Absolute 80's

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Countries excluded (Deezer)

(As of 2024-02-29).

  • Northern America: 🇨🇦 Canada (ca) 🇺🇸 United States (us)
  • Eastern Europe: 🇧🇾 Belarus (by)
  • Eastern Asia: 🇯🇵 Japan (jp)
  • Oceania: 🇦🇺 Australia (au) 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf) 🇳🇿 New Zealand (nz)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇹🇰 Tokelau (tk)
Annotation last modified on 2024-02-29 03:04 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength

This medium has too many tracks to load at once, so it’s been paginated.

1What's Love Got to Do with It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
recording of:
What’s Love Got to Do With It (Kygo version)
writer:
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) and Graham Lyle
publisher:
Kobalt Music (publisher) (from 2020 to present) and WC Music Corp. (from 2020 to present)
is based on:
What’s Love Got to Do With It
Tina Turner4.053:50
2Hon har ett sätt
recording of:
Hon har ett sätt
lyricist and composer:
Jakob Hellman
Jakob Hellman3:22
3Forever Young
additional recording engineer:
Uli Rudolf (from 1984-07 until 1984-08)
recording engineer, programming and mixer:
Wolfgang Loos (from 1984-07 until 1984-08)
assistant programming:
Boris Balin and Thomas Beck (technical assistant, likely German)
producer:
Wolfgang Loos and Colin Pearson (producer and violinist)
additional keyboard:
Wolfgang Loos (from 1984-07 until 1984-08)
bass:
Ken Taylor (from 1984-07 until 1984-08)
drum machine:
Bernhard Lloyd (from 1984-07 until 1984-08)
drums (drum set):
Curt Cress (from 1984-07 until 1984-08)
keyboard:
Bernhard Lloyd (from 1984-07 until 1984-08) and Frank Mertens (German synthpop keyboardist Frank Sorgatz) (from 1984-07 until 1984-08)
background vocals:
Gulfstream (from 1984-07 until 1984-08) and The Rosie Singers (from 1984-07 until 1984-08)
lead vocals:
Marian Gold (from 1984-07 until 1984-08)
arranger:
Alphaville (German synth pop band) and Wolfgang Loos
phonographic copyright (℗) by:
WEA MUSIK GMBH (company, not a label) (from 1984 to present) and wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (in 1984, in 1994)
recorded at and mixed at:
Studio 54 (Berlin recording studio) in Germany (from 1984-07 until 1984-08)
recording of:
Forever Young (from 1984-07 until 1984-08)
lyricist:
Marian Gold
composer:
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold and Bernhard Lloyd
publisher:
Downtown DMP Songs, Fable Music Pty. Ltd. and Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.553:46
4Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
music videos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) by a‐ha (Norwegian synth‐pop band) and Take On Me (official music video, 1985 version) by a‐ha (Norwegian synth‐pop band)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 26), The Downloader’s Music Source Book (number: 284) and BILLIONS CLUB
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. and EMI Music Publishing (do not use as a release label!)
version of:
Miss Eerie
a‐ha4.43:48
5Då står pojkarna på rad
cello:
Per-Ola Claesson and Ragne Petterson
viola:
Alm Nils Ersson and Kjell Nilsson (Violin player)
violin:
Leila Forstén, Henrik Hansson (violinist), Lim Yoo Jik, Gunilla Markström, Zahari Mirchev, Hai-Ju Mong and Einar Sveinbjörnsson (Icelandic violinist)
lead vocals:
Orup (Swedish musician Hans Thomas Eriksson)
recording of:
Då står pojkarna på rad
lyricist and composer:
Orup (Swedish musician Hans Thomas Eriksson)
Orup4:22
6We Built This City
phonographic copyright (℗) by:
BMG Entertainment (in 1985) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1985)
recording of:
We Built This City
writer:
Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) and Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship44:37
7Always On My Mind
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987, in 1991)
part of:
New York Post: 100 Greatest Covers (2007) (number: 42)
cover recording of:
Always on My Mind
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) and Screen Gems–EMI Music Ltd.
recording of:
Always on My Mind
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) and Screen Gems–EMI Music Ltd.
Pet Shop Boys4.33:54
8Babooshka
assistant engineer:
John Barratt (British audio engineer) (from 1979-09 until 1980-05)
engineer:
Jon Kelly (engineer at Air London Studios) (from 1979-09 until 1980-05)
producer:
Kate Bush and Jon Kelly (engineer at Air London Studios)
analog synthesizer [CS 80] and lead vocals:
Kate Bush (from 1979-09 until 1980-05)
balalaika:
Paddy Bush (from 1979-09 until 1980-05)
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel) (from 1979-09 until 1980-05)
electric bass guitar:
John Giblin (from 1979-09 until 1980-05)
electric guitar:
Brian Bath (from 1979-09 until 1980-05) and Alan Murphy (UK session guitarist) (from 1979-09 until 1980-05)
Rhodes piano [Fender Rhodes]:
Max Middleton (from 1979-09 until 1980-05)
background vocals:
Paddy Bush (from 1979-09 until 1980-05) and Gary Hurst (from 1979-09 until 1980-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980), Novercia Ltd. (in 1980) and EMI America Records, Inc. (holding – file NO releases here!) (in 1982)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-09 until 1980-05) and Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-09 until 1980-05)
recording of:
Babooshka (from 1979-09 until 1980-05)
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Kate Bush Music Ltd.
