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~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1When I Was YoungEric Burdon & the Animals3.253:00
2This Flight Tonight
producer:
Roger Glover
phonographic copyright (℗) by:
Nazareth (Dunfermline) Ltd. (until 1973) and Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1973)
cover recording of:
This Flight Tonight
lyricist and composer:
Joni Mitchell
publisher:
Global Musikverlag (Global Musik GmbH & Co. KG), Joni Mitchell Publishing Corp., Siquomb Pub. Corp. and Warner Bros. Music (publisher; do NOT use as release label)
Nazareth3.753:27
3Monster
recording of:
Monster
writer:
Jerry Edmonton (former Steppenwolf drummer) and John Kay (lead singer of Steppenwolf)
publisher:
ABC/Dunhill Music, Inc.
sub-publisher:
Universal Music Publishing France (not for release label use!)
Steppenwolf3.53:56
4Let’s Work Together
recorded in:
Australia (from 1985 to present)
producer:
Peter Noble (Australian producer & member of Bluebottle Kiss)
live cover recording of:
Let’s Work Together (in 1985)
lyricist:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
publisher:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. and United Artists Musik GmbH
Canned Heat3:59
5I’m a Believer
recorded in:
New York, New York, United States (from 1966-10-15 until 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
bass:
Dick Romoff (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
guitar:
Al Gorgoni (guitarist, composer, arranger, and producer) (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
organ:
Artie Butler (from 1966-10-15 until 1966-10-23)
piano and tambourine:
Jeff Barry (from 1966-10-15 until 1966-10-23)
background vocals:
Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
background vocals and lead vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23)
arranger:
Jeff Barry
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1966) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
cover recording of:
I’m a Believer (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
recording of:
I’m a Believer
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
The Monkees4.652:46
6In-A-Gadda-Da-Vida
phonographic copyright (℗) by:
ATCO Records (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recording of:
In‐A‐Gadda‐Da‐Vida
lyricist and composer:
Douglas Lloyd Ingle
publisher:
Ten East‐Cotillion‐Itasca
Iron Butterfly42:53
7Cold as Ice
associate engineer:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron and Randy Mason
engineer:
Gary Lyons (UK engineer & producer)
co-producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
producer:
Gary Lyons (UK engineer & producer) and John Sinclair (engineer)
mixer:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
bass guitar:
Ed Gagliardi (bass player (Foreigner))
drums (drum set):
Dennis Elliott
guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
horn:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
keyboard:
Al Greenwood and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
synthesizer:
Al Greenwood
background vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) and Rhino Entertainment Company (not for release label use!) (in 2009)
recording of:
Cold as Ice
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (until 2014-12-31), Yamaha Music Publishing (until 2017-03-31), Fujipacific Music, Inc. (from 2015-01-01 to present) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
Foreigner43:20
8Let It Ride
assistant engineer:
Marc Sterling
engineer:
Buzz Richmond
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
bass and lead vocals:
C.F. Turner (from 1973-09 until 1973-10)
drums (drum set):
Robbie Bachman (from 1973-09 until 1973-10)
guitar [lead guitar]:
Randy Bachman (Canadian guitarist, singer & songwriter) (from 1973-09 until 1973-10)
guitar [second lead guitar]:
Tim Bachman (from 1973-09 until 1973-10)
percussion:
Rob Bachman (from 1973-09 until 1973-10)
background vocals:
C.F. Turner (from 1973-09 until 1973-10), Randy Bachman (Canadian guitarist, singer & songwriter) (from 1973-09 until 1973-10) and Tim Bachman (from 1973-09 until 1973-10)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1973), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1973)
recorded at:
Kaye–Smith Studios in Seattle, Washington, United States (from 1973-09 until 1973-10)
mixed at:
Kaye–Smith Studios in Seattle, Washington, United States
recording of:
Let It Ride (from 1973-09 until 1973-10)
writer:
C.F. Turner and R. Bachman (Canadian guitarist, singer & songwriter)
publisher:
Eventide Music (run by Kevin Kendle), Ranbach Music (publisher), Sony Songs Inc. and Top Soil Music (publisher)
Bachman–Turner Overdrive54:24
9Natural Born Boogie
producer:
Humble Pie
arranger:
Humble Pie
phonographic copyright (℗) by:
Immediate (in 1969)
recording of:
Natural Born Boogie
lyricist and composer:
Steve Marriott (English musician and songwriter)
publisher:
Avakak Music and Immediate Music (BMG Production Music (Germany) label [IMCD#], [IMX#])
Humble Pie44:16
10You Really Got Me
producer:
Shel Talmy (in 1964-07)
additional piano:
Perry Ford (English pop singer) (in 1964-07)
bass guitar:
Pete Quaife (Kinks' bass guitarist) (in 1964-07)
drums (drum set):
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (in 1964-07)
guitar:
Harry Fryer (in 1964-07)
guitar [lead guitar]:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1964-07)
guitar [rhythm guitar], harmonica, keyboard and lead vocals:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964-07)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
miscellaneous support:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (task: Courtesy of / c/o Celebrity Licensing, Inc.)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1964-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 20), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 36), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 162) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 176)
recording of:
You Really Got Me (in 1964-07)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. and Jay Boy
The Kinks4.252:15
11American Woman
producer:
Nimbus 9 and Jack Richardson
phonographic copyright (℗) by:
RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1970) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 3) and Huffington Post: 100 Best Canadian Songs Ever (number: 4)
recording of:
American Woman (from 1969-08 until 1969-11)
writer:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) and Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music and Unichappell Music, Inc.
The Guess Who4.15:08
12Purple Haze
engineer:
Dave Siddle (De Lane Lea) (engineer) (on 1967-01-11) and Eddie Kramer (Olympic) (engineer) (on 1967-02-03)
producer:
Chas Chandler
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (from 1967-01-11 until 1967-02-03)
electric bass guitar and background vocals:
Noel Redding (from 1967-01-11 until 1967-02-03)
electric guitar and lead vocals:
Jimi Hendrix (from 1967-01-11 until 1967-02-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 2010)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (on 1967-01-11) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1967-02-03, from 1967-02-03 until 1967-02-08)
produced at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1967-01-11)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 17) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 250)
recording of:
Purple Haze (from 1967-01-11 until 1967-02-03)
lyricist and composer:
Jimi Hendrix
publisher:
Bella Godiva Music, Chappell Music (UK), Chappell Musikverlag GmbH, Experience Hendrix, L.L.C., Interworld Music Ltd., Sea-Lark Enterprises, Inc. and Yameta Co. Ltd.
quotes music from:
The Ballad of Jimi Hendrix
Jimi Hendrix4.22:46
13Fly Like an Eagle
engineer:
Mike Fusaro
producer:
Steve Miller (leader of Steve Miller Band)
mixer:
Jim Gaines
recording of:
Fly Like an Eagle
lyricist and composer:
Steve Miller (leader of Steve Miller Band)
publisher:
P and P Songs Limited and Sailor Music
The Steve Miller Band4.53:02
14Sex Machine
producer:
James Brown (The Godfather of Soul)
bass guitar:
Bootsy Collins (US funk musician & songwriter)
drums (drum set):
John Starks
guitar:
Catfish Collins
organ:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
piano:
James Brown (The Godfather of Soul)
tenor saxophone:
Robert McCollough
trumpet:
Clayton Gunnells and Darryl Hassan Jamison
lead vocals:
James Brown (The Godfather of Soul) (on 1970-04-25)
vocals:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
performer:
The J.B.’s
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1970)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 196) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 326)
recording of:
Get Up (I Feel Like Being Like a) Sex Machine (on 1970-04-25)
writer:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown45:17
15The Pusher
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968)
recorded at:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, United States (in 1967)
cover recording of:
The Pusher (in 1967)
lyricist and composer:
Hoyt Axton
publisher:
Lady Jane Music, Warner Chappell Music (publisher as Warner/Chappell Music), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf45:50
16Hey Joe
producer:
Bryan “Chas” Chandler
bass guitar:
Noel Redding
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others)
electric guitar:
Jimi Hendrix
vocals:
Jimi Hendrix
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966, in 1967, in 1968)
produced at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (on 1966-10-23)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 198)
cover recording of:
Hey Joe
lyricist and composer:
Billy Roberts (songwriter)
publisher:
Carlin Music Corp, Sony/ATV Melody, Third Palm Music and Third Story Music, Inc.
Jimi Hendrix4.253:23

Credits