Anthems: Alternative 80s

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Slipcase around an Eight panel digipak. Three CDs in plastic trays, small booklet tucked inside.

Matrix (Disc One, Variant 2): Sony DADC A0101879566-0103 04
Mastering SID (CD1): IFP LY34
Mould SID (CD1): IFPI AEW04
DiscID (CD1): oPO0ipAmkab9a4TgpEuN6CwPmWA-

Matrix (CD2): Sony DADC A0101879585-0103 01
Mastering SID (CD2): IFP LY34
Mould SID (CD2): IFPI AEW03
DiscID (CD2): nxV5R9vubHQPH3ZEZBXKWUFb65Y-

Matrix (CD3): Sony DADC A0101883545-0103 01
Mastering SID (CD3): IFP LY34
Mould SID (CD3): IFPI AEW36
DiscID (CD3): n0XIhYcmZJIs7xBbEoBhKN9lo50-

Annotation last modified on 2024-09-17 13:58 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Lullaby
assistant engineer:
Roy Spong and Richard Sullivan (engineer)
engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth), Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Smudger
producer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth), The Cure, Chris Parry, Mark Saunders (UK record producer) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
mixer:
Chris Parry, Mark Saunders (UK record producer) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
bass guitar:
Simon Gallup (from 1988-11 until 1989-02)
bass guitar [six string bass guitar]:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
drums (drum set):
Boris Williams (from 1988-11 until 1989-02)
guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (from 1988-11 until 1989-02) and Porl Thompson (from 1988-11 until 1989-02)
instruments:
Lol Tolhurst (from 1988-11 until 1989-02)
keyboard:
Roger O’Donnell (from 1988-11 until 1989-02) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (from 1988-11 until 1989-02)
lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (from 1988-11 until 1989-02)
remixer:
Chris Parry, Mark Saunders (UK record producer) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (in 2009-07)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1989) and Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (in 1989)
recorded at:
Outside Studios (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom (from 1988-11 until 1989-02) and Wembley Arena (OVO Arena Wembley) in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1989-07)
mixed at:
RAK Studio Three in London (Greater London), England, United Kingdom (in 1989)
music videos:
Lullaby by The Cure
recording of:
Lullaby (from 1988-11 until 1989-02)
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Simon Gallup, Roger O’Donnell, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst and Boris Williams
publisher:
APB Music Co. and Fiction Songs Ltd. (in 1989)
live recording of:
Lullaby (in 1989-07)
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Simon Gallup, Roger O’Donnell, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst and Boris Williams
publisher:
APB Music Co. and Fiction Songs Ltd. (in 1989)
The Cure3.954:08
2Do You Really Want to Hurt Me
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club3.954:20
3Poison Arrow
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
lead vocals:
Martin Fry
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1982)
part of:
The Downloader’s Music Source Book (number: 76)
recording of:
Poison Arrow
writer:
Martin Fry, Mark Lickley, Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Virgin Music (Publishers) Ltd. and Virgin Music (Publishing) Ltd.
part of:
Mantrap (ABC long-form film)
ABC4.43:23
4Love Plus One
producer:
Bob Sargeant
drums (drum set):
Blair Cunningham
guitar:
Graham Jones (Haircut 100)
instruments:
Leslie Nemes
percussion:
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
saxophone:
Phil Smith (Saxophonist)
vocals:
Nick Heyward
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1982) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 90)
recording of:
Love Plus One
lyricist and composer:
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut 10043:30
5Rio
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
Rio
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran4.154:44
6Here Comes the Rain Again
engineer:
Jon Bavin
producer:
David A. Stewart (UK guitarist/singer for Eurythmics)
Appalachian dulcimer [dulcimer], guitar, keyboard, synthesizer and xylophone:
Dave Stewart (UK guitarist/singer for Eurythmics)
bass guitar:
Dean Garcia (English multi-instrumentalist; Curve)
cornet, flugelhorn, horn and trumpet:
Dick Cuthell
instruments:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) (in 1983) and Dave Stewart (UK guitarist/singer for Eurythmics) (in 1983)
strings:
British Philharmonic Orchestra (in 1983)
background vocals:
Ann Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
lead vocals:
Ann Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) (in 1983)
conductor:
Michael Kayman (American score composer) (strings)
strings arranger:
Michael Kamen (American score composer)
phonographic copyright (℗) by:
RCA Ltd. (UK arm of RCA) and BMG Records (UK) Limited (1987–1996) (in 1983, in 1991)
recording of:
Here Comes the Rain Again (in 1983)
writer:
Dave Stewart (UK guitarist/singer for Eurythmics) and Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
BMG Music Publishing Ltd. and D’n’A Ltd.
Eurythmics4.154:53
7Shout
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 2014)
recording of:
Shout (in 1984)
writer:
Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. and Virgin Music (Publishers) Ltd.
Tears for Fears4.54:04
8Shout to the Top (single edit)
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1984)
recording of:
Shout to the Top
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council4.353:24
9Digging Your Scene