Kate Bush3.553:29
9Vill ha digFreestyle3:35
10Sharp Dressed Man
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
drums (drum set) and percussion:
Frank Beard (ZZ Top drummer)
electric bass guitar:
Dusty Hill
electric guitar and lead vocals:
Billy Gibbons
vocals:
Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Sharp Dressed Man
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
composer:
Chrome Division (Norwegian heavy metal band)
publisher:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic and Stage Three Songs
sub-publisher:
BMG Gold Songs and Zazta Muzic Ltd.
ZZ Top4.64:13
11You're the Inspiration
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
You’re the Inspiration (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
Chicago53:50
12Got to Get
performer:
Leila K (Swedish Eurodance singer)
recording of:
Got to Get
lyricist:
Leila El Khalifi (Swedish Eurodance singer) and Martin Carboo
composer:
Rasmus Lindwall, Martin Carboo and Robert Waatz
Rob ’n’ Raz feat. Leila K2.53:21
13It's My Life
programming and producer:
Tim Friese‐Greene
acoustic guitar:
Mark Hollis
drum machine and synthesizer:
Tim Friese‐Greene
drums (drum set):
Tim Friese‐Greene and Lee Harris (singer-songwriter & musician)
fretless bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
guitar:
Robbie McIntosh (English guitarist for The Pretenders)
keyboard:
Ian Curnow
percussion:
Morris Pert
piano:
Tim Friese‐Greene and Phil Ramocon (soul/R&B/reggae songwriter)
background vocals:
Mark Hollis and Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographic copyright (℗) by:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
writer:
Tim Friese‐Greene and Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.753:52
14I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott “Abada” Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.955:04
15Vingar
recording of:
Vingar
lyricist:
Peter Lindforss
composer:
Mikael Rickfors
Mikael Rickfors5:13
16Kokomo
engineer and mixer:
Keith Wechsler
producer:
Terry Melcher
accordion:
Van Dyke Parks (from 1988-03-22 until 1988-04-06)
acoustic guitar:
Jeffrey Foskett (from 1988-03-22 until 1988-04-06)
alto saxophone:
Joel Peskin (from 1988-03-22 until 1988-04-06)
bass:
Rod Clark (UK bassist) (from 1988-03-22 until 1988-04-06)
drums (drum set):
Jim Keltner (from 1988-03-22 until 1988-04-06)
slide guitar [electric slide guitar]:
Ry Cooder (from 1988-03-22 until 1988-04-06)
background vocals:
Al Jardine (guitarist and singer) (from 1988-03-22 until 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (from 1988-03-22 until 1988-04-06), Mike Love (Beach Boys) (from 1988-03-22 until 1988-04-06) and Carl Wilson (Beach Boys) (from 1988-03-22 until 1988-04-06)
lead vocals:
Mike Love (Beach Boys) (from 1988-03-22 until 1988-04-06) and Carl Wilson (Beach Boys) (from 1988-03-22 until 1988-04-06)
performer:
The Beach Boys (American rock band) (from 1988-03-22 until 1988-04-06)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (in 1988) and Touchstone Pictures (in 1988)
music videos:
Kokomo by The Beach Boys (American rock band)
recording of:
Kokomo (from 1988-03-22 until 1988-04-06)
writer:
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher and John Phillips (The Mamas & The Papas)
publisher:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. and Yamaha Music EH(CM)
The Beach Boys4.353:36
17Orinoco Flow
engineer:
Ross Cullum and Nicky Ryan
co-producer:
Ross Cullum and Enya (Irish singer-songwriter)
producer:
Nicky Ryan
mixer:
Jimbo Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
instruments and vocals:
Enya (Irish singer-songwriter)
arranger:
Enya (Irish singer-songwriter) and Nicky Ryan
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (from 1988 to present) and WEA Records Ltd. (holding company based in the UK) (in 1988)
recorded at:
Orinoco Studios in Southwark, London (Greater London), England, United Kingdom
mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
music videos:
Orinoco Flow by Enya (Irish singer-songwriter)
recording of:
Orinoco Flow
lyricist:
Roma Ryan
composer:
Enya (Irish singer-songwriter)
publisher:
Aigle Music, EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Enya4.34:26
18Ain't Nobody
recording of:
Ain’t Nobody
lyricist and composer:
David Wolinski
publisher:
Overdue Music
Chaka Khan4:05
19Here I Go Again 87
producer:
Kevin Elson, Keith Olsen (US producer and engineer) and Mike Stone (producer and engineer, 1960s–80s)
mixer:
Keith Olsen (US producer and engineer)
drums (drum set) and percussion:
Aynsley Dunbar
