| # | Title | Artist | Rating | Length |
|---|
| 1 | We Are the Champions | Queen | 3.95 | 3:02 |
| 2 | The Best | Tina Turner | 3.9 | 4:09 |
| 3 | Oh, Pretty Woman- recorded in:
- Nashville, Tennessee, United States (on 1964-08-01)
- producer:
- Fred Foster
- 12 string guitar [12 string guitar Epiphone] and lead vocals:
- Roy Orbison (on 1964-08-01)
- double bass [upright bass]:
- Bob Moore (on 1964-08-01)
- drums (drum set):
- Buddy Harman (on 1964-08-01)
- guitar:
- Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (on 1964-08-01)
- harmonica:
- Charlie McCoy (on 1964-08-01)
- percussion:
- Paul Garrison (on 1964-08-01)
- piano:
- Floyd Cramer (on 1964-08-01)
- saxophone:
- Boots Randolph (on 1964-08-01)
- vocals:
- Roy Orbison
- phonographic copyright (℗) by:
- Orbison Records, Orbison Records, Inc. and Monument Record Corp. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 20), Billboard: The 500 Best Pop Songs (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 222)
- recording of:
- Oh, Pretty Woman (on 1964-08-01)
- lyricist and composer:
- Bill Dees and Roy Orbison
- publisher:
- Acuff-Rose Music Limited , Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. , Acuff-Rose Publications, Inc. (on 1964-08-26) and Acuff-Rose (in 1972)
| Roy Orbison | 4.3 | 2:58 |
| 4 | Where Did Our Love Go | The Supremes | 5 | 2:29 |
| 5 | December, 1963 (Oh, What a Night)- recording engineer:
- Steve Maslow
- producer:
- Bob Gaudio
- mixer:
- Val Garay
- bass:
- Don Ciccone
- drums (drum set):
- Gerry Polci
- guitar:
- John Paiva
- keyboard:
- Bob Gaudio and Lee Shapiro
- piano:
- Bob Gaudio
- vocals:
- Bob Gaudio, Don Ciccone, Frankie Valli , Gerry Polci and John Paiva
- brass [horns] arranger and strings arranger:
- Lee Shapiro
- phonographic copyright (℗) by:
- WEA International Inc.
- recorded at:
- Sound Factory in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 64)
- recording of:
- December, 1963 (Oh, What a Night)
- lyricist:
- Bob Gaudio and Judy Parker
- composer:
- Bob Gaudio
- publisher:
- EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. and Seasons Music Co.
| The Four Seasons | 3.85 | 3:29 |
| 6 | You Sexy Thing | Hot Chocolate | 3.85 | 4:01 |
| 7 | Band of Gold | Freda Payne | 4.5 | 2:55 |
| 8 | Saturday Night at the Movies | The Drifters | 5 | 2:28 |
| 9 | Baby, Now That I’ve Found You | The Foundations | 4 | 2:36 |
| 10 | Do Wah Diddy Diddy | Manfred Mann | 4 | 2:23 |
| 11 | House of the Rising Sun | The Animals | 4.2 | 4:30 |
| 12 | Spirit in the Sky | Norman Greenbaum | 4.05 | 3:58 |
| 13 | You Really Got Me- producer:
- Shel Talmy (in 1964-07)
- additional piano:
- Perry Ford (in 1964-07)
- bass guitar:
- Pete Quaife (in 1964-07)
- drums (drum set):
- Bobby Graham (in 1964-07)
- guitar:
- Harry Fryer (in 1964-07)
- guitar [lead guitar]:
- Dave Davies (in 1964-07)
- guitar [rhythm guitar], harmonica, keyboard and lead vocals:
- Ray Davies (in 1964-07)
- phonographic copyright (℗) by:
- Sanctuary Records Group Ltd. (in 1964)
- miscellaneous support:
- PRT Records (task: Courtesy of / c/o Celebrity Licensing, Inc.)
