Academy of St. Martin in the Fields 60th Anniversary Edition

~ Release by Academy of St Martin in the Fields (see all versions of this release, 1 available)

Annotation

60-CD collection celebrating the 60th anniversary of the Academy of St. Martin in the Fields.

Annotation last modified on 2020-07-09 10:01 UTC.

Tracklist

1▶CD: The First Recordings I: Corelli / Torelli / Locatelli / Albicastro / Handel et al
2▶CD: The First Recordings II: Avison / Handel / Telemann / Vivaldi / Geminiani et al
3▶CD: Vivaldi: The Four Seasons (1970 and 1980 recordings)
4▶CD: Vivaldi: Concertos for Wind & Strings
5▶CD: Vivaldi: Concertos
6▶CD: Geminiani: 6 Concerti Grossi
7▶CD: Trumpet Concertos: Telemann / Albinoni / Hertel / Fasch / Vivaldi / Albrechtsberger / L. Mozart / Hummel
8▶CD: Telemann: Violin Concertos / Overture in C major “Hamburger Ebb und Flut”
9▶CD: Handel: Concerti Grossi, op. 3 / Alcina, HWV 34 - incidental music
10▶CD: Handel: 12 Concerti Grossi, op. 6 / Oboe Concertos / 3 Concerti a due cori (1)
11▶CD: Handel: 12 Concerti Grossi, op. 6 / Oboe Concertos / 3 Concerti a due cori (2)
12▶CD: Handel: 12 Concerti Grossi, op. 6 / Oboe Concertos / 3 Concerti a due cori (3)
13▶CD: J.S. Bach: Keyboard Concertos nos 1, 2 & 4, BWV 1052, 1053, 1055
14▶CD: J.S. Bach: Keyboard Concertos nos. 3, 5 & 6, BWV 1054, 1056-1058
15▶CD: J.S. Bach: Violin Concertos
16▶CD: J.S. Bach: The Art of Fugue (beginning), BWV 1080
17▶CD: J.S. Bach: The Art of Fugue (conclusion) / Sonata for Flute, Violin and Continuo
18▶CD: Arne / C.P.E. Bach / J.C. Bach: Harpsichord Concertos
19▶CD: J.C. Bach: 6 Symphonies, op. 3 / Mozart: March in D major, K408 no. 2 / Haydn: Symphony no. 52 in C minor
20▶CD: Wassenaer: 6 Concerti Armonici (formerly attrib. to Pergolesi)
21▶CD: Baroque Horn Concertos: Knechtl / Reinhardt / Quantz / Graun / Röllig
22▶CD: Gluck: Don Juan - ballet / Handel: Ariodante & Il pastor fido - ballet music
23▶CD: Haydn: Cello Concertos nos. 1 & 2 / Trumpet & Harpsichord Concertos
24▶CD: Haydn: Overture in D major / Acide e Galatea Overture / 6 Allemandes Hob. IX:9 / 6 Allemandes from Hob. IX / Organ & Horn Concertos
25▶CD: Haydn: Symphonies nos. 53, 99 & 102
26▶CD: M. Haydn: Horn Concerto in D major / 6 Minuets / Duo Concertante for Viola and Organ in C major
27▶CD: Mozart: Serenades & Divertimenti
28▶CD: Mozart: Sinfonia Concertante K297b & K364 / Adagio and Fugue in C minor, K546
29▶CD: Mozart: Eine kleine Nachtmusik / Posthorn Serenade / Serenata notturna
30▶CD: Mozart: Gran Partita / Divertimento in C major, K188
31▶CD: Beethoven: 2 Minuets WoO 7 / 12 German Dances WoO 8 / 12 Contredances WoO 14 / Große Fuge in B-flat major, op. 133
32▶CD: Beethoven: Symphonies nos. 4 & 7
33▶CD: Weber: Clarinet Concertos nos. 1 & 2 / Clarinet Concertino
34▶CD: Rossini: Complete Overtures I
35▶CD: Rossini: Complete Overtures II
36▶CD: Rossini: Complete Overtures III
37▶CD: Concert à la carte: Clarke / Handel / Purcell / Rossini / Boccherini / Mozart / Haydn / Tchaikovsky / Schubert / Medelssohn / Bree / Ricciotti / Locatelli
38▶CD: Mendelssohn: String Symphonies nos. 9, 10, 12 / Concerto for Piano & Strings in A major
39▶CD: Mendelssohn: Symphonies nos. 3 “Scottish” & no. 4 “Italian”
40▶CD: Gounod: The 2 Symphonies / Faust Ballet Music
41▶CD: Dvořák: Serenades
42▶CD: Tchaikovsky: Nutcracker Suite / Serenade for Strings / Violin Concerto
43▶CD: Grieg: Holberg Suite / Elegiac Melodies / Sibelius: Valse triste / Rakastava / Nielsen: Little Suite / Wirén: Serenade etc.
44▶CD: Bruch & Mendelssohn: Violin Concertos
45▶CD: R. Strauss: Le bourgeois gentilhomme suite / Couperin Suite
46▶CD: Bruch: Scottish Fantasy / Violin Concerto no. 1
47▶CD: Popular French Orchestra Works: Berlioz / Ravel / Saint-Saëns / Debussy / Chabrier / Canteloube / Satie / Fauré
48▶CD: Respighi: Pines of Rome / Fountains of Rome / Roman Festivals / The Birds
49▶CD: Bartók: Music for Strings, Percussion & Celesta / Divertimento
50▶CD: Stravinsky: Pulcinella - Suite / Apollon musagète / Capriccio for Piano and Orchestra
51▶CD: Elgar / Warlock / Butterworth: Orchestral Works
52▶CD: Delius / Holst / Elgar: Orchestral Works / Vaughan Williams: Concerto for Oboe & Strings
53▶CD: Vaughan Williams: The Wasps - Overture / Fantasia on a Theme by Thomas Tallis / Variations for Orchestra / Romance for Harmonica and Strings etc.
54▼CD: Vaughan Williams: The Lark Ascending / Fantasia on Greensleeves / English Folk Song Suite etc.
#TitleArtistRatingLength
1The Lark Ascending
producer:
Michael Bremner (producer/engineer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1971-05-12 until 1971-05-14)
orchestra:
Academy of St Martin in the Fields (from 1971-05-12 until 1971-05-14)
conductor:
Neville Marriner (conductor) (from 1971-05-12 until 1971-05-14)
balance engineer:
Stanley Goodall (engineer) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-05-12 until 1971-05-14)
recording of:
The Lark Ascending (for violin and orchestra) (from 1971-05-12 until 1971-05-14)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams16:13
2Fantasia on Greensleeves
producer:
Chris Hazell
flute:
William Bennett (flautist) (from 1980-02-12 until 1980-02-13)
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
Fantasia on “Greensleeves” (from 1980-02-12 until 1980-02-13)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:30
3Concerto grosso: I. Intrada
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Sir Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer) (in 1977-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Concerto Grosso: I. Intrada (on 1977-01-29)
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
Ralph Vaughan Williams2:18
4Concerto grosso: II. Burlesca Ostinata
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Sir Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer) (in 1977-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Concerto Grosso: II. Burlesca ostinata (on 1977-01-29)
