Anthems: Alternative 80s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Slipcase around an Eight panel digipak. Three CDs in plastic trays, small booklet tucked inside.

Matrix (Disc One, Variant 2): Sony DADC A0101879566-0103 04
Mastering SID (CD1): IFP LY34
Mould SID (CD1): IFPI AEW04
DiscID (CD1): oPO0ipAmkab9a4TgpEuN6CwPmWA-

Matrix (CD2): Sony DADC A0101879585-0103 01
Mastering SID (CD2): IFP LY34
Mould SID (CD2): IFPI AEW03
DiscID (CD2): nxV5R9vubHQPH3ZEZBXKWUFb65Y-

Matrix (CD3): Sony DADC A0101883545-0103 01
Mastering SID (CD3): IFP LY34
Mould SID (CD3): IFPI AEW36
DiscID (CD3): n0XIhYcmZJIs7xBbEoBhKN9lo50-

Anmerkung zuletzt geändert am 2024-09-17 13:58 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Lullaby
assistierende(r) Techniker(in):
Roy Spong und Richard Sullivan (engineer)
Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth), Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Smudger
Produzent(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth), The Cure, Chris Parry, Mark Saunders (UK record producer) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Mix:
Chris Parry, Mark Saunders (UK record producer) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Bassgitarre:
Simon Gallup (von 1988-11 bis 1989-02)
Bassgitarre [six string bass guitar]:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Gitarre:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (von 1988-11 bis 1989-02) und Porl Thompson (von 1988-11 bis 1989-02)
Instrumente:
Lol Tolhurst (von 1988-11 bis 1989-02)
Keyboard:
Roger O’Donnell (von 1988-11 bis 1989-02) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (von 1988-11 bis 1989-02)
Schlagzeug:
Boris Williams (von 1988-11 bis 1989-02)
Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (von 1988-11 bis 1989-02)
remixer:
Chris Parry, Mark Saunders (UK record producer) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (in 2009-07)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1989) und Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (in 1989)
aufgenommen bei:
Outside Studios (Sarm Hook End) in Checkendon, Oxfordshire, England, Vereinigtes Königreich (von 1988-11 bis 1989-02) und Wembley Arena (OVO Arena Wembley) in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1989-07)
mixed at:
RAK Studio Three in London (Greater London), England, Vereinigtes Königreich (in 1989)
Musikvideos:
Lullaby von The Cure
recording of:
Lullaby (von 1988-11 bis 1989-02)
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Simon Gallup, Roger O’Donnell, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst und Boris Williams
publisher:
APB Music Co. und Fiction Songs Ltd. (in 1989)
live recording of:
Lullaby (in 1989-07)
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Simon Gallup, Roger O’Donnell, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst und Boris Williams
publisher:
APB Music Co. und Fiction Songs Ltd. (in 1989)
The Cure3.954:08
2Do You Really Want to Hurt Me
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
Gitarre, Hybrid-Piano und Synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
Schlagzeug und Vibraphon:
Jon Moss
Synclavier:
Keith Miller (Synthesiser Pioneer)
Sologesang:
Boy George
zusätzlich vocals:
Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1982)
Musikvideos:
Do You Really Want to Hurt Me von Culture Club (English pop group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 58)
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club3.954:20
3Poison Arrow
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Sologesang:
Martin Fry
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
The Downloader’s Music Source Book (Nummer: 76)
recording of:
Poison Arrow
Verfasser(in):
Martin Fry, Mark Lickley, Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Virgin Music (Publishers) Ltd. und Virgin Music (Publishing) Ltd.
Teil von:
Mantrap (ABC long-form film)
ABC4.43:23
4Love Plus One
Produzent(in):
Bob Sargeant
Gitarre:
Graham Jones (Haircut 100)
Instrumente:
Leslie Nemes
Perkussion:
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
Saxophon:
Phil Smith (Saxophonist)
Schlagzeug:
Blair Cunningham
vocals:
Nick Heyward
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1982) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 90)
recording of:
Love Plus One
Texter und Komponist(in):
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut 10043:30
5Rio
Techniker(in) und Produzent(in):
Colin Thurston
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
Rio
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Duran Duran4.154:44
6Here Comes the Rain Again
Techniker(in):
Jon Bavin
Produzent(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
Appalachian dulcimer [dulcimer], Gitarre, Keyboard, Synthesizer und xylophone:
Dave Stewart (UK guitarist/singer for Eurythmics)
Bassgitarre:
Dean Garcia (English multi-instrumentalist; Curve)
Flügelhorn, Horn, Kornett und Trompete:
Dick Cuthell
Instrumente:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) (in 1983) und Dave Stewart (UK guitarist/singer for Eurythmics) (in 1983)
Saiteninstrumente:
British Philharmonic Orchestra (in 1983)
Hintergrundgesang:
Ann Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
Sologesang:
Ann Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) (in 1983)
conductor:
Michael Kayman (American score composer) (Saiteninstrumente)
Saiteninstrumente arranger:
Michael Kamen (American score composer)
phonographisches Urheberrecht (℗) von:
RCA Ltd. (UK arm of RCA) und BMG Records (UK) Limited (1987–1996) (in 1983, in 1991)
recording of:
Here Comes the Rain Again (in 1983)
Verfasser(in):
Dave Stewart (UK guitarist/singer for Eurythmics) und Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
BMG Music Publishing Ltd. und D’n’A Ltd.
Eurythmics4.154:53
7Shout
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 2014)
recording of:
Shout (in 1984)
