Bestseller auf dem Plattenteller 83–87

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Wonderful Life
Produzent(in):
Dave Dix (Dave Dix)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1987)
Musikvideos:
Wonderful Life von Black (UK indie pop musician Colin Vearncombe)
recording of:
Wonderful Life
Texter und Komponist(in):
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
Black4.354:50
2(I Just) Died in Your Arms
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew44:25
3Don’t Answer Me
assistierende(r) Techniker(in):
Tony Richards (recording engineer)
Techniker(in) und Produzent(in):
Alan Parsons (of The Alan Parsons Project)
leitende(r) Produzent(in):
Eric Woolfson
Akustikgitarre:
Ian Bairnson und David Paton (of Pilot)
Bassgitarre:
David Paton (of Pilot)
Gitarre:
Ian Bairnson
Keyboard und Hintergrundgesang:
Chris Rainbow und Eric Woolfson
Perkussion und Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel)
Saxophon:
Mel Collins
Synthesizer [Fairlight]:
Alan Parsons (of The Alan Parsons Project)
Sologesang:
Eric Woolfson
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
recording of:
Don’t Answer Me
Verfasser(in):
Alan Parsons (of The Alan Parsons Project) und Eric Woolfson
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Careers Music, Inc. und Woolfsongs Ltd.
The Alan Parsons Project3.84:13
4You Keep Me Hangin’ On
recorded in:
England, Vereinigtes Königreich
Techniker(in):
Peter Wade Schwier (producer, mixing and recording engineer)
Produzent(in):
Ricky Wilde
Gitarre:
Steve Byrd
Keyboard:
Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1986), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (British record and publishing company)
aufgenommen bei und mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten, Select Sound Studios in Knebworth, Hertfordshire, England, Vereinigtes Königreich und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Cachitos Nochevieja 2022 (Nummer: 108)
cover recording of:
You Keep Me Hangin’ On
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Kim Wilde3.454:12
5Self Control
leitende(r) Produzent(in):
Jack White (German producer Horst Nußbaum)
Produzent(in):
Robbie Buchanan (Canadian producer) und Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) und Harold Faltermeier
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
Musikvideos:
Self Control von Laura Branigan
cover recording of:
Self Control (in 1984)
Texter:
Steve Piccolo
zusätzliche(r) Verfasser(in):
Harro Steffen
Komponist(in):
Giancarlo Bigazzi und Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) und Sugarmusic Spa (publisher, do NOT use as label)
Laura Branigan4.24:06
6I Engineer
Produzent(in):
Richie Zito
Bassgitarre:
Charles Ottavio
Gitarre und Keyboard:
Bill Wadhams
Keyboard:
Greg Smith (Producer/Keyboards)
membranophone und Perkussion:
Jim Blair
phonographisches Urheberrecht (℗) von:
Phonogram GmbH (in 1986) und PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986)
recording of:
I Engineer
Verfasser(in):
Mike Chapman (Australian producer and songwriter), Holly Knight und Bernie Taupin
publisher:
Intersong Music Ltd., Little Mole Music, The Makiki Publishing Co. Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1986)
Animotion4:05
7Vienna Calling
Produzent(in):
Ferdi Bolland und Rob Bolland
Musikvideos:
Vienna Calling (ReEdit 2000) von Falco (Austrian pop & rock musician)
recording of:
Vienna Calling (in 1985)
Texter:
Ferdi Bolland, Rob Bolland und Falco (Austrian pop & rock musician)
Komponist(in):
Ferdi Bolland und Rob Bolland
Falco44:08
8Axel F
Produzent(in):
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 70)
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer4.153:02
9Pass the Dutchie
Produzent(in):
Peter Collins (producer)
Bassgitarre:
Patrick
Gitarre:
Kelvin
Keyboard:
Michael (Keyboard player for Musical Youth)
Schlagzeug:
Junior
vocals:
Dennis
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 25)
cover recording of:
Pass the Kouchie
Verfasser(in):
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) und Fitzroy “Bunny” Simpson
Teil von:
My Kind of People
Musical Youth43:17
10Lessons in Love
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
Gast-Saxophon:
Gary Barnacle
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1986) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986)
recording of:
Lessons in Love
Texter:
Boon Gould
Verfasser(in):
Wally Badarou und Mark King (bass guitarist and vocalist)
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Hornall Brothers Music Ltd. (limited company), Island Visual Arts Ltd., Level 42 Music Ltd., Ruby Ruby Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Level 423.63:58