- recorded at:
- IBC Studios in London , England, United Kingdom (in 1964-07)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 13), NME: 50 Greatest Guitar Riffs of All Time (number: 20), Rolling Stone: The 100 Greatest Guitar Solos of All Time (number: 36), VH1: 100 Greatest Hard Rock Songs (number: 57), Rolling Stone: 500 Greatest Songs of All Time (number: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 162) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 176)
- recording of:
- You Really Got Me (in 1964-07)
- lyricist and composer:
- Ray Davies
- publisher:
- Copyright Control , Edward Kassner Music Co. Ltd. and Jay Boy
| The Kinks | 4.25 | 2:13 |
| 14 | Long Tall Sally | Little Richard | 4 | 2:08 |
| 15 | Everlasting Love | Love Affair | 4 | 3:00 |
| 16 | Make Me Smile (Come Up and See Me) | Steve Harley & Cockney Rebel | 4 | 3:54 |
| 17 | Starman- sound engineer:
- Dennis MacKay
- producer:
- David Bowie and Ken Scott
- 12 string guitar, handclaps and lead vocals:
- David Bowie (on 1972-02-04)
- acoustic guitar, electric guitar, piano and background vocals:
- Mick Ronson (on 1972-02-04)
- bass guitar:
- Trevor Bolder (on 1972-02-04)
- drums (drum set):
- Mick Woodmansey (on 1972-02-04)
- arranger:
- David Bowie and Mick Ronson
- phonographic copyright (℗) by:
- RCA Corporation (in 1972), Jones Music (in 1990) and Mainman S.A. (in 1990)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (on 1972-02-04)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- recording of:
- Starman (on 1972-02-04)
- lyricist and composer:
- David Bowie
- publisher:
- BMG Blue, BMG Rights Management (UK) Limited , Chrysalis Music Group Inc., Chrysalis Music Ltd. , EMI Music Publishing Ltd. , RZO Music Ltd, Screen Gems–EMI Music, Inc. and Tintoretto Music
| David Bowie | 4.4 | 4:12 |
| 18 | Abracadabra | Steve Miller Band | 4.3 | 3:41 |
| 19 | Land of Confusion- assistant engineer:
- Paul Gomersall
- engineer:
- Hugh Padgham
- producer:
- Genesis and Hugh Padgham
- bass and guitar:
- Mike Rutherford (from 1985-10 until 1986-02)
- bass synthesizer and keyboard:
- Tony Banks (from 1985-10 until 1986-02)
- drums (drum set), percussion and lead vocals:
- Phil Collins (from 1985-10 until 1986-02)
- phonographic copyright (℗) by:
- Charisma Records Ltd. (in 1986)
- recorded at and mixed at:
- The Farm in Surrey, England, United Kingdom (from 1985-10 until 1986-02)
- music videos:
- Land of Confusion by Genesis
- recording of:
- Land of Confusion (from 1985-10 until 1986-02)
- lyricist and writer:
- Mike Rutherford
- composer:
- Tony Banks and Phil Collins
- publisher:
- Anthony Banks Ltd., Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Music GmbH , Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. and Philip Collins Ltd.
- written at:
- The Farm in Surrey, England, United Kingdom
| Genesis | 3.65 | 4:47 |
| 20 | Red Red Wine | UB40 | 3.8 | 2:59 |
| 21 | The Israelites | Desmond Dekker & the Aces | | 2:30 |
| 22 | I Can See Clearly Now | Johnny Nash | 4 | 2:54 |
| 23 | I Heard It Through the Grapevine- producer:
- Norman Whitfield
- bass [1962 Fender Precision Bass]:
- James Jamerson (from 1967-02-03 until 1967-04-10)
- congas and tambourine:
- Jack Ashford (from 1967-02-03 until 1967-04-10)
- drums (drum set):
- Uriel Jones (from 1967-02-03 until 1967-04-10)
- French horn:
- Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
- guitar [1964 Gibson Firebird III]:
- Eddie Willis (from 1967-02-03 until 1967-04-10)
- guitar [Fender Telecaster with Jazzmaster Neck]:
- Joe Messina (from 1967-02-03 until 1967-04-10)
- Hammond organ [B-3]:
- Earl Van Dyke (from 1967-02-03 until 1967-04-10)
- instruments:
- The Funk Brothers (from 1967-02-03 until 1967-04-10)
- tom-tom:
- Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
- Wurlitzer electric piano:
- Johnny Griffith (from 1967-02-03 until 1967-04-10)
- background vocals:
- The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
- lead vocals:
- Marvin Gaye (from 1967-02-03 until 1967-04-10)
- orchestra:
- Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
- strings arranger:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- orchestrator:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- phonographic copyright (℗) by:
- Motown Record Company (in 1968)
- recorded at and mixed at:
- Hitsville in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (number: 307)
- cover recording of:
- I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
- writer:
- Barrett Strong and Norman Whitfield
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
| Marvin Gaye | 3.7 | 3:12 |
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