| # | Title | Artist | Rating | Length |
|---|
| 1 | Brenda Put Your Bra On- additional recording engineer:
- John Osborne
- assistant recording engineer:
- Zack Zinck
- recording engineer and mixer:
- Gena Johnson
- producer and editor:
- John Osborne
- acoustic guitar and mellotron:
- John Osborne
- bass:
- Eli Beaird
- drums (drum set) and percussion:
- Fred Eltringham
- electric guitar:
- Kris Donegan
- mandolin:
- Todd Lombardo
- synthesizer:
- Dave Cohen
- violin:
- Matt Combs
- background vocals:
- Caylee Hammack, Connie Harrington , Ashley McBryde and Pillbox Patti
- lead vocals:
- Caylee Hammack, Ashley McBryde and Pillbox Patti
- phonographic copyright (℗) by:
- Warner Music Nashville LLC (in 2022)
- recorded at:
- The Smoakstack in Nashville, Tennessee, United States
- mixed at:
- Studio G in Nashville, Tennessee, United States
- recording of:
- Brenda Put Your Bra On
- writer:
- Brandy Clark, Benjy Davis, Connie Harrington , Nicolette Hayford, Ashley McBryde and Aaron Raitiere
- publisher:
- Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. , Well That Was Awkward Music and WoodyMax Music
| Ashley McBryde, Caylee Hammack & Pillbox Patti | 2 | 2:40 |
| 2 | Jesus Jenny | Ashley McBryde & Aaron Ratierre | 1 | 2:33 |
| 3 | Dandelion Diner- additional recording engineer:
- John Osborne
- assistant recording engineer:
- Zack Zinck
- recording engineer:
- Gena Johnson
- producer, mixer and editor:
- John Osborne
- acoustic guitar:
- Todd Lombardo
- bass:
- Eli Beaird
- drums (drum set) and tambourine:
- Fred Eltringham
- electric guitar:
- Kris Donegan
- Hammond organ [Hammond B3] and piano:
- Dave Cohen
- background vocals:
- John Osborne
- lead vocals:
- Ashley McBryde
- phonographic copyright (℗) by:
- Warner Music Nashville LLC (in 2022)
- recorded at:
- The Smoakstack in Nashville, Tennessee, United States
- recording of:
- Dandelion Diner
- writer:
- Brandy Clark, Benjy Davis, Connie Harrington , Nicolette Hayford, Ashley McBryde and Aaron Raitiere
- publisher:
- Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. , Well That Was Awkward Music and WoodyMax Music
| Ashley McBryde | | 0:28 |
| 4 | The Girl in the Picture- additional recording engineer:
- John Osborne
- assistant recording engineer:
- Zack Zinck
- recording engineer and mixer:
- Gena Johnson
- producer and editor:
- John Osborne
- acoustic guitar:
- Todd Lombardo and John Osborne
- bass:
- Eli Beaird
- drums (drum set) and tambourine:
- Fred Eltringham
- electric guitar:
- Kris Donegan and John Osborne
- electric sitar [sitar guitar]:
- John Osborne
- Hammond organ [Hammond B3] and synthesizer:
- Dave Cohen
- background vocals:
- Caylee Hammack, Ashley McBryde, John Osborne and Pillbox Patti
- lead vocals:
- Pillbox Patti
- phonographic copyright (℗) by:
- Warner Music Nashville LLC (in 2022)
- recorded at:
- The Smoakstack in Nashville, Tennessee, United States
- mixed at:
- Studio G in Nashville, Tennessee, United States
- recording of:
- The Girl in the Picture
- writer:
- Brandy Clark, Benjy Davis, Connie Harrington , Nicolette Hayford, Ashley McBryde and Aaron Raitiere
- publisher:
- Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. , Well That Was Awkward Music and WoodyMax Music
| Ashley McBryde & Pillbox Patti | 1 | 3:20 |
| 5 | If These Dogs Could Talk- additional recording engineer:
- John Osborne
- assistant recording engineer:
- Zack Zinck
- recording engineer and mixer:
- Gena Johnson
- producer and editor:
- John Osborne
- acoustic guitar:
- Todd Lombardo and John Osborne
- baroque guitar [gut string guitar]:
- John Osborne
- bass:
- Eli Beaird
- drums (drum set) and tambourine:
- Fred Eltringham
- electric guitar:
- Kris Donegan
- Hammond organ [Hammond B3] and Wurlitzer electric piano [Wurlitzer]:
- Dave Cohen
- steel guitar:
- Russ Rahl
- background vocals:
- Brandy Clark and Ashley McBryde
- lead vocals:
- Brandy Clark
- phonographic copyright (℗) by:
- Warner Music Nashville LLC (in 2022)
- recorded at:
