Obras de Música - Complete Edition

~ Release by Antonio de Cabezón, Claudio Astronio, Harmonices Mundi, La Moranda, Quartetto Italiano di Viole da Gamba (see all versions of this release, 1 available)

Tracklist

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1▼CD: Comiençan los motetes y cançiones a seys - Comiençan discantes
#TitleArtistRatingLength
1Benedicta es Regina caelorum (Jusquin)
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
organ:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
recording of:
Obras de música: Benedicta es Regina caelorum (Jusquin) (from 1995-04-13 until 1995-04-15)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón7:01
2Benedicta es caelorum Regina (Jusquin)
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
organ:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
recording of:
Obras de música: Benedicta es caelorum regina, con segunda y tercera parte (Jusquin) (from 1995-04-13 until 1995-04-15)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón10:10
3Sancta Maria (Verdelot)
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
organ:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
recording of:
Obras de música: Sancta Maria (Verdelot) (from 1995-04-13 until 1995-04-15)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón6:59
4Ave Maria (Jusquin)
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
organ:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
recording of:
Obras de música: Ave Maria (Jusquin) (from 1995-04-13 until 1995-04-15)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón6:22
5'Ultimi miei suspiri' (Verdelot)
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
organ:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
recording of:
Obras de música: Ultimi miei suspiri (Verdelot) (from 1995-04-13 until 1995-04-15)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón5:42
6'Ardenti miei suspiri' (Verdelot)
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
harpsichord:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
recording of:
Obras de música: Ardenti miei suspiri (Verdelot) (from 1995-04-13 until 1995-04-15)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón6:27
7Differencias sobre las Vacas
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
harpsichord:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
recording of:
Obras de música: Diferencias sobre las Vacas [I] (from 1995-04-13 until 1995-04-15)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón3:45
8Differencias sobre el canto Ilano del 'Cavallero'
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
harpsichord:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
recording of:
Diferencias sobre El Canto del Caballero
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón3:06
9Differencias sobre la pavona Italiana
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
harpsichord:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
recording of:
Obras de música: Diferencias sobre la Pavana italiana (from 1995-04-13 until 1995-04-15)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón3:40
10Differencias sobre 'La dama de demanda'
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
harpsichord:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
Antonio de Cabezón3:05
11Differencias sobre el villancico de 'Quien te me enojó Isabel'
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
organ:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
Antonio de Cabezón7:14
12'Duuiensela'
producer:
Tini Mathot (Dutch classical keyboardist)
editor and balance engineer:
Michael Seberich (Italian engineer and producer)
harpsichord:
Claudio Astronio (from 1995-04-13 until 1995-04-15)
recorded at:
Convento delle Clarisse in Fucecchio, Firenze, Toscana (Tuscany), Italy (from 1995-04-13 until 1995-04-15)
Antonio de Cabezón3:26
2▼CD: Comiençan los dúos para principiantes - Comiençan las obras de a tres para principiantes - Comiençan los motetes de a cuatro I - Comiençan los favordones de todos los ocho tonos
#TitleArtistRatingLength
11. Tres duos para principiantes para mostrar a llevar el compas
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
partial recording of:
Obras de música: Tres duos para principiantes para mostrar a llevar el compas
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón1:50
22. Tres duos para principiantes para mostrar a llevar el compas
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
partial recording of:
Obras de música: Tres duos para principiantes para mostrar a llevar el compas
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón1:01
33. Tres duos para principiantes para mostrar a llevar el compas
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
partial recording of:
Obras de música: Tres duos para principiantes para mostrar a llevar el compas