electric bass guitar:
Neil Murray (British bass guitar player)
electric guitar and background vocals:
John Sykes
guest keyboard and keyboard:
Don Airey and Bill Cuomo
solo electric guitar:
Adrian Vandenberg
lead vocals:
David Coverdale
phonographic copyright (℗) by:
Geffen Records (in 1987) and Whitesnake Productions (Overseas) Ltd. (in 1987)
mixed at:
Goodnight LA Studios in Van Nuys, California, United States
music videos:
Here I Go Again ’87 by Whitesnake
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 17)
recording of:
Here I Go Again
writer:
David Coverdale and Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (ended), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Whitesnake4.054:35
20Talking to the Man In the Moon
recording of:
Talking to the Man in the Moon
lyricist and composer:
Magnus Frykberg
Titiyo4:39
21St. Elmo's Fire (Man In Motion)
producer:
David Foster (Canadian music producer, arranger and composer)
brass [horns] arranger:
David Foster (Canadian music producer, arranger and composer) and Jerry Hey
phonographic copyright (℗) by:
Columbia Pictures Industries, Inc. (in 1985) and John Parr Music Ltd. (in 2016)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 28) and TV Cream: Real 100 Best Singles Ever (number: 85)
recording of:
St. Elmo’s Fire
writer:
David Foster (Canadian music producer, arranger and composer) and John Parr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:11
22True
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
performer:
Spandau Ballet
phonographic copyright (℗) by:
Chrysalis (in 1983) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
music videos:
True by Spandau Ballet
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet3.655:28
23Owner of a Lonely Heart
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Chris Squire (Yes bassist) (in 1983)
drums (drum set):
Alan White (Yes drummer) (in 1983)
guitar:
Trevor Rabin (South African musician and score composer) (in 1983)
keyboard:
Tony Kaye (in 1983)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
recorded at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
writer:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) and Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Yes3.854:28
24Chain Reaction
assistant engineer:
Scott Glasel and John Haig (engineer)
engineer:
Jack Joseph‐Puig, Karl Richardson and Brian Tench
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
mixer:
Jack Joseph‐Puig
phonographic copyright (℗) by:
Barry Gibb (in 1985), Maurice Gibb (in 1985) and Robin Gibb (in 1985)
recorded at:
Middle Ear Studio in Miami Beach, Florida, United States
recording of:
Chain Reaction
composer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music Publishing Ltd. and Gibb Brothers Music
Diana Ross4.353:50
25Young TurksRod Stewart4:38
26Kärleken är evig
producer:
Rutger Gunnarsson and Torgny Söderberg
recording of:
Kärleken är evig
lyricist:
Per Gessle (Swedish singer and guitarist) and Torgny Söderberg
composer:
Torgny Söderberg
Lena Philipsson3:08
27Kayleigh
recording engineer:
Thomas Stiehler
producer:
Chris Kimsey
mixer:
Mark Freegard and Chris Kimsey
bass guitar:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (from 1985-03 until 1985-05)
drums (drum set) and percussion:
Ian Mosley (from 1985-03 until 1985-05)
guitar:
Steve Rothery (from 1985-03 until 1985-05)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1985-03 until 1985-05)
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman) (from 1985-03 until 1985-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Hansa Studios in Berlin, Germany (from 1985-03 until 1985-05)
recording of:
Kayleigh (from 1985-03 until 1985-05)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. and Marillion Music
Marillion3.74:03
28Give Me the Night (Single Version)
recording engineer and mixer:
Bruce Swedien
assistant engineer:
Sheridan Eldridge, Ralph Osborne (engineer) and Mark Sackett
producer:
Quincy Jones
bass guitar:
Abraham Laboriel
bass synthesizer:
Richard Tee
drums (drum set):
John “JR” Robinson (session drummer)
flute and saxophone:
Kim Hutchcroft and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
guitar:
George Benson (jazz guitarist/singer) and Lee Ritenour
percussion:
Paulinho da Costa (Brazilian percussionist)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
synthesizer:
Michael Boddicker
background vocals:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray and Jocelyn Allen
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
produced for:
Quincy Jones Productions, Inc.