additional recording engineer and additional mixer:
Michael Baker (producer)
producer:
Peter Wilson (UK Producer)
strings arranger:
Peter Wilson (UK Producer)
phonographic copyright (℗) by:
RCA/Ariola Ltd. (in 1986) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986)
recording of:
Digging Your Scene
lyricist and composer:
Robert Howard (pop songwriter)
publisher:
BMG Music Publishing Ltd., RCA Music Ltd. (publisher) (in 1986) and Trashsongs (publisher) (in 1986)
The Blow Monkeys3.754:06
10Real Gone Kid
recording engineer:
Felix Kendall (UK recording engineer)
producer:
Warne Livesey
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1988)
recording of:
Real Gone Kid
lyricist and composer:
Ricky Ross (Scottish singer-songwriter)
publisher:
ATV Music, Sony/ATV Music Publishing and Sony/ATV Music Publishing Ltd.
Deacon Blue44:05
11Come Live With Me
recording of:
Come Live With Me
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
Heaven 174:18
12Chant No. 1 (I Don’t Need This Pressure on)
producer:
Richard James Burgess
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
recording of:
Chant No. 1 (I Don't Need This Pressure On)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet44:01
13Talking Loud and Clear
engineer:
Steve Jackson (recording engineer), Ronald Prent (Dutch Sound engineer and producer) and Brian Tench
producer:
Orchestral Manoeuvres in the Dark and Brian Tench
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1984)
recording of:
Talking Loud and Clear
lyricist and composer:
Martin Cooper (OMD and The Listening Pool), Paul Humphreys (Orchestral Manoeuvres in the Dark) and Andy McCluskey
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Virgin Music (Publishers) Ltd. (in 1984)
Orchestral Manoeuvres in the Dark13:54
14And She Was
recording engineer and mixer:
Eric “E.T.” Thorngren
assistant engineer:
Melanie West (engineer) (task: second engineer)
producer:
Talking Heads
bass guitar and bass synthesizer [synth bass]:
Tina Weymouth
drums (drum set):
Chris Frantz
guitar:
David Byrne (Talking Heads) and Jerry Harrison (Talking Heads & producer)
background vocals:
Jerry Harrison (Talking Heads & producer) and Tina Weymouth
lead vocals:
David Byrne (Talking Heads)
arranger:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) and Tina Weymouth
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1985) and Talking Heads Tours Inc. (in 1985)
recorded at and mixed at:
Sigma Sound (New York) in New York, New York, United States
music videos:
And She Was (video) by Talking Heads
part of:
Indie 88: Top 500 Indie Rock Songs (number: 453)
recording of:
And She Was
lyricist and composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Talking Heads4.153:38
15My Perfect Cousin
producer:
Roger Bechirian
recording of:
My Perfect Cousin
writer:
Michael Bradley (Undertones bassist) and Damian O’Neill
The Undertones2:34
16E = MC²
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
recording of:
E=mc²
writer:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite) and Don Letts
publisher:
B.A.D. Songs, Big Audio Dynamics Music, Inc., BMG Songs, Inc., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Big Audio Dynamite34:22
17(This Is Not a) Love Song
producer and mixer:
Martin Atkins (UK drummer) and John Lydon (Johnny Rotten of the Sex Pistols)
arranger:
Martin Atkins (UK drummer) and John Lydon (Johnny Rotten of the Sex Pistols)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recording of:
This Is Not a Love Song
writer:
Martin Atkins (UK drummer), Keith Levene and John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing and Warner/Chappell Music Ltd. (1996–2019)
version of:
Love Song
Public Image Ltd44:11
18Senses Working Overtime
assistant engineer:
Howard Gray (UK producer, engineer, and electronic musician)
engineer:
Hugh Padgham
producer:
Hugh Padgham and XTC (English rock band)
12 string guitar and percussion:
Dave Gregory (XTC)
acoustic guitar and background vocals and lead vocals:
Andy Partridge
bass, fretless bass and background vocals:
Colin Moulding
drum machine and drums (drum set) and drums (drum set):
Terry Chambers
guitar:
Dave Gregory (XTC) and Andy Partridge
vocals:
Colin Moulding and Andy Partridge
recorded at:
The Manor in Oxfordshire, England, United Kingdom
part of:
TV Cream: Real 100 Best Singles Ever (number: 35) and Indie 88: Top 500 Indie Rock Songs (number: 339)
recording of:
Senses Working Overtime
lyricist and composer:
Andy Partridge
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
XTC54:46
19Go Wild in the Country
recording of:
Go Wild in the Country
writer:
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) and Malcolm McLaren
publisher:
EMI Songs Ltd.
Bow Wow Wow32:58
20Papa’s Got a Brand New Pigbag
recording of:
Papa’s Got a Brand New Pigbag
composer:
Chip Carpenter, Roger Freeman, Chris Hamlyn, James Johnstone (UK percussionist/guitarist/ambient producer), Chris Lee (trumpet player), Ollie Moore and Simon Underwood (bass guitar)
publisher:
Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Pigbag4.53:37
2▶CD
3▶CD

Credits

Release

manufactured in:United Kingdom
rights society:MCPS (UK rights society; do not use this as a label or work publisher!)
distributed by:Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK)
copyrighted (©) by and phonographic copyright (℗) by:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2011)
Ministry of Sound Recordings Ltd. (copyrights use only, for its imprint use "Ministry of Sound") (in 2011)
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2011)
glass mastered by:Sony DADC UK Ltd. (Southwater)
Discogs:https://www.discogs.com/release/3334702 [info]

Release group

part of:Ministry of Sound: Anthems (order: 9)