Jazz After Dark

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Let There Be Love
Bratsche / Viola:
Joseph DiFiore (am 1961-12-20), Alvin Dinkin (am 1961-12-20), Allan Harshman (violist) (am 1961-12-20) und Paul Robyn (am 1961-12-20)
Cello:
Hyman Gold (cellist) (am 1961-12-20), Armand Kaproff (am 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (am 1961-12-20) und William Vandenburg (Session Musician/Cello) (am 1961-12-20)
Geige / Violine:
Victor Arno (am 1961-12-20), Emil Briano (Violinist) (am 1961-12-20), Jacques Gasselin (am 1961-12-20), James Getzoff (American concertmaster and violinist) (am 1961-12-20), Joseph Livoti (violinist) (am 1961-12-20), Dan Lube (am 1961-12-20), Erno Neufeld (am 1961-12-20), Isadore Roman (violin) (am 1961-12-20), Mischa Russell (violinist) (am 1961-12-20), Felix Slatkin (am 1961-12-20), Joseph Stepansky (am 1961-12-20) und Gerald Vinci (American violinist and strings conductor) (am 1961-12-20)
Gitarre:
Al Hendrickson (am 1961-12-20)
Klavier:
George Shearing (British jazz pianist) (am 1961-12-20)
Kontrabass:
Al McKibbon (double bassist) (am 1961-12-20)
Kontrabass [arco bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (am 1961-12-20)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1961-12-20)
Vibraphon:
Emil Richards (am 1961-12-20)
vocals:
Nat King Cole (am 1961-12-20)
conductor:
Ralph Carmichael (am 1961-12-20)
arranger:
Ralph Carmichael
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1962)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-12-20)
cover recording of:
Let There Be Love (am 1961-12-20)
Texter:
Ian Grant (lyricist)
Komponist(in):
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole & George Shearing1.22:45
2Time After Time
Techniker(in) und Mix:
Ron Lorman und Tom Swift (engineer)
Koproduzent(in):
Vince Wilburn, Jr. (drummer)
Produzent(in):
Miles Davis (jazz trumpeter, bandleader, songwriter) und Robert Irving III (keyboardist)
Bass:
Darryl Jones (bassist for The Rolling Stones) (am 1984-01-26)
Gitarre:
John Scofield (US guitarist/composer) (am 1984-01-26)
Perkussion:
Steve Thornton (percussionist) (am 1984-01-26)
Schlagzeug:
Al Foster (am 1984-01-26)
Synthesizer:
Robert Irving III (keyboardist) (am 1984-01-26)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1984-01-26)
arranger:
Miles Davis (jazz trumpeter, bandleader, songwriter) und Robert Irving III (keyboardist)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1984-01-26)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
instrumental cover recording of:
Time After Time (am 1984-01-26)
Verfasser(in):
Rob Hyman und Cyndi Lauper
publisher:
Sony Songs Inc. (beendet, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Miles Davis4.653:35
3Night Train
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1962-12-15 bis 1962-12-16)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1962-12-15 bis 1962-12-16)
Kontrabass:
Ray Brown (jazz bassist) (von 1962-12-15 bis 1962-12-16)
Schlagzeug:
Ed Thigpen (von 1962-12-15 bis 1962-12-16)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1963)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (von 1962-12-15 bis 1962-12-16)
Komponist(in):
Jimmy Forrest
basiert auf:
Happy Go Lucky Local
Oscar Peterson4:50
4Lady Sings the Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-06)
Gitarre:
Kenny Burrell (am 1956-06-06)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1956-06-06)
Klavier:
Wynton Kelly (am 1956-06-06)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1956-06-06)
Schlagzeug:
Lenny McBrowne (US jazz drummer) (am 1956-06-06)
Tenorsaxophon:
Paul Quinichette (am 1956-06-06)
Trompete:
Charlie Shavers (am 1956-06-06)
vocals:
Billie Holiday (am 1954-06-06)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten
recording of:
Lady Sings the Blues (am 1956-06-06)
Texter:
Billie Holiday
Komponist(in):
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