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
Ralph Vaughan Williams2:38
5Concerto grosso: III. Sarabande
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Sir Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer) (in 1977-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Concerto Grosso: III. Sarabande (on 1977-01-29)
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
Ralph Vaughan Williams3:13
6Concerto grosso: IV. Scherzo
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Sir Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer) (in 1977-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Concerto Grosso: IV. Scherzo (on 1977-01-29)
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
Ralph Vaughan Williams2:07
7Concerto grosso: V. March and reprise
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Sir Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer) (in 1977-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Concerto Grosso: V. March and Reprise (on 1977-01-29)
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
Ralph Vaughan Williams4:14
8English Folk Song Suite: I. March: Seventeen come Sunday
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:21
9English Folk Song Suite: II. Intermezzo: My Bonny Boy
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:18
10English Folk Song Suite: III. March: Folk Songs from Somerset
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:58
11Sumer is i-cumen in
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Sir Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
arranger:
Chris Hazell
balance engineer:
Stanley Goodall (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
instrumental recording of:
Sumer is icumen in (from 1980-02-12 until 1980-02-13)
composer:
[anonymous] (special purpose artist)
[anonymous]3:54
12The Turtle Dove
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Sir Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
arranger:
Chris Hazell
balance engineer:
Stanley Goodall (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
instrumental recording of:
The Turtle Dove (aka Fare Thee Well / Ten Thousand Miles) (from 1980-02-12 until 1980-02-13)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 422)
[anonymous]5:25
13The Keeper would a-hunting go
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Sir Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
arranger:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger)
balance engineer:
Stanley Goodall (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
instrumental recording of:
The Keeper Would A-Hunting Go (from 1980-02-12 until 1980-02-13)
composer:
[traditional] (special purpose artist)
[anonymous]2:08
14The Oak and the Ash
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Sir Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
arranger:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger)
balance engineer:
Stanley Goodall (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
instrumental recording of:
The Oak and the Ash (aka The North Country Maid) (from 1980-02-12 until 1980-02-13)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 1367)
[anonymous]3:27
15Early One Morning
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Sir Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
arranger:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger)
balance engineer:
Stanley Goodall (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
instrumental recording of:
Early One Morning (from 1980-02-12 until 1980-02-13)
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Roud Folk Song Index (number: 12682)
[anonymous]2:44
16John Peel
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Sir Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
arranger:
Chris Hazell
balance engineer:
Stanley Goodall (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
instrumental recording of:
D’ye ken John Peel (from 1980-02-12 until 1980-02-13)
lyricist:
John Woodcock Graves (English 19th century composer/lyricist, “John Peel”)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 1239)
[anonymous]4:24
17The Jolly Miller
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Sir Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
[anonymous]3:23
18I will give my love an apple
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Sir Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
arranger:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger)
balance engineer:
Stanley Goodall (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
instrumental recording of:
I Will Give My Love an Apple (from 1980-02-12 until 1980-02-13)
composer:
[anonymous] (special purpose artist)
[anonymous]3:22
19The British Grenadiers
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Sir Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
arranger:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger)
balance engineer:
Stanley Goodall (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
instrumental recording of:
The British Grenadiers (from 1980-02-12 until 1980-02-13)
composer:
[traditional] (special purpose artist)
[anonymous]3:38
55▶CD: English Seasons: Delius / Bridge / Foulds / Grainger / Bax
56▶CD: Finzi: Clarinet Concerto / Dies Natalis / Nocturne / Romance for String Orchestra
57▶CD: Tippett: Concerto for Double String Orchestra / Fantasia Concertante on a Theme of Corelli / Little Music for String Orchestra / Walton: Façade (Highlights)
58▶CD: Mahler: Lieder eines fahrenden Gesellen / Britten: Nocturne / Variations on a Theme of Frank Bridge
59▶CD: Williamson: The Happy Prince / Walton: Sonata for String Orchestra
60▶CD: Mozart: Exsultate Jubilate, K165 / Clarinet Concerto / Piano Concerto no. 21