- The Smoakstack in Nashville, Tennessee, United States
- mixed at:
- Studio G in Nashville, Tennessee, United States
- recording of:
- If These Dogs Could Talk
- writer:
- Brandy Clark, Benjy Davis, Connie Harrington , Nicolette Hayford, Ashley McBryde and Aaron Raitiere
- publisher:
- Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. , Well That Was Awkward Music and WoodyMax Music
| Ashley McBryde & Brandy Clark | 1 | 4:12 |
| 6 | Play Ball- additional recording engineer:
- John Osborne
- assistant recording engineer:
- Zack Zinck
- recording engineer and mixer:
- Gena Johnson
- producer and editor:
- John Osborne
- acoustic guitar and banjo:
- Todd Lombardo
- bass:
- Eli Beaird
- celesta [celeste]:
- Dave Cohen
- double bass [uptight bass], triangle and background vocals:
- John Osborne
- drums (drum set) and percussion:
- Fred Eltringham
- electric guitar:
- Kris Donegan and John Osborne
- lead vocals:
- TJ Osborne
- phonographic copyright (℗) by:
- Warner Music Nashville LLC (in 2022)
- recorded at:
- The Smoakstack in Nashville, Tennessee, United States
- mixed at:
- Studio G in Nashville, Tennessee, United States
- recording of:
- Play Ball
- writer:
- Brandy Clark, Benjy Davis, Connie Harrington , Nicolette Hayford, Ashley McBryde and Aaron Raitiere
- publisher:
- Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. , Well That Was Awkward Music and WoodyMax Music
| Ashley McBryde & The Osborne Brothers | 2 | 3:27 |
| 7 | Ronnie’s Pawn Shop- additional recording engineer:
- John Osborne
- assistant recording engineer:
- Zack Zinck
- recording engineer:
- Gena Johnson
- producer, mixer and editor:
- John Osborne
- acoustic guitar:
- Todd Lombardo and John Osborne
- bass:
- Eli Beaird
- drums (drum set) and tambourine [tambo]:
- Fred Eltringham
- electric guitar:
- Kris Donegan and John Osborne
- Hammond organ [Hammond B3] and piano:
- Dave Cohen
- background vocals:
- John Osborne
- lead vocals:
- Ashley McBryde
- phonographic copyright (℗) by:
- Warner Music Nashville LLC (in 2022)
- recorded at:
- The Smoakstack in Nashville, Tennessee, United States
- recording of:
- Ronnie’s Pawn Shop
- writer:
- Brandy Clark, Benjy Davis, Connie Harrington , Nicolette Hayford, Ashley McBryde and Aaron Raitiere
- publisher:
- Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. , Well That Was Awkward Music and WoodyMax Music
| Ashley McBryde | | 0:31 |
| 8 | The Missed Connection Section of the Lindeville Gazette- additional recording engineer:
- John Osborne
- assistant recording engineer:
- Zack Zinck
- recording engineer and mixer:
- Gena Johnson
- producer and editor:
- John Osborne
- acoustic guitar:
- Kris Donegan and Todd Lombardo
- bass:
- Eli Beaird
- bass guitar [tic tac guitar] and resonator guitar [dobro]:
- John Osborne
- drums (drum set) and tambourine:
- Fred Eltringham
- upright piano:
- Dave Cohen
- lead vocals:
- Brandy Clark and Aaron Raitiere
- phonographic copyright (℗) by:
- Warner Music Nashville LLC (in 2022)
- recorded at:
- The Smoakstack in Nashville, Tennessee, United States
- mixed at:
- Studio G in Nashville, Tennessee, United States
- recording of:
- The Missed Connection Section of the Lindeville Gazette
- writer:
- Brandy Clark, Benjy Davis, Connie Harrington , Nicolette Hayford, Ashley McBryde and Aaron Raitiere
- publisher:
- Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. , Well That Was Awkward Music and WoodyMax Music
| Ashley McBryde, Brandy Clark & Aaron Ratierre | 1 | 4:05 |
| 9 | Gospel Night at the Strip Club- additional recording engineer:
- John Osborne
- assistant recording engineer:
- Zack Zinck
- recording engineer and mixer:
- Gena Johnson
- producer and editor:
- John Osborne
- acoustic guitar:
- Kris Donegan and Todd Lombardo
- bass:
- Eli Beaird
- drums (drum set):
- Fred Eltringham
- electric guitar:
- Kris Donegan
- Hammond organ [Hammond B3]:
- Dave Cohen
- background vocals:
- Ashley McBryde, John Osborne and Pillbox Patti
- lead vocals:
- Benjy Davis
- other vocals [gang vocals]:
- Connie Harrington , Gena Johnson, Ashley McBryde, John Osborne and Pillbox Patti
- phonographic copyright (℗) by:
- Warner Music Nashville LLC (in 2022)
- recorded at:
- The Smoakstack in Nashville, Tennessee, United States
- mixed at:
- Studio G in Nashville, Tennessee, United States
- recording of:
- Gospel Night at the Strip Club
- writer:
- Brandy Clark, Benjy Davis, Connie Harrington , Nicolette Hayford, Ashley McBryde and Aaron Raitiere
- publisher:
- Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. , Well That Was Awkward Music and WoodyMax Music
| Ashley McBryde & Benjy Davis | 1 | 2:56 |
| 10 | Forkem Family Funeral Home- additional recording engineer:
- John Osborne
- assistant recording engineer:
- Zack Zinck
- recording engineer:
- Gena Johnson
- producer, mixer and editor:
- John Osborne
- acoustic guitar and vibraphone:
- John Osborne
- background vocals:
- Ashley McBryde and John Osborne
- lead vocals:
- Ashley McBryde
- phonographic copyright (℗) by:
- Warner Music Nashville LLC (in 2022)
- recorded at:
- The Smoakstack in Nashville, Tennessee, United States
- recording of:
- Forkem Family Funeral Home
- writer:
- Brandy Clark, Benjy Davis, Connie Harrington , Nicolette Hayford, Ashley McBryde and Aaron Raitiere
- publisher:
- Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. , Well That Was Awkward Music and WoodyMax Music
| Ashley McBryde | | 0:32 |
| 11 | When Will I Be Loved | Ashley McBryde, Brandy Clark, Caylee Hammack & Pillbox Patti | 2 | 2:07 |
| 12 | Bonfire at Tina’s- additional recording engineer:
- John Osborne
- assistant recording engineer:
- Zack Zinck
- recording engineer and mixer:
- Gena Johnson
- producer and editor:
- John Osborne
- acoustic guitar:
- Todd Lombardo and John Osborne
- bass:
- Eli Beaird
- cello and viola:
- Matt Combs
- drums (drum set) and tambourine:
- Fred Eltringham
- electric guitar:
- Kris Donegan and John Osborne
- Hammond organ [Hammond B3] and piano:
- Dave Cohen
- background vocals:
- Brandy Clark, Caylee Hammack and Pillbox Patti
- lead vocals:
- Brandy Clark, Caylee Hammack, Ashley McBryde and Pillbox Patti
- other vocals [gang vocals]:
- Caylee Hammack, Connie Harrington , Gena Johnson, Ashley McBryde, John Osborne and Pillbox Patti
- phonographic copyright (℗) by:
- Warner Music Nashville LLC (in 2022)
- recorded at:
- The Smoakstack in Nashville, Tennessee, United States
- mixed at:
- Studio G in Nashville, Tennessee, United States
- recording of:
- Bonfire at Tina’s
- writer:
- Brandy Clark, Benjy Davis, Connie Harrington , Nicolette Hayford, Ashley McBryde and Aaron Raitiere
- publisher:
- Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. , Well That Was Awkward Music and WoodyMax Music
| Ashley McBryde, Caylee Hammack, Brandy Clark & Pillbox Patti | 2 | 3:41 |
| 13 | Lindeville- additional recording engineer:
- John Osborne
- assistant recording engineer:
- Zack Zinck
- recording engineer and mixer:
- Gena Johnson
- programming, producer and editor:
- John Osborne
- acoustic guitar:
- Tim Galloway
- bass:
- Eli Beaird
- cello, viola and violin:
- Matt Combs
- drums (drum set) and percussion:
- Fred Eltringham
- electric guitar:
- Kris Donegan
- Hammond organ [Hammond B3] and Wurlitzer electric piano [Wurlitzer]:
- Dave Cohen
- mandolin:
- John Osborne
- background vocals:
- Ashley McBryde and John Osborne
- vocals:
- Ashley McBryde
- phonographic copyright (℗) by:
- Warner Music Nashville LLC (in 2022)
- recorded at:
- The Smoakstack in Nashville, Tennessee, United States
- mixed at:
- Studio G in Nashville, Tennessee, United States
- recording of:
- Lindeville
- writer:
- Brandy Clark, Benjy Davis, Connie Harrington , Nicolette Hayford, Ashley McBryde and Aaron Raitiere
- publisher:
- Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. , Well That Was Awkward Music and WoodyMax Music
| Ashley McBryde | 2 | 3:18 |
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