Die Zauberflöte

~ Release by Mozart; Gueden, Lipp, Simoneau, Berry, Wiener Philharmoniker, Karl Böhm (see all versions of this release, 3 available)

Annotation

There are at least two different front covers for this "Double Decca" release with the same catalogue number and bar code.

Annotation last modified on 2015-05-10 15:30 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Die Zauberflöte, K. 620: Ouverture
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart7:09
2Die Zauberflöte, K. 620: Act I, "Zu Hilfe! Zu Hilfe!" (Tamino)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Johann Josef Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:53
3Die Zauberflöte, K. 620: Act I, Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:30
4Die Zauberflöte, K. 620: Act I, Aria "Dies Bildnis ist bezaubernd schön" (Tamino)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:05
5Die Zauberflöte, K. 620: Act I, Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
soprano vocals [Queen of the Night]:
Wilma Lipp (soprano) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:30
6Die Zauberflöte, K. 620: Act I, Quintet "Hm! Hm! Hm!" (Papageno, Tamino)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:33
7Die Zauberflöte, K. 620: Act I, Trio "Du feines Täubchen, nur herein" (Monostatos, Pamina, Papageno)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
tenor vocals [Monostatos]:
August Jaresch (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:47
8Die Zauberflöte, K. 620: Act I, Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:24
9Die Zauberflöte, K. 620: Act I, Finale "Zum Ziele führt dich diese Bahn" (Tamino)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:59
10Die Zauberflöte, K. 620: Act I, Recitativo "Die Weisheitslehre dieser Knaben" (Tamino)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. Rezitativ „Die Weisheitslehre dieser Knaben” (Tamino, Coro) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:56
11Die Zauberflöte, K. 620: Act I, "Wo willst du, kühner Fremdling, hin?" (Priester)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. „Zurück!” … „Zurück?” … „Wo willst du kühner Fremdling hin?” … „O ewige Nacht” (Priester, Tamino) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:24
12Die Zauberflöte, K. 620: Act I, Andante "Wie stark ist nicht dein Zauberton" (Tamino)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:25
13Die Zauberflöte, K. 620: Act I, "Schnelle Füße, rascher Mut" (Pamina, Papageno)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
tenor vocals [Monostatos]:
August Jaresch (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:14
14Die Zauberflöte, K. 620: Act I, Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1955-05-23 until 1955-05-28)
bass vocals [Sarastro]:
Kurt Böhme (operatic bass) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. Allegro maestoso „Es lebe Sarastro!” (Gefolge, Pamina, Papageno) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:53
15Die Zauberflöte, K. 620: Act I, "Herr, ich bin zwar Verbecherin" (Sarastro, Pamina)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Sarastro]:
Kurt Böhme (operatic bass) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
tenor vocals [Monostatos]:
August Jaresch (tenor) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. „Herr, ich bin zwar Verbrecherin” (Pamina, Sarastro) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart7:37
2▶CD