Matthäus-Passion

~ Release by Johann Sebastian Bach; Julian Prégardien, Stéphane Degout, Sabine Devieilhe, Lucile Richardot, Reinoud Van Mechelen, Hana Blažíková, Tim Mead, Emiliano Gonzalez Toro, Christian Immler, Maîtrise de Radio France, Pygmalion & Raphaël Pichon (see all versions of this release, 2 available)

Tracklist

1▶Digital Media
2▼Digital Media
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1Matthäus-Passion, BWV 244, Seconda parte: 30. Aria (Alt, Chorus I & II) “Ach! nun ist mein Jesus hin”
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
choir vocals:
Pygmalion (French baroque ensemble) (in 2021-04)
solo alto vocals:
Lucile Richardot (contralto / mezzo) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (in 2021-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:53
2Matthäus-Passion, BWV 244, Seconda parte: 31. Die aber Jesum gegriffen hatten (Evangelista)
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
solo tenor vocals [Evangelista]:
Julian Prégardien (tenor) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (in 2021-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:07
3Matthäus-Passion, BWV 244, Seconda parte: 32. Choral “Mir hat die Welt trüglich gerich’”
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
choir vocals:
Pygmalion (French baroque ensemble) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (in 2021-04)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:51
4Matthäus-Passion, BWV 244, Seconda parte: 33. Und wiewohl viel falsche Zeugen herzutraten (Evangelista, Testis I & II, Pontifex)
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
solo alto vocals [Testis I]:
Tim Mead (in 2021-04)
solo bass vocals [Pontifex]:
Christian Immler (baritone) (in 2021-04)
solo tenor vocals [Evangelista]:
Julian Prégardien (tenor) (in 2021-04)
solo tenor vocals [Testis II]:
Emiliano Gonzalez‐Toro (Swiss tenor) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 2021-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:16
5Matthäus-Passion, BWV 244, Seconda parte: 34. Recitativo (Tenor) “Mein Jesus schweigt zu falschen Lügen stille”
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
solo tenor vocals:
Emiliano Gonzalez‐Toro (Swiss tenor) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (in 2021-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:12
6Matthäus-Passion, BWV 244, Seconda parte: 35. Aria (Tenor) “Geduld, Geduld!”
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
solo tenor vocals:
Emiliano Gonzalez‐Toro (Swiss tenor) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 2021-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:18
7Matthäus-Passion, BWV 244, Seconda parte: 36. Und der Hohepriester antwortete (Evangelista, Pontifex, Jesus)
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
choir vocals:
Pygmalion (French baroque ensemble) (in 2021-04)
solo bass vocals [Jesus]:
Stéphane Degout (baritone) (in 2021-04)
solo bass vocals [Pontifex]:
Christian Immler (baritone) (in 2021-04)
solo tenor vocals [Evangelista]:
Julian Prégardien (tenor) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe" (in 2021-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:55
8Matthäus-Passion, BWV 244, Seconda parte: 37. Choral “Wer hat dich so geschlagen”
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
choir vocals:
Pygmalion (French baroque ensemble) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (in 2021-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:52
9Matthäus-Passion, BWV 244, Seconda parte: 38. Petrus aber saß draußen im Palast (Evangelista, Ancilla I & II, Petrus)
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
choir vocals:
Pygmalion (French baroque ensemble) (in 2021-04)
solo tenor vocals [Evangelista]:
Julian Prégardien (tenor) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (in 2021-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:30
10Matthäus-Passion, BWV 244, Seconda parte: 39. Aria (Alt) “Erbarme dich”
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
solo alto vocals:
Lucile Richardot (contralto / mezzo) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 2021-04)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:19
11Matthäus-Passion, BWV 244, Seconda parte: 40. Choral “Bin ich gleich von dir gewichen”
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
choir vocals:
Pygmalion (French baroque ensemble) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 2021-04)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:33
12Matthäus-Passion, BWV 244, Seconda parte: 41. Des Morgens aber hielten alle Hohenpriester (Evangelista, Judas)
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
choir vocals:
Pygmalion (French baroque ensemble) (in 2021-04)
solo tenor vocals [Evangelista]:
Julian Prégardien (tenor) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) (in 2021-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:40
13Matthäus-Passion, BWV 244, Seconda parte: 42. Aria (Baß) “Gebt mir meinen Jesum wieder”
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
solo bass vocals:
Christian Immler (baritone) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 2021-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:47
