Obras de Música - Complete Edition

~ Release by Antonio de Cabezón, Claudio Astronio, Harmonices Mundi, La Moranda, Quartetto Italiano di Viole da Gamba (see all versions of this release, 1 available)

Tracklist

1▶CD: Comiençan los motetes y cançiones a seys - Comiençan discantes
2▼CD: Comiençan los dúos para principiantes - Comiençan las obras de a tres para principiantes - Comiençan los motetes de a cuatro I - Comiençan los favordones de todos los ocho tonos
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11. Tres duos para principiantes para mostrar a llevar el compas
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
partial recording of:
Obras de música: Tres duos para principiantes para mostrar a llevar el compas
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón1:50
22. Tres duos para principiantes para mostrar a llevar el compas
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
partial recording of:
Obras de música: Tres duos para principiantes para mostrar a llevar el compas
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón1:01
33. Tres duos para principiantes para mostrar a llevar el compas
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
partial recording of:
Obras de música: Tres duos para principiantes para mostrar a llevar el compas
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón1:01
41. Dos Ave maris stellas. Lleva el canto Ilano el contrabajo
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
partial recording of:
Obras de música: Dos Ave maris stellas. Lleva el canto Ilano el contrabajo (from 1997-09-22 until 1997-09-24)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón1:32
52. Dos Ave maris stellas. Lleva el canto Ilano el contrabajo
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
partial recording of:
Obras de música: Dos Ave maris stellas. Lleva el canto Ilano el contrabajo (from 1997-09-22 until 1997-09-24)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón2:17
61. Dos Ave maris stellas. Lleva el canto Ilano el triple
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón2:09
72. Dos Ave maris stellas. Lleva el canto Ilano el triple
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón1:59
8Te lucis ante terminum. Lleva el canto Ilano el tenor
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
recording of:
Obras de música: Te lucis ante terminum. Lleva el canto Ilano el tenor
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón1:09
9Duo
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón1:01
10Tres Kiryes sobre el canto Ilano de 'Rex Virginum'
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón3:27
11Ave maris stella. Lleva el canto Ilano el contrabaxo (Hernando de Cabezon)
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón1:23
12Otra Ave maris stella. Canto Ilano, el tenor
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón1:45
13Pange lingua. Canto Ilano tenor
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
regal:
Claudio Astronio (from 1997-08-18 until 1997-08-19)
recorded at:
Convento di San Giuseppe da Copertino in Osimo, Ancona, Marche, Italy (from 1997-08-18 until 1997-08-19)
Antonio de Cabezón1:51
14Otra Pange lingua. Canto Ilano, tenor: y la musica es primier tono
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón1:59
15Queramus (Jean Moton) con 2 y 3 parte
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón8:39
16Queramus (Jean Moton) con diferente glosa con segunda parte
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón4:20
17Clama neceses (Josquin Desprez)
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
organ [positive organ]:
Claudio Astronio (from 1997-05-29 until 1997-05-31)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón5:59
18Quatro favordones del primier tono
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón2:48
19Quatro favordones del segundo tono
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
organ [positive organ]:
Claudio Astronio (from 1997-05-29 until 1997-05-31)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón2:02
20Quatro favordones del tercer tono
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón2:02
21Quatro favordones del quarto tono
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
organ [positive organ]:
Claudio Astronio (from 1997-05-29 until 1997-05-31)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón1:54
22Quatro favordones del quinto tono
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
harpsichord:
Claudio Astronio (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón1:48
23Quatro favordones del sexto tono
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
organ [positive organ]:
Claudio Astronio (from 1997-05-29 until 1997-05-31)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón2:42
24Quatro favordones del septimo tono
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
regal:
Claudio Astronio (from 1997-08-18 until 1997-08-19)
recorded at:
Convento di San Giuseppe da Copertino in Osimo, Ancona, Marche, Italy (from 1997-08-18 until 1997-08-19)
Antonio de Cabezón1:49
25Quatro favordones del octavo tono
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón2:24
3▶CD: Comiençan los hymnos - Motetes de a quatro II - Comiençan quatro Kiries de cada tono
4▶CD: Comiençan los motetes de a cinco - Comiençan las canciones de a cinco - Comiençan los tientos
5▶CD: Tientos - Motetes a cinco - Canciones a cinco
6▶CD: Comiençan las canciones glosadas a quatro - Comiençan los versos de Magnificat sobre todos los ocho tonos I - Comiençan las obras de a quatro
7▶CD: Motetes a cinco III - Versos de Magnificat II - Discantes II