Billie Holiday43:46
5April in Paris
recorded in:
New York, New York, Vereinigte Staaten (am 1955-07-26)
Produzent(in):
Norman Granz
alto saxophone:
Bill Graham (US jazz saxophonist) (am 1955-07-26) und Marshall Royal (am 1955-07-26)
alto saxophone, Klarinette, flute und Tenorsaxophon:
Frank Wess (am 1955-07-26)
baritone saxophone und Bassklarinette:
Charlie Fowlkes (baritone saxophonist) (am 1955-07-26)
Gitarre:
Freddie Green (am 1955-07-26)
Klarinette und Tenorsaxophon:
Frank Foster (saxophonist) (am 1955-07-26)
Klavier:
Count Basie (pianist) (am 1955-07-26)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1955-07-26)
Posaune:
Henry Coker (jazz trombonist) (am 1955-07-26), Bill Hughes (jazz trombonist) (am 1955-07-26) und Benny Powell (jazz trombonist) (am 1955-07-26)
Schlagzeug:
Sonny Payne (am 1955-07-26)
Trompete:
Wendell Culley (jazz trumpeter) (am 1955-07-26), Reunald Jones (am 1955-07-26), Thad Jones (American jazz trumpeter) (am 1955-07-26) und Joe Newman (US jazz trumpeter) (am 1955-07-26)
arranger:
Wild Bill Davis
instrumental cover recording of:
April in Paris (am 1955-07-26)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Count Basie43:48
6You’re a Weaver of Dream
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1959-02-03)
Klavier:
Wynton Kelly (am 1959-02-03)
Kontrabass [bass]:
Paul Chambers (US jazz bassist) (am 1959-02-03)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-02-03)
Tenorsaxophon:
John Coltrane (am 1959-02-03)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
aufgenommen bei:
Universal Recording: Studio B in Chicago, Illinois, Vereinigte Staaten (am 1959-02-03)
instrumental cover recording of:
A Weaver of Dreams (am 1959-02-03)
Texter:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
John Coltrane5:32
7Feeling Good
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (am 1965-01-15)
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd und Musical Comedy Prods.
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.12:53
8The Sidewinder
phonographisches Urheberrecht (℗) von:
Blue Note (in 1963)
recording of:
The Sidewinder
Komponist(in):
Lee Morgan (jazz trumpeter / composer)
publisher:
Windswept Pacific Music Ltd.
Lee Morgan5:10
9The Girl From Ipanema
Astrud Gilberto5:12
10Can Anyone Explain
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-08-25)
cover recording of:
Can Anyone Explain? (am 1950-08-25)
Texter und Komponist(in):
Bennie Benjamin und George David Weiss
Ella Fitzgerald & Louis Armstrong3:10
11In the Mood
instrumental recording of:
In the Mood (am 1939-08-01)
Texter:
Andy Razaf
Komponist(in):
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
basiert auf:
Tar Paper Stomp
Teil von:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller3.753:37
12Misty
instrumental recording of:
Misty
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
Erroll Garner2:47
13I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Peggy Lee2:30
14Wade in the Water
Ramsey Lewis3:48
15Minnie the Moocher
alto saxophone:
Hilton Jefferson (am 1942-02-02)
Gitarre:
Danny Barker (am 1942-02-02)
Klavier:
Benny Payne (jazz pianist and vocalist) (am 1942-02-02)
Kontrabass:
Milt Hinton (am 1942-02-02)
Posaune:
Quentin Jackson (am 1942-02-02) und Keg Johnson (jazz trombonist) (am 1942-02-02)
Rohrblattinstrumente:
Jerry Blake (am 1942-02-02)
Saxophon:
Andrew Brown (jazz saxophonist) (am 1942-02-02)
Schlagzeug:
Cozy Cole (am 1942-02-02)
Tenorsaxophon:
Teddy McRae (am 1942-02-02) und Walter "Foots" Thomas (am 1942-02-02)
Trompete:
Shad Collins (am 1942-02-02), Jonah Jones (am 1942-02-02), Russell Smith (US jazz trumpeter) (am 1942-02-02) und Lammar Wright (am 1942-02-02)
vocals:
Cab Calloway (am 1942-02-02)
recording of:
Minnie the Moocher (am 1942-02-02)
Texter und Komponist(in):
Cab Calloway und Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und J. Albert & Son Pty. Ltd.