11The Captain of Her Heart
Produzent(in):
Double (Swiss pop duo, Felix Haug & Kurt Maloo)
phonographisches Urheberrecht (℗) von:
Metronome Musik GmbH (marketing & distribution dept. spun off from Metronome Records GmbH — do not use as a release label) (in 1985) und Polydor International GmbH (not for release label use!) (in 1985)
recording of:
The Captain of Her Heart
Texter und Komponist(in):
Felix Haug und Kurt Maloo
publisher:
Z Muzik Ed. Soc. (Suiza) und Z-Muzik (publisher; do NOT use as release label) (in 1985)
Double3.54:32
12Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
Horn arranger:
Jerry Hey und Nik Kershaw
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
recording of:
Wouldn’t It Be Good (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:31
13Glory of Love
recording of:
Glory of Love
Verfasser(in):
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1986 nominee)
Peter Cetera4:22
14Caravan of Love
Techniker(in):
Phil Bodger (engineer)
Produzent(in):
John Williams (English A&R executive, producer, songwriter...)
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1986, in 1987)
cover recording of:
Caravan of Love
Verfasser(in):
Ernie Isley, Marvin Isley und Chris Jasper
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Housemartins4.53:40
15Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:56
16Hello Again
arranger:
Geoff Bastow
phonographisches Urheberrecht (℗) von:
Digital Remaster (in 1984), EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1984) und Capitol Music (for copyrights use only!) (in 2001)
recording of:
Hello Again (in 1983)
Texter:
Irma Holder und Joachim Horn-Bernges
Komponist(in):
Howard Carpendale und Joachim Horn-Bernges
publisher:
Hanseatic (publisher)
Howard Carpendale43:36
17Forever Young
recording engineer, Programmierung und Mix:
Wolfgang Loos (von 1984-07 bis 1984-08)
zusätzlich recording engineer:
Uli Rudolf (von 1984-07 bis 1984-08)
assistierende Programmierung:
Boris Balin und Thomas Beck (technical assistant, likely German)
Produzent(in):
Wolfgang Loos und Colin Pearson (producer and violinist)
Bass:
Ken Taylor (von 1984-07 bis 1984-08)
drum machine:
Bernhard Lloyd (von 1984-07 bis 1984-08)
Keyboard:
Bernhard Lloyd (von 1984-07 bis 1984-08) und Frank Mertens (German synthpop keyboardist Frank Sorgatz) (von 1984-07 bis 1984-08)
Schlagzeug:
Curt Cress (von 1984-07 bis 1984-08)
zusätzlich Keyboard:
Wolfgang Loos (von 1984-07 bis 1984-08)
Hintergrundgesang:
Gulfstream (von 1984-07 bis 1984-08) und The Rosie Singers (von 1984-07 bis 1984-08)
Sologesang:
Marian Gold (von 1984-07 bis 1984-08)
arranger:
Alphaville (German synth pop band) und Wolfgang Loos
phonographisches Urheberrecht (℗) von:
WEA MUSIK GMBH (company, not a label) (vom 1984 bis heute) und wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (in 1984, in 1994)
aufgenommen bei und mixed at:
Studio 54 (Berlin recording studio) in Deutschland (von 1984-07 bis 1984-08)
recording of:
Forever Young (von 1984-07 bis 1984-08)
Texter:
Marian Gold
Komponist(in):
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold und Bernhard Lloyd
publisher:
Downtown DMP Songs, Fable Music Pty. Ltd. und Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.553:46
18Manic Monday
Produzent(in):
David Kahne
Mix:
David Leonard (US producer and engineer)
Bassgitarre:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre:
Susanna Hoffs und Vicki Peterson
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
Sologesang:
Susanna Hoffs
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 208)
recording of:
Manic Monday
Texter und Komponist(in):
Christopher (Prince, “The Artist Formerly Known as…”)
publisher:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music) und WB Music Corp. (1929–2019)
Bangles43:05
19Nightshift
Partner-Produzent(in):
Peter Wolfe (Austrian classical/jazz composer/producer, keyboards for Zappa) und Jeremy Smith (producer/engineer)
Produzent(in):
Dennis Lambert
arranger:
Peter Wolfe (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1984)
Bearbeitung von:
Nightshift von Commodores (US funk/soul band with Lionel Richie)
recording of:
Nightshift
Verfasser(in):
Franne Golde, Dennis Lambert und Walter Orange
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Zomba Enterprises, Inc.
Commodores4.354:20
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Nennungen

Veröffentlichung

ASIN:DE: B002VC9D0S [Info]

Veröffentlichungsgruppe

Teil von:Bestseller auf dem Plattenteller (Nummer: 1983-1987) (Reihenfolge: 5)