Milestones of a Legend

~ Release by Charlie Parker (see all versions of this release, 1 available)

Tracklist

1CD: No. 1 / No. 2 / No. 3
2CD: Charlie Parker With Strings / Charlie Parker Sextet / Red Norvo's Fabulous Jam Session
3CD: South of the Border / Bird and Diz / Charlie Parker
4CD: Charlie Parker Plays Cole Porter / The Genius of Charlie Parker: Jazz Perennial
#TitleRatingLength
1I Get a Kick Out of You
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-03-31)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-03-31)
instrumental recording of:
I Get a Kick Out of You (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
3:36
2I Get a Kick Out of You (alternate take)
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass [bass]:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-03-31)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-03-31)
instrumental recording of:
I Get a Kick Out of You (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
4:55
3Just One of Those Things
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-03-31)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-03-31)
instrumental recording of:
Just One of Those Things (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
2:48
4My Heart Belongs to Daddy
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop (American jazz pianist) (on 1954-03-31)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-03-31)
instrumental cover recording of:
My Heart Belongs to Daddy (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. and Chappell Music Ltd.
3:21
5I've Got You Under My Skin
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass [bass]:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-03-31)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-03-31)
instrumental recording of:
I’ve Got You Under My Skin (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
3:40
6Love for Sale
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1954-12-10)
double bass [bass]:
Teddy Kotick (on 1954-12-10)
drums (drum set):
Art Taylor (on 1954-12-10)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1954-12-10)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
instrumental recording of:
Love for Sale (on 1954-12-10)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
5:35
7Love for Sale (alternate take)
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1954-12-10)
double bass [bass]:
Teddy Kotick (on 1954-12-10)
drums (drum set):
Art Taylor (on 1954-12-10)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1954-12-10)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
instrumental recording of:
Love for Sale (on 1954-12-10)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
5:35
8I Love Paris
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1954-12-10)
double bass [bass]:
Teddy Kotick (on 1954-12-10)
drums (drum set):
Art Taylor (on 1954-12-10)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1954-12-10)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
instrumental recording of:
I Love Paris (Can-Can [Pistache, Company]) (on 1954-12-10)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
5:09
9I Love Paris (alternate take)
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1954-12-10)
double bass [bass]:
Teddy Kotick (on 1954-12-10)
drums (drum set):
Art Taylor (on 1954-12-10)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1954-12-10)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
instrumental recording of:
I Love Paris (Can-Can [Pistache, Company]) (on 1954-12-10)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
5:09
10Star Eyes
recording of:
Star Eyes (in 1950-03)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
part of:
I Dood It (1943)
3:31
11Blues (fast)
recording of:
Blues (in 1950-03)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
2:49
12I'm in the Mood for Love
instrumental recording of:
I’m in the Mood for Love (in 1950-03)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
2:54
13In the Still of the Night
instrumental recording of:
In the Still of the Night (Cole Porter song) (on 1953-05-25)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) and Chappell & Co., Inc. (USA)
3:27
14Old Folks
instrumental recording of:
Old Folks (on 1953-05-25)
lyricist:
Dedette Lee Hill (in 1938)
composer:
Willard Robison (in 1938)
publisher:
Warner Bros., Inc. (not for release label use!)
3:38
15If I Love Again
instrumental recording of:
If I Love Again (on 1953-05-25)
lyricist:
Jack Murray (US songwriter)
composer:
Ben Oakland
publisher:
Warner Bros., Inc. (Warner Bros. Music Division)
2:29
16Cardboard
recording of:
Cardboard (from 1949-02 until 1949-03)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:11
17Visa
recording of:
Visa (from 1949-02 until 1949-03)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:00
18Segment
recording of:
Segment (on 1949-05-05)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
3:23
19Passport
recording of:
Passport (on 1949-05-05)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:02
20Diverse
recording of:
Segment (on 1949-05-05)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
3:18
5CD: "Bird" Is Free / The Happy "Bird"
6CD: Charlie Parker Memorial / Bird on 52nd Street
7CD: Le Jazz Cool: Historical Recordings, Vol. 1 / An Historical Meeting at the Summit
8CD: Charlie Parker in Sweden
9CD: "Bird" at St. Nick's / Jazz at Massey Hall
10CD: An Evening at Home With the "Bird" / The "Bird" Returns

Credits

Release group

part of:10 CD Collection (order: 12)