Bach Edition, Volume 2: Vocal Works/Vokalwerke, Volume I

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

99361/* are the individual disc cat#s.
Barcodes for each fatbox (containing 2 discs):
Disc 1 & 2 - 5028421936116
Disc 3 & 4 - 5028421936123
Disc 5 & 6 - 5028421936130
Disc 7 & 8 - 5028421936147

Annotation last modified on 2014-03-16 12:54 UTC.

Tracklist

1▶CD: Mass in B Minor (BWV 232) - Part 1
2▶CD: Mass in B Minor (BWV 232) - Part 2
3▼CD: Masses BWV 233 - 234
#TitleRatingLength
1Mass in F major, BWV 233: I. Kyrie
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
part of:
Messe F-Dur, BWV 233
5:03
2Mass in F major, BWV 233: II. Gloria
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
6:37
3Mass in F major, BWV 233: III. Domine Deus
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
bass vocals:
Theo Adam (German classical bass-baritone)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
3:30
4Mass in F major, BWV 233: IV. Qui tollis
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
soprano vocals:
Renate Krahmer (soprano)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
4:57
5Mass in F major, BWV 233: V. Quoniam
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
alto vocals:
Annelies Burmeister (contralto)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
4:42
6Mass in F major, BWV 233: VI. Cum Sancto Spirito
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe F-Dur, BWV 233: VI. Coro "Cum sancto spiritu" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes"
part of:
Messe F-Dur, BWV 233
3:13
7Mass in A major, BWV 234: I. Kyrie
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe A-Dur, BWV 234: I. Coro "Kyrie eleison" (from 1972-04 until 1972-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
7:03
8Mass in A major, BWV 234: II. Gloria
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe A-Dur, BWV 234: II. Coro "Gloria in excelsis Deo" (from 1972-04 until 1972-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
5:38
9Mass in A major, BWV 234: III. Domine Deus
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
bass vocals:
Theo Adam (German classical bass-baritone)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe A-Dur, BWV 234: III. Aria (Bass) "Domine Deus" (from 1972-04 until 1972-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
6:13
10Mass in A major, BWV 234: IV. Qui tollis
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
soprano vocals:
Renate Krahmer (soprano)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe A-Dur, BWV 234: IV. Aria (Soprano) "Qui tollis peccata mundi" (from 1972-04 until 1972-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
6:52
11Mass in A major, BWV 234: V. Quoniam
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
alto vocals:
Annelies Burmeister (contralto)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe A-Dur, BWV 234: V. Aria (Alto) "Quoniam tu solus sanctus" (from 1972-04 until 1972-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
3:37
12Mass in A major, BWV 234: VI. Cum Sancto Spirito
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe A-Dur, BWV 234: VI. Coro "Cum sancto spiritu" (from 1972-04 until 1972-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
3:25
4▶CD: Masses BWV 235 - 236
5▶CD: Sacred Songs & Arias from: Schemellis Gesangbuch - Part 1
6▶CD: Sacred Songs & Arias from: Schemellis Gesangbuch - Part 2
7▶CD: Motets
8▶CD: Easter Oratorio

Credits

Release group

part of:Bach Edition (number: 2) (order: 2)