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States and Kendun Recorders in Burbank, California, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Give Me the Night
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson3.654:58
29Sista morgonen
recording of:
Sista morgonen
lyricist and composer:
Niklas Strömstedt (Swedish pop singer and songwriter)
Niklas Strömstedt3:20
30Self Control
executive producer:
Jack White (German producer Horst Nußbaum)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) and Harold Faltermeier
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
music videos:
Self Control by Laura Branigan
cover recording of:
Self Control (in 1984)
lyricist:
Steve Piccolo
additional writer:
Harro Steffen
composer:
Giancarlo Bigazzi and Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) and Sugarmusic Spa (publisher, do NOT use as label)
Laura Branigan4.24:07
31Hungry Like the Wolf
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
Tritec Music Ltd. (publisher and copyrights holder) (from 1982 to present) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2009)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 3) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 196)
recording of:
Hungry Like the Wolf
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. and Tritec Music Ltd. (publisher and copyrights holder)
adaptations:
Hungry Like a Pig
Duran Duran4.153:40
32Arthur's Theme (Best That You Can Do)
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America and Woolnough Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
Christopher Cross53:53
33Don't Get Me Wrong
engineer:
Bruce Lampcov
producer:
Bob Clearmountain and Jimmy Iovine
mixer:
Bob Clearmountain
bass:
Chucho Merchán
drums (drum set) and percussion:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
guitar:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and Robbie McIntosh (English guitarist for The Pretenders)
piano and synthesizer:
Wix (UK / Paul Wickens)
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) and Warner Music UK Ltd. (not for release label use!) (in 2007)
recording of:
Don’t Get Me Wrong
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hynde House of Hits Music
Pretenders4.23:47
34Oh Mama
recording of:
Oh Mama
writer:
Ola Håkansson (Oson) and Tim Norell
Lili & Susie3:49
35Beast of Burden
lead vocals:
Bette Midler
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
cover recording of:
Beast of Burden
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
Colgems-EMI Music Co. (publisher)
Bette Midler43:47
36Sång till friheten
recording of:
Sång till friheten
composer:
Silvio Rodríguez
translator:
Björn Afzelius (Swedish singer-songwriter and guitar player)
publisher:
Warner Bros. Music (Scandinavia) AB
translated version of:
El día feliz que está llegando
Björn Afzelius4:07
37La Bamba
producer:
Mitchell Froom
performer:
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographic copyright (℗) by:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) and Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
additional lyricist:
Ritchie Valens
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music and M.P.A. (M.P.A.)
version of:
La bamba
Los Lobos4.152:53
38De sista ljuva åren
recording of:
De Sista Ljuva Åren
lyricist and composer:
Jan Christer Eriksson
Christina Lindberg3:50
39Blue Monday '88New Order4:11
40Glory of Love
engineer and mixer:
Terry Christian (US recording and mixing engineer) and John Guess
producer:
Michael Omartian
guest background vocals:
Kenny Cetera
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) and Warner Music International (trademark of Warner Music International the company) (in 1986)
recorded at and mixed at:
Lion Share Studios in Los Angeles, California, United States
recording of:
Glory of Love
writer:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
Peter Cetera4.24:18
41We're Not Gonna Take It (Single Version)
recording engineer and mixer:
Geoff Workman
assistant engineer:
Gary McGachan
engineer:
John Agnello (engineer & producer), Greg Laney and Geoff Workman
producer:
Tom Werman
bass guitar:
Mark Mendoza (Twisted Sister bassist)
drums (drum set):
A.J. Pero
electric guitar:
Jay Jay French and Eddie Ojeda
background vocals:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero and Dee Snider
lead vocals:
Dee Snider
arranger:
Twisted Sister and Tom Werman
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1984-02 until 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 47) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
recording of:
We’re Not Gonna Take It
lyricist and composer:
Dee Snider
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Tunes
part of:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (number: 7)
Twisted Sister4.353:37
42Bra vibrationer
part of:
Winners of Melodifestivalen (number: 1985) and Sweden in the Eurovision Song Contest (number: 1985)
recording of:
Bra vibrationer
lyricist:
Ingela Forsman (Swedish lyricist)
composer:
Lasse Holm (Swedish singer, producer and songwriter)
Kikki Danielsson3:06
43Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.43:26
44Too Shy
drums (drum set) programming:
Jez Strode
engineer:
Colin Thurston
producer:
Nick Rhodes and Colin Thurston
bass guitar:
Nick Beggs
ebow [e bow] and guitar:
Steve Askew
synthesizer:
Stuart Croxford Neale
additional vocals:
Nick Beggs and Stuart Croxford Neale
lead vocals:
Limahl
arranger:
Kajagoogoo
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
music videos:
Too Shy by Kajagoogoo
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 9) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 27)
recording of:
Too Shy
lyricist:
Nick Beggs and Christopher Hamill
