100 70s Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1I Just Can’t Help Believin’
cover recording of:
I Just Can’t Help Believin’
writer:
Barry Mann and Cynthia Weil
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Screen Gems-Columbia Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Elvis Presley4:38
2Born to Be With You
cover recording of:
Born to Be With You
lyricist and composer:
Don Robertson (“Happy Whistler” songwriter)
Dave Edmunds43:32
3Go Like Elijah
recording of:
Go Like Elijah
lyricist and composer:
Chi Coltrane
publisher:
Global Publishing and Trane Music (label and publisher)
Chi Coltrane4:02
4We Belong to the Night
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
recording of:
We Belong to the Night
writer:
E. Foley and F. Goodman
publisher:
Burning River Music and Sip‐n‐Sol Songs
Ellen Foley15:18
5All by Myself
assistant engineer:
Joey Barbaria
engineer:
Jack Sherdel
producer:
Jimmy Ienner (producer)
lead vocals:
Eric Carmen (from 1975-08 until 1975-09)
arranger:
Eric Carmen
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) and Arista Records, LLC (holding company - file NO releases here!) (in 1975)
produced for:
CAM Productions (US)
recorded at:
O.D.O. Sound Studios in New York, New York, United States (from 1975-08 until 1975-09)
recording of:
All by Myself (from 1975-08 until 1975-09)
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.254:53
6American Woman
assistant recording engineer:
Ed Schnabl and Russ Vestuto
recording engineer:
Brian Christian
producer:
Jack Richardson
arranger:
The Guess Who (Canadian rock band)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1969, in 1970) and BMG Music (in 1970)
recorded at:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, United States
edit of:
American Woman (original stereo mix) by The Guess Who (Canadian rock band)
recording of:
American Woman
writer:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) and Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music and Unichappell Music, Inc.
The Guess Who4.23:49
7Never Be Clever
Herman Brood & His Wild Romance3:04
8Can’t Get It Out of My Head
assistant engineer:
Kenny Denton and John Richards (engineer)
engineer:
Mike Pela and Dick Plant (engineer)
producer:
Jeff Lynne
bass:
Michael d’Albuquerque (from 1974-02-11 until 1974-08)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (from 1974-02-11 until 1974-08)
guitar and lead vocals:
Jeff Lynne (from 1974-02-11 until 1974-08)
Moog:
Jeff Lynne (from 1974-02-11 until 1974-08) and Richard Tandy (keyboardist for Electric Light Orchestra) (from 1974-02-11 until 1974-08)
piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (from 1974-02-11 until 1974-08)
conductor:
Louis Clark
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (from 1974-02-11 until 1974-08)
recording of:
Can’t Get It Out of My Head (from 1974-02-11 until 1974-08)
written in:
Birmingham, West Midlands, England, United Kingdom
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI U Catalog Inc. (publisher; do NOT use as release label) and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.354:26
9No Dogs Allowed
recording of:
No Dogs Allowed
writer:
Hilda Feliciano and José Feliciano (born 1945, not Cheo Feliciano)
José Feliciano3:12
10Love Really Hurts Without You
vocals:
Billy Ocean
phonographic copyright (℗) by:
GTO Records Ltd. (holding company - file no releases here!) (in 1976) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1976)
recording of:
Love Really Hurts Without You
lyricist and composer:
Ben Findon (songwriter and producer) and Leslie Sebastian Charles
publisher:
Black Sheep Music Ltd. (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3.53:03
11Kiss and Say Goodbye
instruments:
MFSB (Mother Father Sister Brother)
background vocals:
Carla Benson, Evette Benton, Barbara Ingram and The Manhattans (New Jersey vocal group, notable for “Kiss and Say Goodbye”)
lead vocals [singing voice on 1st lead]:
Gerald Alston
spoken vocals [spoken voice on 2nd lead]:
Winfred Lovett (Lovett Winfred Lorenzo)
recording of:
Kiss and Say Goodbye
lyricist and composer:
Winfred Lovett (Lovett Winfred Lorenzo)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. and EMI Songs Ltd.
The Manhattans3.54:28
12Tears on My Pillow
recording of:
Tears on My Pillow (Johnny Nash song)
lyricist and composer:
Ernie Smith
publisher:
EMI Songs Ltd.
cover recording of:
Tears on My Pillow (Johnny Nash song)
lyricist and composer:
Ernie Smith
publisher:
EMI Songs Ltd.
Johnny Nash33:17
13My Music
recording of:
My Music
writer:
Kenny Loggins and Jim Messina
publisher:
Gnossos Music and Jasperilla Music Co.
Loggins & Messina3:06
14My Girl Donna
The Buffoons2:51
15Ay no digas
recording of:
Ay no digas
writer:
Billy Meshel (songwriter) and Chris Montez
publisher:
712 Stone Avenue Music and Sony/ATV Harmony
Chris Montez and Raza2:44
16Free
producer:
Charles Stepney (musician, producer, arranger and songwriter) and Maurice White (Earth, Wind & Fire)
recording of:
Free
writer:
Susaye Greene, Hank Redd, Nathan Watts and Deniece Williams (US soul/funk vocalist/songwriter)
publisher:
Black Eye Music, Island Music Ltd., Kee‐Drick Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Deniece Williams45:59
17Follow Me
recording of:
Follow Me
lyricist:
Amanda Lear
composer:
Anthony Monn
Amanda Lear43:52
18If You Don’t Know Me by Now
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
background vocals:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s) (in 1972)
lead vocals:
Harold Melvin (in 1972)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1991)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
If You Don’t Know Me by Now (in 1972)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner/Chappell Music Australia Pty. Ltd.
Harold Melvin & The Blue Notes3.753:22
19What a Diff’rence a Day Makes
cover recording of:
What a Diff’rence a Day Made
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Esther Phillips3:40
20Harmony
Ray Conniff2:43
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5▶CD

Credits

Release

ASIN:DE: B001APK8HY [info]