Jazz After Dark

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1Medium
#TitleArtistRatingLength
1Let There Be Love
cello:
Hyman Gold (cellist) (on 1961-12-20), Armand Kaproff (on 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (on 1961-12-20) and William Vandenburg (Session Musician/Cello) (on 1961-12-20)
double bass:
Al McKibbon (double bassist) (on 1961-12-20)
double bass [arco bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1961-12-20)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1961-12-20)
guitar:
Al Hendrickson (on 1961-12-20)
piano:
George Shearing (British jazz pianist) (on 1961-12-20)
vibraphone:
Emil Richards (on 1961-12-20)
viola:
Joseph DiFiore (on 1961-12-20), Alvin Dinkin (on 1961-12-20), Allan Harshman (violist) (on 1961-12-20) and Paul Robyn (on 1961-12-20)
violin:
Victor Arno (on 1961-12-20), Emil Briano (Violinist) (on 1961-12-20), Jacques Gasselin (on 1961-12-20), James Getzoff (American concertmaster and violinist) (on 1961-12-20), Joseph Livoti (violinist) (on 1961-12-20), Dan Lube (on 1961-12-20), Erno Neufeld (on 1961-12-20), Isadore Roman (violin) (on 1961-12-20), Mischa Russell (violinist) (on 1961-12-20), Felix Slatkin (on 1961-12-20), Joseph Stepansky (on 1961-12-20) and Gerald Vinci (American violinist and strings conductor) (on 1961-12-20)
vocals:
Nat King Cole (on 1961-12-20)
conductor:
Ralph Carmichael (on 1961-12-20)
arranger:
Ralph Carmichael
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1962)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-12-20)
cover recording of:
Let There Be Love (on 1961-12-20)
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole & George Shearing1.22:45
2Time After Time
engineer and mixer:
Ron Lorman and Tom Swift (engineer)
co-producer:
Vince Wilburn, Jr. (drummer)
producer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Robert Irving III (keyboardist)
bass:
Darryl Jones (bassist for The Rolling Stones) (on 1984-01-26)
drums (drum set):
Al Foster (on 1984-01-26)
guitar:
John Scofield (US guitarist/composer) (on 1984-01-26)
percussion:
Steve Thornton (percussionist) (on 1984-01-26)
synthesizer:
Robert Irving III (keyboardist) (on 1984-01-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1984-01-26)
arranger:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Robert Irving III (keyboardist)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (on 1984-01-26)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
instrumental cover recording of:
Time After Time (on 1984-01-26)
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Miles Davis4.653:35
3Night Train
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1963)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (from 1962-12-15 until 1962-12-16)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
Oscar Peterson4:50
4Lady Sings the Blues
recorded in:
New York, New York, United States (on 1956-06-06)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-06-06)
double bass:
Aaron Bell (jazz double bassist) (on 1956-06-06)
drums (drum set):
Lenny McBrowne (US jazz drummer) (on 1956-06-06)
guitar:
Kenny Burrell (on 1956-06-06)
piano:
Wynton Kelly (on 1956-06-06)
tenor saxophone:
Paul Quinichette (on 1956-06-06)
trumpet:
Charlie Shavers (on 1956-06-06)
vocals:
Billie Holiday (on 1954-06-06)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
recording of:
Lady Sings the Blues (on 1956-06-06)
lyricist:
Billie Holiday
composer:
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
Billie Holiday43:46
5April in Paris