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón1:01
41. Dos Ave maris stellas. Lleva el canto Ilano el contrabajo
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
partial recording of:
Obras de música: Dos Ave maris stellas. Lleva el canto Ilano el contrabajo (from 1997-09-22 until 1997-09-24)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón1:32
52. Dos Ave maris stellas. Lleva el canto Ilano el contrabajo
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
partial recording of:
Obras de música: Dos Ave maris stellas. Lleva el canto Ilano el contrabajo (from 1997-09-22 until 1997-09-24)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón2:17
61. Dos Ave maris stellas. Lleva el canto Ilano el triple
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón2:09
72. Dos Ave maris stellas. Lleva el canto Ilano el triple
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón1:59
8Te lucis ante terminum. Lleva el canto Ilano el tenor
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
recording of:
Obras de música: Te lucis ante terminum. Lleva el canto Ilano el tenor
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón1:09
9Duo
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón1:01
10Tres Kiryes sobre el canto Ilano de 'Rex Virginum'
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón3:27
11Ave maris stella. Lleva el canto Ilano el contrabaxo (Hernando de Cabezon)
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón1:23
12Otra Ave maris stella. Canto Ilano, el tenor
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón1:45
13Pange lingua. Canto Ilano tenor
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
regal:
Claudio Astronio (from 1997-08-18 until 1997-08-19)
recorded at:
Convento di San Giuseppe da Copertino in Osimo, Ancona, Marche, Italy (from 1997-08-18 until 1997-08-19)
Antonio de Cabezón1:51
14Otra Pange lingua. Canto Ilano, tenor: y la musica es primier tono
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón1:59
15Queramus (Jean Moton) con 2 y 3 parte
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón8:39
16Queramus (Jean Moton) con diferente glosa con segunda parte
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón4:20
17Clama neceses (Josquin Desprez)
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
organ [positive organ]:
Claudio Astronio (from 1997-05-29 until 1997-05-31)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón5:59
18Quatro favordones del primier tono
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón2:48
19Quatro favordones del segundo tono
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
organ [positive organ]:
Claudio Astronio (from 1997-05-29 until 1997-05-31)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón2:02
20Quatro favordones del tercer tono
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón2:02
21Quatro favordones del quarto tono
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
organ [positive organ]:
Claudio Astronio (from 1997-05-29 until 1997-05-31)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón1:54
22Quatro favordones del quinto tono
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
harpsichord:
Claudio Astronio (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón1:48
23Quatro favordones del sexto tono
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
organ [positive organ]:
Claudio Astronio (from 1997-05-29 until 1997-05-31)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón2:42
24Quatro favordones del septimo tono
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
regal:
Claudio Astronio (from 1997-08-18 until 1997-08-19)
recorded at:
Convento di San Giuseppe da Copertino in Osimo, Ancona, Marche, Italy (from 1997-08-18 until 1997-08-19)
Antonio de Cabezón1:49
25Quatro favordones del octavo tono
producer and balance engineer:
Michael Seberich (Italian engineer and producer)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón2:24
3▼CD: Comiençan los hymnos - Motetes de a quatro II - Comiençan quatro Kiries de cada tono
#TitleArtistRatingLength
1Ave maris stella
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón1:25
2Ave maris stella (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón1:16
3Ave maris stella
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón0:53
4Ave maris stella (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón2:17
5Veni creator (regal)
editor:
Peter Golser (engineer)
regal:
Claudio Astronio (from 1997-08-18 until 1997-08-19)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Giuseppe da Copertino in Osimo, Ancona, Marche, Italy (from 1997-08-18 until 1997-08-19)
Antonio de Cabezón2:37
6Christe redemptor (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón2:17
7Ut queant laxis
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón1:57
