100 70s Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

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#TitoloArtistaValutazioneDurata
1I Just Can’t Help Believin’
registrazione cover di:
I Just Can’t Help Believin’
autore:
Barry Mann e Cynthia Weil
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Screen Gems-Columbia Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Elvis Presley4:38
2Born to Be With You
registrazione cover di:
Born to Be With You
paroliere e compositore:
Don Robertson (“Happy Whistler” songwriter)
Dave Edmunds43:32
3Go Like Elijah
registrazione di:
Go Like Elijah
paroliere e compositore:
Chi Coltrane
editore:
Global Publishing e Trane Music (label and publisher)
Chi Coltrane4:02
4We Belong to the Night
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979)
registrazione di:
We Belong to the Night
autore:
E. Foley e F. Goodman
editore:
Burning River Music e Sip‐n‐Sol Songs
Ellen Foley15:18
5All by Myself
assistente tecnico:
Joey Barbaria
tecnico:
Jack Sherdel
produttore:
Jimmy Ienner (producer)
voce principale:
Eric Carmen (dal 1975-08 al 1975-09)
arrangiatore:
Eric Carmen
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975) e Arista Records, LLC (holding company - file NO releases here!) (nel 1975)
è stato produttore per:
CAM Productions (US)
registrata presso:
O.D.O. Sound Studios in New York, New York, Stati Uniti (dal 1975-08 al 1975-09)
registrazione di:
All by Myself (dal 1975-08 al 1975-09)
paroliere:
Eric Carmen
compositore:
Eric Carmen e Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (conclusa), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
Let’s Pretend
si basa su:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.254:53
6American Woman
assistente tecnico di registrazione:
Ed Schnabl e Russ Vestuto
tecnico di registrazione:
Brian Christian
produttore:
Jack Richardson
arrangiatore:
The Guess Who (Canadian rock band)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1969, nel 1970) e BMG Music (nel 1970)
registrata presso:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, Stati Uniti
edit di:
American Woman (original stereo mix) di The Guess Who (Canadian rock band)
registrazione di:
American Woman
autore:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) e Garry Peterson (Canadian drummer for The Guess Who)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music e Unichappell Music, Inc.
The Guess Who4.23:49
7Never Be Clever
Herman Brood & His Wild Romance3:04
8Can’t Get It Out of My Head
assistente tecnico:
Kenny Denton e John Richards (engineer)
tecnico:
Mike Pela e Dick Plant (engineer)
produttore:
Jeff Lynne
basso :
Michael d’Albuquerque (dal 1974-02-11 al 1974-08)
batteria e percussione :
Bev Bevan (English rock drummer) (dal 1974-02-11 al 1974-08)
chitarra e voce principale:
Jeff Lynne (dal 1974-02-11 al 1974-08)
moog :
Jeff Lynne (dal 1974-02-11 al 1974-08) e Richard Tandy (keyboardist for Electric Light Orchestra) (dal 1974-02-11 al 1974-08)
pianoforte :
Richard Tandy (keyboardist for Electric Light Orchestra) (dal 1974-02-11 al 1974-08)
direttore d'orchestra:
Louis Clark
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1974) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1974)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1974-02-11 al 1974-08)
registrazione di:
Can’t Get It Out of My Head (dal 1974-02-11 al 1974-08)
scritta a:
Birmingham, West Midlands, England, Regno Unito
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI U Catalog Inc. (publisher; do NOT use as release label) e Polygon Publishing Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Electric Light Orchestra4.354:26
9No Dogs Allowed
registrazione di:
No Dogs Allowed
autore:
Hilda Feliciano e José Feliciano (born 1945, not Cheo Feliciano)
José Feliciano3:12
10Love Really Hurts Without You
voce:
Billy Ocean
diritti fonografici (℗) detenuti da:
GTO Records Ltd. (holding company - file no releases here!) (nel 1976) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1976)
registrazione di:
Love Really Hurts Without You
paroliere e compositore:
Ben Findon (songwriter and producer) e Leslie Sebastian Charles
editore:
Black Sheep Music Ltd. (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3.53:03
11Kiss and Say Goodbye
strumenti:
MFSB (Mother Father Sister Brother)
voce di accompagnamento:
Carla Benson, Evette Benton, Barbara Ingram e The Manhattans (New Jersey vocal group, notable for “Kiss and Say Goodbye”)
voce parlata [spoken voice on 2nd lead]:
Winfred Lovett (Lovett Winfred Lorenzo)
voce principale [singing voice on 1st lead]:
Gerald Alston
registrazione di:
Kiss and Say Goodbye
paroliere e compositore:
Winfred Lovett (Lovett Winfred Lorenzo)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e EMI Songs Ltd.
The Manhattans3.54:28
12Tears on My Pillow
registrazione di:
Tears on My Pillow (Johnny Nash song)
paroliere e compositore:
Ernie Smith
editore:
EMI Songs Ltd.
registrazione cover di:
Tears on My Pillow (Johnny Nash song)
paroliere e compositore:
Ernie Smith
editore:
EMI Songs Ltd.
Johnny Nash33:17
13My Music
registrazione di:
My Music
autore:
Kenny Loggins e Jim Messina
editore:
Gnossos Music e Jasperilla Music Co.
Loggins & Messina3:06
14My Girl Donna
The Buffoons2:51
15Ay no digas
registrazione di:
Ay no digas
autore:
Billy Meshel (songwriter) e Chris Montez
editore:
712 Stone Avenue Music e Sony/ATV Harmony
Chris Montez and Raza2:44
16Free
produttore:
Charles Stepney (musician, producer, arranger and songwriter) e Maurice White (Earth, Wind & Fire)
registrazione di:
Free
autore:
Susaye Greene, Hank Redd, Nathan Watts e Deniece Williams (US soul/funk vocalist/songwriter)
editore:
Black Eye Music, Island Music Ltd., Kee‐Drick Music e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Deniece Williams45:59
17Follow Me
registrazione di:
Follow Me
paroliere:
Amanda Lear
compositore:
Anthony Monn
Amanda Lear43:52
18If You Don’t Know Me by Now
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce di accompagnamento:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s) (nel 1972)
voce principale:
Harold Melvin (nel 1972)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972, nel 1991)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
If You Don’t Know Me by Now (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
Harold Melvin & The Blue Notes3.753:22
19What a Diff’rence a Day Makes
registrazione cover di:
What a Diff’rence a Day Made
paroliere:
Stanley Adams (US lyricist & songwriter)
compositore:
María Grever
editore:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC e Zomba Golden Sands Enterprises, Inc.
si basa su:
Cuando vuelva a tu lado
Esther Phillips3:40
20Harmony
Ray Conniff2:43
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Pubblicazione

ASIN:DE: B001APK8HY [info]