:
- Gordon Goodwin
- recorded at:
- Sony Pictures Studios Scoring Stage in Culver City, California, United States and Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States and The Jacaranda Room in Los Angeles, California, United States
| Trevor Rabin feat. Alicia Keys | | 4:19 |
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