8Christe redemptor (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón2:18
9Pange lingua
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón2:18
10Otra pange lingua (harpsichord)
editor:
Peter Golser (engineer)
harpsichord:
Claudio Astronio (from 1997-09-22 until 1997-09-24)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón2:51
11Pange lingua (Johannes Urreda)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón3:11
12Osanna de la missa del home arme (Jusquin)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón3:28
13Benedictus de la missa del home arme (Jusquin)
editor:
Peter Golser (engineer)
regal:
Claudio Astronio (from 1997-08-18 until 1997-08-19)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Giuseppe da Copertino in Osimo, Ancona, Marche, Italy (from 1997-08-18 until 1997-08-19)
Antonio de Cabezón2:21
14Avemarisstela
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón2:42
15Beata viscera Mariae (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón2:10
16Cum sancto spiritu de Beata Virgine (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón2:34
17Quatro Kiryes de nuestra Señora
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón3:26
18Quatro Kiryes del primer tono (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón3:02
19Quatro Kiryes del segundo tono (regal)
editor:
Peter Golser (engineer)
regal:
Claudio Astronio (from 1997-08-18 until 1997-08-19)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Giuseppe da Copertino in Osimo, Ancona, Marche, Italy (from 1997-08-18 until 1997-08-19)
Antonio de Cabezón3:56
20Quatro Kiryes del tercer tono (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón3:05
21Quatro Kiryes del cuarto tono
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón3:01
22Quatro Kiryes del sexto tono (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón4:02
23Quatro Kiryes del séptimo tono (regal)
editor:
Peter Golser (engineer)
regal:
Claudio Astronio (from 1997-08-18 until 1997-08-19)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Giuseppe da Copertino in Osimo, Ancona, Marche, Italy (from 1997-08-18 until 1997-08-19)
Antonio de Cabezón4:00
24Quatro Kiryes del quinto tono (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón3:20
4▼CD: Comiençan los motetes de a cinco - Comiençan las canciones de a cinco - Comiençan los tientos
#TitleArtistRatingLength
1Si bona suscepimus (Philippe Verdeloth)
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón6:38
2Aspice Domine (Jaqueth) (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón7:35
3Je fille quanile medona (Adrian Villart)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón1:16
4Pis ne me pul venir (Criquillon)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón2:55
5Aiule vos sola verdura (Lupus)
editor:
Peter Golser (engineer)
harpsichord:
Claudio Astronio (from 1997-09-22 until 1997-09-24)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón3:06
6Ayme qui Voldra (Gomberth)
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón4:14
7Durmendo un jorno (Verdeloth)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón4:15
8Triste de par (Gomberth)
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón3:25
9Je suis ayme (Criquillon)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
Antonio de Cabezón3:15
10Tiento del segundo tono (harpsichord)
editor:
Peter Golser (engineer)
harpsichord:
Claudio Astronio (from 1997-09-22 until 1997-09-24)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
recording of:
Obras de música: Tiento del segundo tono [I] (from 1997-09-22 until 1997-09-24)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón4:06
11Tiento del quarto tono (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
recording of:
Obras de música: Tiento del quarto tono [I] (from 1997-08-20 until 1997-08-22)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón3:50
12Tiento del primer tono (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
recording of:
Obras de música: Tiento del primer tono [I] (from 1997-08-20 until 1997-08-22)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón5:51
13Tiento del sobre 'Qui lo dira' (harpsichord)
editor:
Peter Golser (engineer)
harpsichord:
Claudio Astronio (from 1997-09-22 until 1997-09-24)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
recording of:
Obras de música: Tiento sobre Qui la dira (from 1997-09-22 until 1997-09-24)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón3:52
14Tiento del segundo tono (regal)
editor:
Peter Golser (engineer)
regal:
Claudio Astronio (from 1997-08-18 until 1997-08-19)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Giuseppe da Copertino in Osimo, Ancona, Marche, Italy (from 1997-08-18 until 1997-08-19)
recording of:
Obras de música: Tiento del segundo tono [II] (from 1997-08-18 until 1997-08-19)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón2:45