recorded in:
New York, New York, United States (on 1955-07-26)
producer:
Norman Granz
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1955-07-26) and Marshall Royal (on 1955-07-26)
alto saxophone, clarinet, flute and tenor saxophone:
Frank Wess (on 1955-07-26)
baritone saxophone and bass clarinet:
Charlie Fowlkes (baritone saxophonist) (on 1955-07-26)
clarinet and tenor saxophone:
Frank Foster (saxophonist) (on 1955-07-26)
double bass:
Eddie Jones (US jazz double bassist) (on 1955-07-26)
drums (drum set):
Sonny Payne (on 1955-07-26)
guitar:
Freddie Green (on 1955-07-26)
piano:
Count Basie (pianist) (on 1955-07-26)
trombone:
Henry Coker (jazz trombonist) (on 1955-07-26), Bill Hughes (jazz trombonist) (on 1955-07-26) and Benny Powell (jazz trombonist) (on 1955-07-26)
trumpet:
Wendell Culley (jazz trumpeter) (on 1955-07-26), Reunald Jones (on 1955-07-26), Thad Jones (American jazz trumpeter) (on 1955-07-26) and Joe Newman (US jazz trumpeter) (on 1955-07-26)
arranger:
Wild Bill Davis
instrumental cover recording of:
April in Paris (on 1955-07-26)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
Count Basie43:48
6You’re a Weaver of Dream
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1959-02-03)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-02-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
tenor saxophone:
John Coltrane (on 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recorded at:
Universal Recording: Studio B in Chicago, Illinois, United States (on 1959-02-03)
instrumental cover recording of:
A Weaver of Dreams (on 1959-02-03)
lyricist:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott)
composer:
Victor Young (American composer, arranger, violinist & conductor)
John Coltrane5:32
7Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.12:53
8The Sidewinder
phonographic copyright (℗) by:
Blue Note (in 1963)
recording of:
The Sidewinder
composer:
Lee Morgan (jazz trumpeter / composer)
publisher:
Windswept Pacific Music Ltd.
Lee Morgan5:10
9The Girl From Ipanema
Astrud Gilberto5:12
10Can Anyone Explain
vocals:
Ella Fitzgerald (American jazz singer) (on 1950-08-25)
cover recording of:
Can Anyone Explain? (on 1950-08-25)
lyricist and composer:
Bennie Benjamin and George David Weiss
Ella Fitzgerald & Louis Armstrong3:10
11In the Mood
instrumental recording of:
In the Mood (on 1939-08-01)
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller3.753:37
12Misty
instrumental recording of:
Misty
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
Erroll Garner2:47
13I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Peggy Lee2:30
14Wade in the Water
Ramsey Lewis3:48
15Minnie the Moocher
alto saxophone:
Hilton Jefferson (on 1942-02-02)
double bass:
Milt Hinton (on 1942-02-02)
drums (drum set):
Cozy Cole (on 1942-02-02)
guitar:
Danny Barker (on 1942-02-02)
piano:
Benny Payne (jazz pianist and vocalist) (on 1942-02-02)
reeds:
Jerry Blake (on 1942-02-02)
saxophone:
Andrew Brown (jazz saxophonist) (on 1942-02-02)
tenor saxophone:
Teddy McRae (on 1942-02-02) and Walter "Foots" Thomas (on 1942-02-02)
trombone:
Quentin Jackson (on 1942-02-02) and Keg Johnson (jazz trombonist) (on 1942-02-02)
trumpet:
Shad Collins (on 1942-02-02), Jonah Jones (on 1942-02-02), Russell Smith (US jazz trumpeter) (on 1942-02-02) and Lammar Wright (on 1942-02-02)
vocals:
Cab Calloway (on 1942-02-02)
recording of:
Minnie the Moocher (on 1942-02-02)
lyricist and composer:
Cab Calloway and Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and J. Albert & Son Pty. Ltd.