composer:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale and Jez Strode
publisher:
EMI Songs and Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:41
45Edge of Seventeen
engineer:
Shelly Yakus
producer:
Jimmy Iovine
bass guitar [bass]:
Bob Glaub
drums (drum set):
Russ Kunkel (session drummer)
guitar:
Waddy Wachtel
organ:
Benmont Tench
percussion:
Bobbye Hall
piano:
Roy Bittan
lead vocals:
Stevie Nicks
phonographic copyright (℗) by:
Modern Records, Inc. (in 1981) and Rhino Entertainment Company (not for release label use!) (in 2016)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 217)
recording of:
Edge of Seventeen
lyricist and composer:
Stevie Nicks
dedicated to:
John Lennon (The Beatles)
Stevie Nicks4.055:29
46Holding Back the Years
assistant engineer:
Chris Dickie
engineer and mixer:
Femi Jiya
producer:
Stewart Levine (record producer and saxophonist)
bass:
Tony Bowers (in 1985)
drums (drum set) and percussion:
Chris Joyce (drummer for Simply Red) (in 1985)
guitar:
Sylvan (in 1985)
keyboard and background vocals:
Fritz McIntyre (in 1985)
trumpet:
Tim Kellett (in 1985)
lead vocals:
Mick Hucknall (lead singer of Simply Red) (in 1985)
performer:
Simply Red (English soul and pop band) (in 1985)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1985)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 1985) and Soundpush Studio in Blaricum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1985)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1985)
music videos:
Holding Back the Years by Simply Red (English soul and pop band)
recording of:
Holding Back the Years (in 1985)
lyricist:
Mick Hucknall (lead singer of Simply Red)
composer:
Mick Hucknall (lead singer of Simply Red) and Neil Moss
publisher:
EMI April Music Inc., EMI Songs Ltd. and So What Ltd
Simply Red44:29
47Sommarnatt
recording of:
Sommarnatt
lyricist and writer:
Torben Ferm
composer:
Lars Diedricson
Snowstorm3:50
48Unchain My Heart
additional producer:
Chris Lord‐Alge
producer:
Charlie Midnight
bass:
T.M. Stevens (US bass player Thomas Michael Stevens)
guitar:
Phil Grande
horn:
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist) and Paul Litteral
keyboard:
Jeff Levine
membranophone:
David Beal
tenor saxophone:
Clarence Clemons
background vocals:
Tawatha Agee, Benny Diggs and Vaneese Thomas
lead vocals:
Joe Cocker
remixer:
Chris Lord‐Alge
horn arranger:
Uptown Horns (US horn section, formed in 1980)
cover recording of:
Unchain My Heart
lyricist and composer:
Bobby Sharp
writer:
Teddy Powell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
part of:
The Real Book (compilation of jazz standards, volume I)
recording of:
Unchain My Heart
lyricist and composer:
Bobby Sharp
writer:
Teddy Powell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
part of:
The Real Book (compilation of jazz standards, volume I)
Joe Cocker5:07
49Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
50Kärlekens tunga
recording of:
Kärlekens tunga
lyricist and composer:
Plura Jonsson (Swedish singer, songwriter, guitar player and WordWriter)
Eldkvarn3:54
51Love Will Tear Us Apart
producer:
Joy Division and Martin Hannett
bass:
Peter Hook
drums (drum set):
Stephen Morris (New Order)
guitar:
Bernard Albrecht
vocals:
Bernard Albrecht and Ian Curtis
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 179)
recording of:
Love Will Tear Us Apart
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:24
52Black Velvet
producer:
David Tyson (Canadian producer/songwriter)
mixer:
Kevin Doyle (award-winning sound engineer, producer)
lead vocals:
Alannah Myles
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 6)
recording of:
Black Velvet
writer:
David Tyson (Canadian producer/songwriter) and Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP and Zomba Music Publishing Ltd.
Alannah Myles4.54:47
53The Glamorous Life, Pt. 1
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recording of:
The Glamorous Life
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Girlsongs (publisher)
Sheila E.53:43
54I'm Gonna Be (500 Miles)
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
acoustic guitar:
Jerry Donahue and Charlie Reid
bass guitar:
Phil Cranham
drums (drum set):
Paul Robinson (UK drummer, also Turning Point member)
electric guitar:
Jerry Donahue
fiddle:
Steve Shaw (Steve Brennan)
keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
mandolin and tin whistle:
Stuart Nisbet
steel guitar:
Gerry Hogan
vocals:
Charlie Reid and Craig Reid
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) and Chrysalis Records, Inc. (not for release label use!) (in 1988)
recorded at and mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 21)
recording of:
I’m Gonna Be (500 Miles)
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
55Upp över mina öron
saxophone:
Johan Stengård
lead vocals:
Orup (Swedish musician Hans Thomas Eriksson)
vocals:
Anders Glenmark and Orup (Swedish musician Hans Thomas Eriksson)
recording of:
Upp över mina öron
writer:
Anders Glenmark and Orup (Swedish musician Hans Thomas Eriksson)
Glenmark Eriksson Strömstedt2:57
56Love Shack
assistant engineer:
Martin Kunitz
engineer:
Dave Cook (US engineer and producer)
producer:
Don Was
mixer:
Tom Durack
guest bass guitar:
Sara Lee (UK bassist, singer & songwriter)
guest drums (drum set):
Charley Drayton
guest horn:
Uptown Horns (US horn section, formed in 1980)
guitar:
Keith Strickland
keyboard:
Kate Pierson
vocals:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) and Cindy Wilson
phonographic copyright (℗) by:
Reprise Records (in 1989)
recorded at:
Dreamland Studios in Hurley, New York, United States
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
additionally produced at:
Bearsville Studios in Bearsville, New York, United States
music videos:
Love Shack by The B‐52’s
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 243)
recording of:
Love Shack
writer:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland and Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s4.25:20
57Life In a Northern Town
additional producer:
David Gilmour (Pink Floyd)
producer:
David Gilmour (Pink Floyd), Nick Laird-Clowes and George Nicholson (engineer, producer)
part of:
TV Cream: Real 100 Best Singles Ever (number: 54)
recording of:
Life in a Northern Town
writer:
Gilbert Gabriel and Nick Laird-Clowes
dedicated to:
Nick Drake (English singer‐songwriter)
The Dream Academy4.34:16
58Josephine (Single Version)
recording of:
Josephine
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea3:36
59One Day I'll Fly Away
assistant engineer:
Hill Swimmer
engineer:
Jeremy Smith (producer/engineer)
bass:
Wilton Felder and Abraham Laboriel
drums (drum set):
Mike Baird (drummer) and Stix Hooper
guitar:
Roland Bautista, Tim May (session/jazz guitarist), Dean Parks (American session guitarist) and David T. Walker
keyboard:
Joe Sample
percussion:
Eddie “Bongo” Brown and Paulinho da Costa (Brazilian percussionist)
trumpet:
Oscar Brashear
background vocals:
Melvin Franklin, Julia Tillman, Gwen Owens (R&B singer Gwendolyn Louise Owens) and Maxine Waters
vocals:
Randy Crawford (US jazz/R&B singer Veronica Crawford)
recording of:
One Day I’ll Fly Away
lyricist:
Will Jennings
composer:
Joe Sample
publisher:
Four Knights Music Co., Irving Music, Inc. and Leeds Music Ltd.
Randy Crawford35:02
60Vi har bara varandra
producer:
Kaj Erixon
Thomas Di Leva5:01
61Twist In My Sobriety
phonographic copyright (℗) by:
Warner Music International (trademark of Warner Music International the company) and WEA Records Ltd. (holding company based in the UK) (in 1988)
recording of:
Twist in My Sobriety (in 1988)
lyricist and composer:
Tanita Tikaram
publisher:
Brogue Music, Warner Basart (publisher) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tanita Tikaram4.74:50
62That's Livin' Alright
recording of:
That's Living Alright
writer:
Ken Ashby and David Mackay (Australian producer, arranger, musical director)
arranger:
David Mackay (Australian producer, arranger, musical director)
Joe Fagin2:57
63R.O.C.K.
recording of:
R.O.C.K.
lyricist and composer:
Ole Evenrud
Sha‐Boom3:41
64I Keep Forgettin (Every Time You're Near)
producer:
Ted Templeman and Lenny Waronker
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
clavinet:
Greg Phillinganes
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Rhodes piano, synthesizer and lead vocals:
Michael McDonald (R&B & soul singer)
background vocals:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
writer:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford and Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) and Yellow Dog Music Inc
version of:
I Keep Forgettin’
Michael McDonald43:42
65Each Time You Break My Heart
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1986)
recording of:
Each Time You Break My Heart
writer:
Stephen Bray and Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Warner Bros. (holding: file NO releases)
Nick Kamen3.54:33
66Canelloni macaroni
Lasse Holm4:27
67This Charming Man
engineer:
Phil Bush (engineer, composer and musician) and Neil King (sound engineer)
producer:
John Porter (producer and musician US and UK)
bass guitar:
Andy Rourke
drums (drum set):
Mike Joyce (UK drummer)
guitar, guitar and harmonica and harmonica:
Johnny Marr
vocals:
Morrissey (English singer‐songwriter)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1983) and Warner Music UK Ltd. (not for release label use!) (in 1983)
music videos:
This Charming Man by The Smiths (1980s English rock band)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 11) and Indie 88: Top 500 Indie Rock Songs (number: 36)
recording of:
This Charming Man
lyricist:
Morrissey (English singer‐songwriter)
composer:
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths3.752:42
68Everybody Needs Somebody to Love
producer:
Bob Tischler
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Willie "Too Big" Hall
guitar:
Steve Cropper and Matt Murphy (US blues guitarist)
keyboard:
Murphy Dunne
saxophone:
Tom “Bones” Malone (US trombonist) and Lou Marini
trumpet:
Al Rubin
vocals:
Elwood J. Blues (Saturday Night Live character portrayed by Dan Aykroyd) and Jake E. “Joliet” Blues (Saturday Night Live character portrayed by John Belushi)
background vocals arranger:
Paul Schaffer (pianist, bandleader, Dave Letterman's sidekick)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
cover recording of:
Everybody Needs Somebody to Love
writer:
Bert Russell Berns, Solomon Burke and Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC and Musical Lights Tokyo
Blues Brothers4.33:25
6918 and Life
recording engineer, producer and mixer:
Michael Wagener
additional engineer:
Dave Kent (engineer)
bass guitar:
Rachel Bolan
drums (drum set):
Rob Affuso
guitar:
Scotti Hill and Dave “The Snake” Sabo
background vocals:
Rachel Bolan, Scotti Hill and Dave “The Snake” Sabo
lead vocals:
Sebastian Bach (Canadian metal singer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989)
recorded at:
Royal Recorders in Lake Geneva, Wisconsin, United States (in 1988)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 60)
recording of:
18 and Life
writer:
Rachel Bolan and Dave “The Snake” Sabo
Skid Row3.853:51
70Picadilly CircusPernilla Wahlgren2:59
71Sexy Eyes
recording of:
Sexy Eyes
writer:
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) and Chris Waters (Country music singer and songwriter)
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. and EMI Songs Ltd.