15Tiento del tercer tono (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
recording of:
Obras de música: Tiento del tercer tono (from 1997-08-20 until 1997-08-22)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón5:28
5▼CD: Tientos - Motetes a cinco - Canciones a cinco
#TitleArtistRatingLength
1Tiento del quinto tono (organ)
editor:
Peter Golser (engineer)
pipe organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
recording of:
Obras de música: Tiento del quinto tono (from 1997-08-20 until 1997-08-22)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón3:40
2Tiento del quarto tono (harpsichord)
editor:
Peter Golser (engineer)
harpsichord:
Claudio Astronio (from 1997-09-22 until 1997-09-24)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
recording of:
Obras de música: Tiento del quarto tono [II] (from 1997-09-22 until 1997-09-24)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón3:48
3Tiento del octavo tono
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
recording of:
Obras de música: Tiento del octavo tono (from 1997-09-22 until 1997-09-24)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón2:51
4Tiento del primer tono (regal)
editor:
Peter Golser (engineer)
regal:
Claudio Astronio (from 1997-08-18 until 1997-08-19)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Giuseppe da Copertino in Osimo, Ancona, Marche, Italy (from 1997-08-18 until 1997-08-19)
recording of:
Obras de música: Tiento del primer tono [II] (from 1997-08-18 until 1997-08-19)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón2:09
5Tiento del sexto tono (organ)
editor:
Peter Golser (engineer)
organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
recording of:
Obras de música: Tiento del sexto tono (from 1997-08-20 until 1997-08-22)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón7:39
6Tiento sobre el 'Cum Sanctu Spiritu', de Beata Virgine (Jusquin) (regal)
editor:
Peter Golser (engineer)
regal:
Claudio Astronio (from 1997-08-18 until 1997-08-19)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Giuseppe da Copertino in Osimo, Ancona, Marche, Italy (from 1997-08-18 until 1997-08-19)
recording of:
Obras de música: Tiento sobre Cum Sancto Spiritu (from 1997-08-20 until 1997-08-22)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón2:40
7Stabat Mater (Jusquin) (organ)
editor:
Peter Golser (engineer)
pipe organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
recording of:
Obras de música: Stabat Mater con segunda parte (Jusquin) (from 1997-08-20 until 1997-08-22)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón10:40
8Inviolata (Jusquin)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
recording of:
Obras de música: Inviolata (Jusquin) (from 1997-09-22 until 1997-09-24)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón8:38
9Pisne me pulvenir (Hernando de Cabezon)
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón2:33
10Susana un jur (Orlando)
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón4:18
11Susana (Orlando)
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón3:13
12Qui la dira (Adrian Villart) (organ)
editor:
Peter Golser (engineer)
pipe organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
recording of:
Obras de música: Qui la dira (Adrian Villart) (from 1997-08-20 until 1997-08-22)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón3:40
13Ad Dominum cum tribularer
editor:
Peter Golser (engineer)
instruments:
La Moranda (from 1997-09-22 until 1997-09-24)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa Evangelica di Bolzano (Ev. Luth. Gemeinde Bozen) in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-09-22 until 1997-09-24)
Antonio de Cabezón3:04
14Pues a mi desconsolado (Juan de Cabezon)
editor:
Peter Golser (engineer)
instruments:
Harmonices Mundi (from 1997-05-29 until 1997-05-31)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Chiesa del Borgo di Presule in Bolzano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1997-05-29 until 1997-05-31)
Antonio de Cabezón2:04
15Quien llamo al partir partir (Juan de Cabezon) (organ)
editor:
Peter Golser (engineer)
pipe organ:
Claudio Astronio (from 1997-08-20 until 1997-08-22)
balance engineer:
Michael Seberich (Italian engineer and producer)
recorded at:
Convento di San Magno in Amelia, Terni, Umbria, Italy (from 1997-08-20 until 1997-08-22)
recording of:
Obras de música: Quien llamo al partir partir (from 1997-08-20 until 1997-08-22)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
part of:
Obras de musica para tecla, arpa y vihuela
Antonio de Cabezón2:52
6▶CD: Comiençan las canciones glosadas a quatro - Comiençan los versos de Magnificat sobre todos los ocho tonos I - Comiençan las obras de a quatro
7▶CD: Motetes a cinco III - Versos de Magnificat II - Discantes II