Bach Edition, Volume 2: Vocal Works/Vokalwerke, Volume I

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

99361/* are the individual disc cat#s.
Barcodes for each fatbox (containing 2 discs):
Disc 1 & 2 - 5028421936116
Disc 3 & 4 - 5028421936123
Disc 5 & 6 - 5028421936130
Disc 7 & 8 - 5028421936147

Annotation last modified on 2014-03-16 12:54 UTC.

Tracklist

1▶CD: Mass in B Minor (BWV 232) - Part 1
2▶CD: Mass in B Minor (BWV 232) - Part 2
3▶CD: Masses BWV 233 - 234
4▼CD: Masses BWV 235 - 236
#TitleRatingLength
1Mass in G minor, BWV 235: I. Kyrie
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe g-Moll, BWV 235: I. Coro "Kyrie eleison" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe g-Moll, BWV 235
7:19
2Mass in G minor, BWV 235: II. Gloria
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe g-Moll, BWV 235: II. Coro "Gloria in excelsis Deo" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
part of:
Messe g-Moll, BWV 235
4:07
3Mass in G minor, BWV 235: III. Gratias
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
bass vocals:
Theo Adam (German classical bass-baritone)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe g-Moll, BWV 235: III. Aria (Bass) "Gratias agimus tibi" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen"
part of:
Messe g-Moll, BWV 235
3:35
4Mass in G minor, BWV 235: IV. Domine Fili
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
alto vocals:
Annelies Burmeister (contralto)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe g-Moll, BWV 235: IV. Aria (Alto) "Domine Fili unigenite" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein"
part of:
Messe g-Moll, BWV 235
5:41
5Mass in G minor, BWV 235: V. Qui tollis
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe g-Moll, BWV 235: V. Aria (Tenor) "Qui tollis peccata mundi" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben"
part of:
Messe g-Moll, BWV 235
4:07
6Mass in G minor, BWV 235: VI. Cum Sancto Spiritu
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe g-Moll, BWV 235: VI. Coro "Cum sancto spiritu" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich"
part of:
Messe g-Moll, BWV 235
5:49
7Mass in G major, BWV 236: I. Kyrie
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
4:09
8Mass in G major, BWV 236: II. Gloria
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
5:00
9Mass in G major, BWV 236: III. Gratias
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
bass vocals:
Theo Adam (German classical bass-baritone)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
5:13
10Mass in G major, BWV 236: IV. Domine Deus
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
alto vocals:
Annelies Burmeister (contralto)
soprano vocals:
Renate Krahmer (soprano)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
4:16
11Mass in G major, BWV 236: V. Quoniam
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
4:52
12Mass in G major, BWV 236: VI. Cum Sancto Spiritu
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich"
part of:
Messe G-Dur, BWV 236
4:36
5▶CD: Sacred Songs & Arias from: Schemellis Gesangbuch - Part 1
6▶CD: Sacred Songs & Arias from: Schemellis Gesangbuch - Part 2
7▶CD: Motets
8▶CD: Easter Oratorio

Credits

Release group

part of:Bach Edition (number: 2) (order: 2)