The Lavender Songbook

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Berlin Cabaret Songs - The Lavender Song
vocals:
Ute Lemper
orchestra:
Matrix Ensemble
recording of:
The Lavender Song
lyricist:
Kurt Schwabach (songwriter, lyricist, singer)
composer:
Arno Billing (composer)
translator:
Jeremy Lawrence
translated version of:
Das lila Lied
Mischa Spoliansky2:59
2Berlin Cabaret Songs - Maskulinum - Femininum
engineer:
Martin Atkinson (engineer)
producer:
Michael Haas (classical music producer)
editor:
Jenni Whiteside (engineer)
piano:
Jeff Cohen (US pianist, active in France) (from 1996-01 until 1996-02)
vocals:
Ute Lemper (from 1996-01 until 1996-02)
orchestra:
Matrix Ensemble (from 1996-01 until 1996-02)
conductor:
Robert Ziegler (conductor) (from 1996-01 until 1996-02)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1996-01 until 1996-02)
recording of:
Maskulinum - Femininum (from 1996-01 until 1996-02)
lyricist:
Marcellus Schiffer
composer:
Mischa Spoliansky (composer)
Mischa Spoliansky1:45
3Berlin Cabaret Songs - When the special girlfriend
vocals:
Ute Lemper
orchestra:
Matrix Ensemble
recording of:
Wenn die beste Freundin (aus der Kabarett-Revue "Es liegt in der Luft")
lyricist:
Marcellus Schiffer
composer:
Mischa Spoliansky (composer)
Mischa Spoliansky2:36
4Coversation Piece - 'I'll follow my secret heart'
soprano vocals:
Joan Sutherland (soprano) (in 1966)
conductor:
Richard Bonynge (conductor and pianist) (in 1966)
arranger:
Douglas Gamley (film composer)
cover recording of:
Conversation Piece: Act One. I’ll Follow My Secret Heart (in 1966)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co., Inc. (USA)
part of:
Conversation Piece: Act One
Noël Coward5:15
5Ganymed
producer:
Michael Haas (classical music producer)
piano:
Andreas Haefliger (pianist) (in 1996-05)
baritone vocals:
Matthias Goerne (baritone) (in 1996-05)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz, Bayern (Bavaria), Germany (in 1996-05)
recording of:
Ganymed, D. 544 (in 1996-05)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 544)
Franz Schubert4:39
6Shéhérazade - 'L'Indifferent'
solo soprano vocals:
Catherine Dubosc (soprano)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1992-10)
conductor:
Charles Dutoit (conductor) (in 1992-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1992-10)
recording of:
Shéhérazade: III. L'Indifférent (in 1992-10)
lyricist:
Tristan Klingsor
composer:
Maurice Ravel (French composer) (in 1903)
part of:
Schéhérazade: Trois poèmes pour chant et orchestre
Maurice Ravel3:41
7Les Illuminations - 'Antique'
producer:
John Culshaw
tenor vocals:
Peter Pears (tenor) (in 1966-12)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Les Illuminations, op. 18: IIIb. Antique (in 1966-12)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten2:10
8Death in Venice: Act 1 Scene 7
recording engineer:
James Lock (James Locke, engineer) (from 1974-04 until 1974-05) and Kenneth Wilkinson (engineer) (from 1974-04 until 1974-05)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
baritone vocals [German Father/Guide in Venice]:
Robert Carpenter Turner (baritone) (from 1974-04 until 1974-05)
baritone vocals [Jaschiu's father]:
Peter Leeming (baritone) (from 1974-04 until 1974-05)
bass vocals [Russian father]:
Michael Follis (bass) (from 1974-04 until 1974-05)
countertenor vocals [Voice of Apollo]:
James Bowman (UK countertenor) (from 1974-04 until 1974-05)
mezzo-soprano vocals [Danish lady/Two Strolling Players]:
Penelope MacKay (mezzo-soprano) (from 1974-04 until 1974-05)
mezzo-soprano vocals [German mother]:
Janice Hooper Roe (mezzo-soprano) (from 1974-04 until 1974-05)
mezzo-soprano vocals [Russian nanny]:
Angela Vernon Bates (mezzo-soprano) (from 1974-04 until 1974-05)
soprano vocals [English Lady/Lace-seller]:
Sheila Brand (soprano) (from 1974-04 to ????)