Dr. Hook3:27
72Love Changes (Everything)
engineer:
Mike Ging and Bob Kraushaar
producer:
Stephen Hague
additional percussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
guitar:
Neil Taylor (guitarist)
keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
background vocals:
Coral Gordon and Soultanas
vocals:
Simon Climie
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
writer:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) and Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:28
73Stockholm
recording of:
Stockholm
lyricist and composer:
Pugh Rogefeldt
Pugh Rogefeldt3:06
74I Can't Wait
producer:
John Smith (Nu Shooz) and Rick Waritz (producer)
phonographic copyright (℗) by:
Injection (Netherlands) (in 1986)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 60)
recording of:
I Can’t Wait
lyricist and composer:
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz43:38
75Never Ending Story
producer:
Giorgio Moroder
background vocals:
Beth Andersen (US pop vocalist)
lead vocals:
Limahl
vocals:
Beth Anderson (US pop vocalist) and Limahl
performer:
Limahl
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) and Neue Constantin Film Productions GmbH
part of:
Cachitos Nochevieja 2022 (number: 51)
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
lyricist:
Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Limahl3.353:30
76Två av oss
X Models4:50
77Epic (Radio Edit)
recording of:
Epic
lyricist:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
composer:
Mike Bordin (American drummer), Roddy Bottum, Billy Gould and Jim Martin (ex-Faith No More guitarist)
publisher:
Big Thrilling Music (music publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Vomit God Music (Mike Patton’s music publishing company)
Faith No More43:59
78Änglahund
recording of:
Änglahund
lyricist and composer:
Hasse Andersson (Kvinnaböske)
Hasse Andersson4:19
79Only One Woman (US Mix)
Alien4:32
80Växeln hallå
recording of:
Växeln hallå
writer:
Lasse Holm (Swedish singer, producer and songwriter) and Gert Lengstrand
Janne Lucas2:55
81Simply Irresistible
engineer:
Tim Kramer (engineer)
producer:
Robert Palmer (English singer‐songwriter)
mixer:
Eric "E.T." Thorngren
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Simply Irresistible
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Heavy Nova Music
Robert Palmer3.64:14
82En kvinna och en man
Anne‐Lie Rydé4:37
83Sleeping My Day Away
recording of:
Sleeping My Day Away
D‐A‐D4:23
84Gimme Gimme GimmeNarada Michael Walden feat. Patti Austin4:41
85Sunshine Reggae
recording of:
Sunshine Reggae
lyricist and composer:
John Guldberg and Tim Stahl
Laid Back36:31
86Lost In Your Eyes
recording engineer:
Phil Castellano (brother of John, uncle of Richie) and Don Feinberg
drums (drum set) and keyboard programming:
Fred Zarr
engineer:
Bill Esses, Jim Goatley and Matt Malles
producer:
Debbie Gibson
mixer:
Debbie Gibson, Bob Rosa and Tom Vercillo
electric guitar:
Tommy Williams (former Debbie Gibson musical director)
keyboard:
Fred Zarr
percussion:
Bashiri Johnson
piano and background vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Lost in Your Eyes
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson53:33
87Peta in en pinne i brasan
recording of:
Peta in en pinne i brasan (Swedish version)
lyricist and composer:
Shel Silverstein
translator:
Ewert Ljusberg
translated version of:
Put Another Log on the Fire
Mats Rådberg3:25
88Some People
producer:
Alan Tarney
vocals:
Cliff Richard
recording of:
Some People
lyricist and composer:
Alan Tarney
Cliff Richard3:51
89Frankie (Edit Version)
producer:
Nile Rodgers
recording of:
Frankie
lyricist and composer:
Denise Rich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:16
90This Must Be the Place (Naive Melody)
assistant engineer:
Franklin Gibson (recording engineer)
engineer:
Butch Jones and Alex Sadkin (task: final overdubs)
producer:
Talking Heads
mixer:
Alex Sadkin
bass guitar, guitar and keyboard:
David Byrne (Talking Heads)
drums (drum set):
Chris Frantz
guest percussion:
David Van Tieghem
guest synthesizer:
Wally Badarou
guitar and background vocals:
Tina Weymouth
keyboard:
Jerry Harrison (Talking Heads & producer)
vocals:
David Byrne (Talking Heads)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1983)
additionally recorded at:
Compass Point Studios in Nassau, Bahamas
recorded at:
Blank Tapes in New York, New York, United States
mixed at:
Compass Point Studios in Nassau, Bahamas
music videos:
This Must Be the Place (Naive Melody) by Talking Heads
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 123) and Indie 88: Top 500 Indie Rock Songs (number: 327)
recording of:
This Must Be the Place (Naive Melody)
writer:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) and Tina Weymouth
publisher:
Bleu Disque Music Co., Inc. (publisher) and Index Music, Inc.
