| 12 | You’d Be So Nice to Come Home To- recorded in:
- New York, New York, United States (on 1955-07-29)
- alto saxophone:
- Julian “Cannonball” Adderley (on 1955-07-29)
- baritone saxophone:
- Cecil Payne (on 1955-07-29)
- cornet:
- Nat Adderley (on 1955-07-29)
- double bass:
- Paul Chambers (on 1955-07-29)
- drums (drum set):
- Kenny Clarke (on 1955-07-29)
- flute and tenor saxophone:
- Jerome Richardson (on 1955-07-29)
- piano:
- John Williams (on 1955-07-29)
- trombone:
- J. Johnson (on 1955-07-29)
- arranger:
- Quincy Jones
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1955), HHO Licensing (in 2005, in 2008) and Xelon Productions (in 2010)
- instrumental cover recording of:
- You’d Be So Nice to Come Home To (on 1955-07-29)
- lyricist and composer:
- Cole Porter (in 1943)
- publisher:
- Chappell & Co., Chappell & Co., Inc. , Warner Chappell Music Ltd. and Warner/Chappell North America Limited
- part of:
- The 16th Academy Award for Best Original Song (number: 2)
- instrumental recording of:
- You’d Be So Nice to Come Home To (on 1955-07-29)
- lyricist and composer:
- Cole Porter (in 1943)
- publisher:
- Chappell & Co., Chappell & Co., Inc. , Warner Chappell Music Ltd. and Warner/Chappell North America Limited
- part of:
- The 16th Academy Award for Best Original Song (number: 2)
- recording of:
- You’d Be So Nice to Come Home To
- lyricist and composer:
- Cole Porter (in 1943)
- publisher:
- Chappell & Co., Chappell & Co., Inc. , Warner Chappell Music Ltd. and Warner/Chappell North America Limited
- part of:
- The 16th Academy Award for Best Original Song (number: 2)
| Cannonball Adderley | | 3:38 |