soprano vocals [French mother/Beggar woman]:
Anne Wilkens (mezzo-soprano) (from 1974-04 until 1974-05)
soprano vocals [Her daughter/Strawberry-seller]:
Iris Saunders (soprano) (from 1974-04 until 1974-05)
soprano vocals [Newspaper-seller]:
Anna Vincent (soprano) (from 1974-04 until 1974-05)
tenor vocals [Gustav con Aschenbach]:
Peter Pears (tenor) (from 1974-04 until 1974-05)
tenor vocals [Two Americans/Glass-maker]:
Stephen James Adams (tenor) (from 1974-04 until 1974-05)
tenor vocals [Two Americans/Two strolling players]:
Neville Williams (tenor) (from 1974-04 until 1974-05)
orchestra:
English Chamber Orchestra (from 1974-04 until 1974-05)
conductor:
Steuart Bedford (conductor) (from 1974-04 until 1974-05)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1974)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (from 1974-04 until 1974-05)
partial recording of:
Death in Venice: Act I (from 1974-04 until 1974-05)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Myfanwy Piper
part of:
Death in Venice
Benjamin Britten9:25
9Don Carlos - 'Ascolta! Le porte...' (Act 1)
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau (baritone)
tenor vocals [Carlo]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Georg Solti (conductor)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi5:36
10Andrea Chénier - 'La mamma morta'
soprano vocals:
Renata Tebaldi (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Gianandrea Gavazzeni (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
Umberto Giordano5:03
11Gymnopédies No 3 & 1 (orch. Debussy)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Bernard Herrmann (composer)
recording of:
Gymnopédies: I. Lent et grave (Satie’s Gymnopédie no. 3 orchestrated by Debussy)
orchestrator:
Claude Debussy (French composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3)
part of:
Gymnopédies (orchestrated by Debussy)
recording of:
Gymnopédies: II. Lent et douloureux (Satie’s Gymnopédie no. 1 orchestrated by Debussy)
orchestrator:
Claude Debussy (French composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie6:33
12Points of Departure - 'Resting Point'
piano:
Jenni Flemming (Australian pianist)
viola:
Patricia Pollett (Australian violist)
recording of:
Resting Point (for viola or cello and piano)
composer:
Nigel Sabin (Australian clarinetist and composer) (in 1991)
arrangement of:
Points of Departure: II. Resting Point
Nigel Sabin4:35
13Bagatelle No 5 'Threnody'
piano:
Ian Munro (Australian pianist)
recording of:
Five Bagatelles: V. Threnody
composer:
Carl Vine (composer) (in 1994)
part of:
Five Bagatelles
Carl Vine3:14
14Shameful Vice: Scene 5, for solo harp
harp:
Marshall McGuire (harpist)
recording of:
Shameful Vice: Scene 5
composer:
Michael Finnissy
part of:
Shameful Vice
Michael Finnissy3:50
15The Marriage of Figaro - 'Voi che sapete'
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Cherubino]:
Frederica von Stade (mezzo-soprano) (in 1981-06)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1982)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:53
16Der Rosenkavalier - Act III (conclusion)
vocals:
Régine Crespin (soprano), Helen Donath (soprano) and Yvonne Minton (mezzo-soprano)
orchestra:
Vienna Philharmonic
conductor:
Sir Georg Solti (conductor)
partial recording of:
Der Rosenkavalier, op. 59: Akt III
composer:
Richard Strauss (German composer)
librettist:
Harry Graf Kessler and Hugo von Hofmannsthal
part of:
Der Rosenkavalier (The Rose-knight, op. 59, op 59; TrV 227)
part of:
Der Rosenkavalier, op. 59: Akt III. "Euer Gnaden sind die Güte selbst" (Sophie) … "Hab' mir's gelobt, ihn lieb zu haben in der richtigen Weis'" (Marschallin)
part of:
Der Rosenkavalier, op. 59: Akt III. "Ihre hochfürstliche Gnaden die Frau Fürstin Feldmarschall!" (Landlord, Ochs, Octavian, police commissioner, Marschallin)
part of:
Der Rosenkavalier, op. 59: Akt III. "Leupold, wir geh'n" (Ochs)
part of:
Der Rosenkavalier, op. 59: Akt III. "War anders abgemacht, Marie Theres’, ich wunder mich!" (Octavian, Sophie, Ochs, Marschallin, police commissioner)
part of:
Der Rosenkavalier: Act III. "Macht Sie der Wein leicht immer so?"
Richard Strauss11:44