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. und Virgin Music (Publishers) Ltd.
Tears for Fears4.54:04
8Shout to the Top (single edit)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1984)
recording of:
Shout to the Top
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council4.353:24
9Digging Your Scene
zusätzlich recording engineer und zusätzliche(r) Mix:
Michael Baker (producer)
Produzent(in):
Peter Wilson (UK Producer)
Saiteninstrumente arranger:
Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
RCA/Ariola Ltd. (in 1986) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986)
recording of:
Digging Your Scene
Texter und Komponist(in):
Robert Howard (pop songwriter)
publisher:
BMG Music Publishing Ltd., RCA Music Ltd. (publisher) (in 1986) und Trashsongs (publisher) (in 1986)
The Blow Monkeys3.754:06
10Real Gone Kid
recording engineer:
Felix Kendall (UK recording engineer)
Produzent(in):
Warne Livesey
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1988)
recording of:
Real Gone Kid
Texter und Komponist(in):
Ricky Ross (Scottish singer-songwriter)
publisher:
ATV Music, Sony/ATV Music Publishing und Sony/ATV Music Publishing Ltd.
Deacon Blue44:05
11Come Live With Me
recording of:
Come Live With Me
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
Heaven 174:18
12Chant No. 1 (I Don’t Need This Pressure on)
Produzent(in):
Richard James Burgess
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
recording of:
Chant No. 1 (I Don't Need This Pressure On)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet44:01
13Talking Loud and Clear
Techniker(in):
Steve Jackson (recording engineer), Ronald Prent (Dutch Sound engineer and producer) und Brian Tench
Produzent(in):
Orchestral Manoeuvres in the Dark und Brian Tench
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1984)
recording of:
Talking Loud and Clear
Texter und Komponist(in):
Martin Cooper (OMD and The Listening Pool), Paul Humphreys (Orchestral Manoeuvres in the Dark) und Andy McCluskey
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Virgin Music (Publishers) Ltd. (in 1984)
Orchestral Manoeuvres in the Dark13:54
14And She Was
recording engineer und Mix:
Eric “E.T.” Thorngren
assistierende(r) Techniker(in):
Melanie West (engineer) (Aufgabe: second engineer)
Produzent(in):
Talking Heads
Bass-Synthesizer [synth bass] und Bassgitarre:
Tina Weymouth
Gitarre:
David Byrne (Talking Heads) und Jerry Harrison (Talking Heads & producer)
Schlagzeug:
Chris Frantz
Hintergrundgesang:
Jerry Harrison (Talking Heads & producer) und Tina Weymouth
Sologesang:
David Byrne (Talking Heads)
arranger:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1985) und Talking Heads Tours Inc. (in 1985)
aufgenommen bei und mixed at:
Sigma Sound (New York) in New York, New York, Vereinigte Staaten
Musikvideos:
And She Was (video) von Talking Heads
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 453)
recording of:
And She Was
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Talking Heads4.153:38
15My Perfect Cousin
Produzent(in):
Roger Bechirian
recording of:
My Perfect Cousin
Verfasser(in):
Michael Bradley (Undertones bassist) und Damian O’Neill
The Undertones2:34
16E = MC²
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
recording of:
E=mc²
Verfasser(in):
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite) und Don Letts
publisher:
B.A.D. Songs, Big Audio Dynamics Music, Inc., BMG Songs, Inc., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Big Audio Dynamite34:22
17(This Is Not a) Love Song
Produzent(in) und Mix:
Martin Atkins (UK drummer) und John Lydon (Johnny Rotten of the Sex Pistols)
arranger:
Martin Atkins (UK drummer) und John Lydon (Johnny Rotten of the Sex Pistols)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
recording of:
This Is Not a Love Song
Verfasser(in):
Martin Atkins (UK drummer), Keith Levene und John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing und Warner/Chappell Music Ltd. (1996–2019)
Version von:
Love Song
Public Image Ltd44:11
18Senses Working Overtime
assistierende(r) Techniker(in):
Howard Gray (UK producer, engineer, and electronic musician)
Techniker(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und XTC (English rock band)
Akustikgitarre und Hintergrundgesang und Sologesang:
Andy Partridge
Bass, Fretless Bass und Hintergrundgesang:
Colin Moulding
drum machine und Schlagzeug und Schlagzeug:
Terry Chambers
Gitarre:
Dave Gregory (XTC) und Andy Partridge
zwölfsaitige Gitarre und Perkussion:
Dave Gregory (XTC)
vocals:
Colin Moulding und Andy Partridge
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 35) und Indie 88: Top 500 Indie Rock Songs (Nummer: 339)
recording of:
Senses Working Overtime
Texter und Komponist(in):
Andy Partridge
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
XTC54:46
19Go Wild in the Country
recording of:
Go Wild in the Country
Verfasser(in):
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) und Malcolm McLaren
publisher:
EMI Songs Ltd.
Bow Wow Wow32:58
20Papa’s Got a Brand New Pigbag
recording of:
Papa’s Got a Brand New Pigbag
Komponist(in):
Chip Carpenter, Roger Freeman, Chris Hamlyn, James Johnstone (UK percussionist/guitarist/ambient producer), Chris Lee (trumpet player), Ollie Moore und Simon Underwood (bass guitar)
publisher:
Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Pigbag4.53:37
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Nennungen

Veröffentlichung

hergestellt in:Vereinigtes Königreich
Verwertungsgesellschaft:MCPS (UK rights society; do not use this as a label or work publisher!)
vertrieben von:Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2011)
Ministry of Sound Recordings Ltd. (copyrights use only, for its imprint use "Ministry of Sound") (in 2011)
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2011)
Stamm-Pressung von:Sony DADC UK Ltd. (Southwater)
Discogs:https://www.discogs.com/release/3334702 [Info]

Veröffentlichungsgruppe

Teil von:Ministry of Sound: Anthems (Reihenfolge: 9)