14Matthäus-Passion, BWV 244, Seconda parte: 43. Sie hielten aber einen Rat (Evangelista, Pilatus, Jesus)
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
solo bass vocals [Jesus]:
Stéphane Degout (baritone) (in 2021-04)
solo bass vocals [Pilatus]:
Christian Immler (baritone) (in 2021-04)
solo tenor vocals [Evangelista]:
Julian Prégardien (tenor) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (in 2021-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:24
15Matthäus-Passion, BWV 244, Seconda parte: 44. Choral “Befiehl du deine Wege”
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
choir vocals:
Pygmalion (French baroque ensemble) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (in 2021-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:15
16Matthäus-Passion, BWV 244, Seconda parte: 45. Auf das Fest aber hatte der Landpfleger (Evangelista, Pilatus, Uxor Pilatus, Chorus I & II)
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
choir vocals:
Pygmalion (French baroque ensemble) (in 2021-04)
solo bass vocals [Pilatos]:
Christian Immler (baritone) (in 2021-04)
solo soprano vocals [Uxor Pilatus]:
Sabine Devieilhe (soprano) (in 2021-04)
solo tenor vocals [Evangelista]:
Julian Prégardien (tenor) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (in 2021-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:25
17Matthäus-Passion, BWV 244, Seconda parte: 46. Choral “Wie wunderbarlich ist doch diese Strafe”
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
choir vocals:
Pygmalion (French baroque ensemble) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 2021-04)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:44
18Matthäus-Passion, BWV 244, Seconda parte: 47. Der Landpfleger sagte (Evangelista, Pilatus)
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
solo bass vocals [Pilatus]:
Christian Immler (baritone) (in 2021-04)
solo tenor vocals [Evangelista]:
Julian Prégardien (tenor) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (in 2021-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:24
19Matthäus-Passion, BWV 244, Seconda parte: 48. Recitativo (Sopran) “Er hat uns allen wohlgetan”
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
solo soprano vocals:
Sabine Devieilhe (soprano) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (in 2021-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:06
20Matthäus-Passion, BWV 244, Seconda parte: 49. Aria (Sopran) “Aus Liebe will mein Heiland sterben”
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
solo soprano vocals:
Sabine Devieilhe (soprano) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 2021-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:54
21Matthäus-Passion, BWV 244, Seconda parte: 50. Sie schrieen aber noch mehr (Evangelista)
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
choir vocals:
Pygmalion (French baroque ensemble) (in 2021-04)
solo tenor vocals [Evangelista]:
Julian Prégardien (tenor) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (in 2021-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:50
22Matthäus-Passion, BWV 244, Seconda parte: 51. Recitativo (Alt) “Erbarm es Gott”
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
solo alto vocals:
Tim Mead (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 2021-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:52
23Matthäus-Passion, BWV 244, Seconda parte: 52. Aria (Alt) “Können Tränen meiner Wangen”
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
solo alto vocals:
Tim Mead (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 2021-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:30
24Matthäus-Passion, BWV 244, Seconda parte: 53. Da nahmen die Kriegsknechte (Evangelista)
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
choir vocals:
Pygmalion (French baroque ensemble) (in 2021-04)
solo tenor vocals [Evangelista]:
Julian Prégardien (tenor) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (in 2021-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:11
25Matthäus-Passion, BWV 244, Seconda parte: 54. Choral “O Haupt voll Blut und Wunden”
sound engineer and mixer:
Hugues Deschaux
assistant engineer:
Cyprien Matheux
producer and editor:
Aline Blondiau (engineer / producer)
choir vocals:
Pygmalion (French baroque ensemble) (in 2021-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2021-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2021-04)
recorded at:
Philharmonie de Paris: Grande Salle Pierre Boulez in Paris, Île-de-France, France (in 2021-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 2021-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:13
3▶Digital Media

Credits

Release

photography:Caroline Doutre (photographer)
Fred Mortagne (photographer)
liner notes:Reinhard Brembeck
Raphaël Pichon (French conductor and counter-tenor)
Julian Prégardien (tenor)
liner notes translator:Charles Johnston (liner notes author or English translator)
Irène Weber-Froboese (liner notes translator)
mastering:Hugues Deschaux
illustration:Fabienne Verdier (painter)
purchase for download:https://itunes.apple.com/us/album/id1608591674 [info]
stream for free:https://open.spotify.com/album/1Q2mZZPoKRj3EfDG3sJRem [info]

Release group

part of:Victoire de l'enregistrement français de musique classique de l'année (number: 2023) (order: 27)