is based on:
Willie the Weeper
Cab Calloway53:15
16Goin’ Out of My Head
recording engineer:
Rudy van Gelder (on 1965-11-20)
producer:
Creed Taylor
alto saxophone and clarinet:
Jerry Dodgion (on 1965-11-20) and Phil Woods (US jazz woodwind player) (on 1965-11-20)
bass trombone:
Tony Studd (on 1965-11-20)
double bass [bass]:
George Duvivier (on 1965-11-20)
drums (drum set):
Grady Tate (on 1965-11-20)
electric guitar [guitar]:
Wes Montgomery (on 1965-11-20)
flute and piccolo:
Jerry Dodgion (on 1965-11-20)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-11-20) and Roger Kellaway (on 1965-11-20)
trombone:
Wayne Andre (on 1965-11-20), Jimmy Cleveland (US jazz trombonist) (on 1965-11-20) and Quentin Jackson (on 1965-11-20)
trumpet:
Danny Moore (on 1964-11-20), Joe Newman (US jazz trumpeter) (on 1964-11-20), Donald Byrd (American jazz trumpeter) (on 1965-11-20) and Ernie Royal (on 1965-11-20)
woodwind:
Jerome Richardson (on 1964-11-20)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1964-11-20)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-11-20)
instrumental cover recording of:
Goin’ Out of My Head (on 1964-11-20)
lyricist:
Bobby Weinstein (US songwriter)
composer:
Teddy Randazzo
publisher:
E. H. Morris & Co. Ltd., EMI Catalogue Partnership Australia Pty Ltd, EMI Partnership Musikverlag GmbH, Universal–Songs of PolyGram International, Inc., Vogue Music and Songs of PolyGram International, Inc. (in 1964)
Wes Montgomery42:13
17Mountain Dance
assistant recording engineer and assistant mixer:
Ollie Cotton
engineer:
Jeff Ostler
producer:
Dave Grusin (American pianist and score composer) and Larry Rosen
mixer:
Larry Rosen
recorded at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
Mountain Dance
composer:
Dave Grusin (American pianist and score composer)
Dave Grusin6:10
18Those Who Were (feat. Lisa Nilson)
performer:
Lisa Nilsson
Niels‐Henning Ørsted Pedersen5:29
19Angela (Theme From Taxi)
recorded in:
New York, New York, United States (in 1978)
assistant engineer:
Tim Bomba, Ted Brosnan and Harold Torowsky
producer:
Bob James (US jazz keyboardist, arranger and producer)
alto saxophone:
Phil Bodner (Woodwind player) (in 1978) and Jerry Dodgion (in 1978)
baritone saxophone:
Howard Johnson (tuba & baritone saxophone) (in 1978)
bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978)
cello:
Jonathan Abramowitz (in 1978), Seymour Barab (in 1978), Richard Locker (cellist) (in 1978) and Charles McCracken (cellist) (in 1978)
clarinet:
Harvey Estrin (in 1978)
cor anglais, flute, oboe and tenor saxophone:
George Marge (in 1978)
drums (drum set):
Idris Muhammad (in 1978)
electric piano, piano and synthesizer:
Bob James (US jazz keyboardist, arranger and producer) (in 1978)
percussion:
Ralph MacDonald (in 1978)
trombone:
Wayne Andre (in 1978), Dave Bargeron (US trombonist & tubist) (in 1978) and Alan Raph (in 1978)
trumpet:
Randy Brecker (in 1978), Jon Faddis (in 1978), Mike Lawrence (US jazz trumpeter) (in 1978) and Ron Tooley (American trumpeter) (in 1978)
viola:
Jean Dane (in 1978), Theodore Israel (in 1978), Sue Pray (in 1978) and Emanuel Vardi (in 1978)
violin:
Harry Cykman (in 1978), Lewis Eley (in 1978), Max Ellen (in 1978), Louis Gabowitz (in 1978), Diana Halprin (in 1978), Harold Kohon (in 1978), Harry Lookofsky (in 1978), John Pintavalle (in 1978), Matthew Raimondi (in 1978), Herbert Sorkin (in 1978) and Richard Sortomme (violinist/composer) (in 1978)
arranger:
Bob James (US jazz keyboardist, arranger and producer)
recording of:
Angela (theme from “Taxi”) (in 1978)
composer:
Bob James (US jazz keyboardist, arranger and producer)
Bob James55:41
20At Last
producer:
Leonard Chess, Phil Chess and Leonard and Phil Chess (legendary US production duo)
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
phonographic copyright (℗) by:
Windswept Pacific Music Ltd.
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 115) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 356)
cover recording of:
At Last (in 1960-10)
writer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Etta James4.52:59
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