Talking Heads3.94:56
91Var ska vi sova i natt?
recording of:
Var Ska Vi Sova Inatt?
writer:
Dario Farina, Enzo Ghinazzi and Daniele Pace (Italian lyricist & songwriter)
translator:
Jan Svensson
translated version of:
Sarà perché ti amo
Perikles3:52
92Set Me Free
music videos:
Set Me Free by Jaki Graham
recording of:
Set Me Free
lyricist and composer:
Derek Bramble
Jaki Graham33:36
93When the Children Cry
assistant engineer:
Garth Richardson (Canadian music producer and engineer)
engineer, producer and mixer:
Michael Wagener
guitar:
Vito Bratta
lead vocals:
Mike Tramp
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987)
recording of:
When the Children Cry
lyricist and composer:
Vito Bratta
writer:
Mike Tramp
White Lion3.54:23
94Rytmen av ett regn
Milla’s Mirakel!3:29
95It Started with a Kiss
producer:
Mickie Most (English record producer)
lead vocals:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (in 1982)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2011)
music videos:
It Started With a Kiss by Hot Chocolate (70s and 80s British soul band)
recording of:
It Started With a Kiss (in 1982)
lyricist and composer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. and Universal Music Publishing MGB Australia
Hot Chocolate34:02
96If Ever You're In My Arms Again
recording of:
If Ever You're in My Arms Again
writer:
Michael Masser, Tom Snow (US keyboardist/songwriter) and Cynthia Weil
Peabo Bryson44:15
97Major Tom (Coming Home)
recording engineer:
Lars Hidde (from 1982 until 1983), Manfred Lohse (from 1982 until 1983), Geoff Peacey (from 1982 until 1983), Frank Reinke (Germany based engineer) (from 1982 until 1983), Peter Schilling (German synthpop musician) (from 1982 until 1983) and Peter Schmidt (recording engineer) (from 1982 until 1983)
assistant producer:
Frank Hieber (in 1982)
producer:
Armin Sabol (from 1982 until 1983) and Peter Schilling (German synthpop musician) (from 1982 until 1983)
mixer:
Holger J. Magnussen (in 1982)
drums (drum set):
Curt Cress (in 1982)
electric bass guitar:
Günther Gebauer (in 1982)
electric guitar:
Armin Sabol (in 1982)
keyboard [keyboard solo]:
Gonzo Bishop (in 1982)
lead vocals:
Peter Schilling (German synthpop musician) (in 1983)
arranger:
Peter Schilling (German synthpop musician) (in 1982)
recorded at:
Peer Studio in Hamburg, Germany (from 1982 until 1983)
a cappella versions:
Space Oddity / Major Tom (Coming Home) by Tufts Beelzebubs (Tufts University all-male a cappella group)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 68)
recording of:
Major Tom (Coming Home) (from 1982 until 1983)
lyricist and composer:
Peter Schilling (German synthpop musician)
translator:
David Lodge
dedicated to:
Peer Musikverlag
translated version of:
Major Tom (Völlig losgelöst)
Peter Schilling4.355:01
98In Private
producer:
Julian Mendelsohn (Australian record producer and engineer) and Pet Shop Boys
recording of:
In Private
writer:
Chris Lowe (1/2 of Pet Shop Boys) and Neil Tennant
Dusty Springfield44:22
99Only You (Re-Recorded Version)
cover recording of:
Only You
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Musical Moments Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sonet Publishing and Sony/ATV Music Publishing (UK) Ltd.
The Flying Pickets3:36
100Memory
recording engineer:
David Hamilton-Smith (engineer)
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
lead vocals:
Elaine Paige
vocals:
Elaine Paige (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
David Firman (conductor) and Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
orchestrator:
David Cullen (composer, arranger, orchestrator) and Andrew Lloyd Webber (English composer and impresario of musical theatre)
phonographic copyright (℗) by:
The Really Useful Company Limited (in 1981) and Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
Memory (Cats) (from 1998-06-07 until 1998-06-08)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Cats (Andrew Lloyd Webber musical)
recording of:
Memory (Cats)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Cats (Andrew Lloyd Webber musical)
Elaine Paige4:11
This medium has too many tracks to load at once; currently showing 100 out of 103 total. Load all tracks...

Credits