basiert auf:
Willie the Weeper
Cab Calloway53:15
16Goin’ Out of My Head
recording engineer:
Rudy van Gelder (am 1965-11-20)
Produzent(in):
Creed Taylor
alto saxophone und Klarinette:
Jerry Dodgion (am 1965-11-20) und Phil Woods (US jazz woodwind player) (am 1965-11-20)
Bassposaune:
Tony Studd (am 1965-11-20)
E-Gitarre [guitar]:
Wes Montgomery (am 1965-11-20)
flute und Piccoloflöte:
Jerry Dodgion (am 1965-11-20)
Holzblasinstrumente:
Jerome Richardson (am 1964-11-20)
Klavier:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (am 1965-11-20) und Roger Kellaway (am 1965-11-20)
Kontrabass [bass]:
George Duvivier (am 1965-11-20)
Posaune:
Wayne Andre (am 1965-11-20), Jimmy Cleveland (US jazz trombonist) (am 1965-11-20) und Quentin Jackson (am 1965-11-20)
Schlagzeug:
Grady Tate (am 1965-11-20)
Trompete:
Danny Moore (am 1964-11-20), Joe Newman (US jazz trumpeter) (am 1964-11-20), Donald Byrd (American jazz trumpeter) (am 1965-11-20) und Ernie Royal (am 1965-11-20)
conductor:
Oliver Nelson (saxophone, arranger, composer) (am 1964-11-20)
arranger:
Oliver Nelson (saxophone, arranger, composer)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1965-11-20)
instrumental cover recording of:
Goin’ Out of My Head (am 1964-11-20)
Texter:
Bobby Weinstein (US songwriter)
Komponist(in):
Teddy Randazzo
publisher:
E. H. Morris & Co. Ltd., EMI Catalogue Partnership Australia Pty Ltd, EMI Partnership Musikverlag GmbH, Universal–Songs of PolyGram International, Inc., Vogue Music und Songs of PolyGram International, Inc. (in 1964)
Wes Montgomery42:13
17Mountain Dance
Assistent recording engineer und assistierende(r) Mix:
Ollie Cotton
Techniker(in):
Jeff Ostler
Produzent(in):
Dave Grusin (American pianist and score composer) und Larry Rosen
Mix:
Larry Rosen
aufgenommen bei:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
recording of:
Mountain Dance
Komponist(in):
Dave Grusin (American pianist and score composer)
Dave Grusin6:10
18Those Who Were (feat. Lisa Nilson)
Interpret(in):
Lisa Nilsson
Niels‐Henning Ørsted Pedersen5:29
19Angela (Theme From Taxi)
recorded in:
New York, New York, Vereinigte Staaten (in 1978)
assistierende(r) Techniker(in):
Tim Bomba, Ted Brosnan und Harold Torowsky
Produzent(in):
Bob James (US jazz keyboardist, arranger and producer)
alto saxophone:
Phil Bodner (Woodwind player) (in 1978) und Jerry Dodgion (in 1978)
baritone saxophone:
Howard Johnson (tuba & baritone saxophone) (in 1978)
Bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978)
Bratsche / Viola:
Jean Dane (in 1978), Theodore Israel (in 1978), Sue Pray (in 1978) und Emanuel Vardi (in 1978)
Cello:
Jonathan Abramowitz (in 1978), Seymour Barab (in 1978), Richard Locker (cellist) (in 1978) und Charles McCracken (cellist) (in 1978)
Englischhorn, flute, Oboe und Tenorsaxophon:
George Marge (in 1978)
Geige / Violine:
Harry Cykman (in 1978), Lewis Eley (in 1978), Max Ellen (in 1978), Louis Gabowitz (in 1978), Diana Halprin (in 1978), Harold Kohon (in 1978), Harry Lookofsky (in 1978), John Pintavalle (in 1978), Matthew Raimondi (in 1978), Herbert Sorkin (in 1978) und Richard Sortomme (violinist/composer) (in 1978)
Hybrid-Piano, Klavier und Synthesizer:
Bob James (US jazz keyboardist, arranger and producer) (in 1978)
Klarinette:
Harvey Estrin (in 1978)
Perkussion:
Ralph MacDonald (in 1978)
Posaune:
Wayne Andre (in 1978), Dave Bargeron (US trombonist & tubist) (in 1978) und Alan Raph (in 1978)
Schlagzeug:
Idris Muhammad (in 1978)
Trompete:
Randy Brecker (in 1978), Jon Faddis (in 1978), Mike Lawrence (US jazz trumpeter) (in 1978) und Ron Tooley (American trumpeter) (in 1978)
arranger:
Bob James (US jazz keyboardist, arranger and producer)
recording of:
Angela (theme from “Taxi”) (in 1978)
Komponist(in):
Bob James (US jazz keyboardist, arranger and producer)
Bob James55:41
20At Last
Produzent(in):
Leonard Chess, Phil Chess und Leonard and Phil Chess (legendary US production duo)
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
phonographisches Urheberrecht (℗) von:
Windswept Pacific Music Ltd.
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 115) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 356)
cover recording of:
At Last (in 1960-10)
Verfasser(in):
Mack Gordon und Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Etta James4.52:59
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