Musical Highlights on Broadway 4

~ Veröffentlichung von The New York Theater Orchestra with The Broadway Choir (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Memory
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Memory (Cats)
Texter:
T. S. Eliot und Trevor Nunn
zusätzliche(r) Verfasser(in):
Trevor Nunn
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) und Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Cats (Andrew Lloyd Webber musical)
4:03
2I Know Him So Well
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
I Know Him So Well (Chess)
Texter:
Tim Rice und Björn Ulvaeus
Komponist(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), PolyGram Music Publishing Ltd. und Universal/MCA Music (music publisher; do not use as release label!)
Teil von:
Chess (full musical)
4:18
3I Don't Know How to Love Him
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
I Don’t Know How to Love Him
Texter:
Tim Rice
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music (MCA), Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) und Universal/MCA Music Ltd. (not for release label use!)
Teil von:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
3:40
4Let the Sunshine In
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
Teil von:
Hair (1967 musical)
4:43
5Good Morning Starshine
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
Good Morning Starshine (from “Hair”)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Catalogue Partnership
Teil von:
Hair (1967 musical)
2:27
6Send In the Clowns
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
Send In the Clowns (A Little Night Music)
Texter und Komponist(in):
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
A Little Night Music (musical)
4:21
7Sunrise Sunset
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
Sunrise, Sunset (Fiddler on the Roof)
Texter:
Sheldon Harnick
Komponist(in):
Jerry Bock
publisher:
Sunbeam Music Corp. und Valando Music Co. Ltd.
Teil von:
Fiddler on the Roof
3:28
8Anything You Can Do (I Can Do Better)
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
Anything You Can Do (from “Annie Get Your Gun”)
Texter und Komponist(in):
Irving Berlin
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) (beendet) und Irving Berlin Music Corp.
Teil von:
Annie Get Your Gun
2:56
9People Will Say We're in Love
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
People Will Say We’re in Love
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company und Williamson Music, Inc.
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
4:25
10Someone to Watch Over Me
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
Someone to Watch Over Me (Oh, Kay!)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
3:37
11Getting to Know You
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
Getting to Know You (The King and I)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
Teil von:
The King and I (Rodgers & Hammerstein musical)
2:47
12My Funny Valentine
recording engineer:
Bob Wright (recording engineer)
Produzent(in):
Joost De Smedt und Paul Whitehead (producer of specialty music programs for television and records since 1971) (Aufgabe: recordings supervised by)
vocals:
The Broadway Choir
Orchester:
The New York Theater Orchestra
phonographisches Urheberrecht (℗) von:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
aufgenommen bei:
Iliad Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
3:47

Nennungen