The Platinum Collection

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1We Have All the Time in the World
producer:
John Barry (English score composer) and Phil Ramone
lead vocals:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
We Have All the Time in the World (from the film “On Her Majesty’s Secret Service”)
lyricist:
Hal David
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI United Partnership Ltd.
part of:
James Bond themes
part of:
On Her Majesty's Secret Service (from the James Bond film)
3.53:16
2(What a) Wonderful World
recorded in:
New York, New York, United States (on 1970-05-26)
producer:
Bob Thiele (producer & songwriter)
cello:
Charles McCracken (cellist) (on 1970-05-26), Kermit Moore (on 1970-05-26) and George Ricci (on 1970-05-26)
double bass:
Richard Davis (American jazz bassist) (on 1970-05-26) and George Duvivier (on 1970-05-26)
drums (drum set):
Bernard “Pretty” Purdie (on 1970-05-26)
electric bass guitar:
John Williams Jr. (bass) (on 1970-05-26)
flute:
James Spaulding (jazz) (on 1970-05-26)
guitar:
Sam Brown (jazz guitarist) (on 1970-05-26) and Kenny Burrell (on 1970-05-26)
instruments:
Allan Schulman (cellist and composer) (on 1970-05-26)
piano:
Frank Owens (American pianist) (on 1970-05-26)
viola:
Julien Barber (on 1970-05-26), Alfred Brown (viola) (on 1970-05-26), David Schwartz (violist) (on 1970-05-26) and Emanuel Vardi (on 1970-05-26)
violin:
Arnold Black (on 1970-05-26), Winston Collymore (on 1970-05-26), Paul Gershman (on 1970-05-26), Harry Lookofsky (on 1970-05-26), Joe Malin (on 1970-05-26), Manny Green (on 1970-05-26), Gene Orloff (on 1970-05-26), Max Pollikoff (on 1970-05-26) and Selwart Richard Clarke (on 1970-05-26)
vocals:
Louis Armstrong (on 1970-05-26)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1970-05-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
phonographic copyright (℗) by:
BMG Music (in 1970)
recording of:
What a Wonderful World (on 1970-05-26)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
3:22
3It Don't Mean a Thing (If It Ain't Got That Swing)
recording engineer:
Ray Hall (engineer) (on 1961-04-03)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Barney Bigard (on 1961-04-03)
double bass:
Mort Herbert (on 1961-04-03)
drums (drum set):
Danny Barcelona (on 1961-04-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-03)
trombone:
Trummy Young (on 1961-04-03)
trumpet:
Louis Armstrong (on 1961-04-03)
vocals:
Louis Armstrong (on 1961-04-03)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-03)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1961-04-03)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
43:58
4St. Louis Blues
recorded in:
Chicago, Illinois, United States (on 1933-04-26)
alto saxophone:
Scoville Browne (on 1933-04-26) and George Oldham (on 1933-04-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-04-26)
clarinet:
Scoville Browne (on 1933-04-26), Budd Johnson (on 1933-04-26) and George Oldham (on 1933-04-26)
drums (drum set):
Harry Dial (on 1933-04-26)
piano:
Charlie Beal (on 1933-04-26)
tenor saxophone:
Budd Johnson (on 1933-04-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-04-26)
trumpet:
Louis Armstrong (on 1933-04-26), Zilner Randolph (on 1933-04-26) and Elmer Whitlock (US trumpet player) (on 1933-04-26)
tuba:
Bill Oldham (Double Bass Player) (on 1933-04-26)
recording of:
St. Louis Blues (on 1933-04-26)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
2:41
5Don't Get Around Much Anymore
recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
3:31
6Everybody's Talkin' (Echoes)
recorded in:
New York, New York, United States (on 1970-05-27)
producer:
Bob Thiele (producer & songwriter)
cello:
Charles McCracken (cellist) (on 1970-05-27), Kermit Moore (on 1970-05-27) and George Ricci (on 1970-05-27)
congas:
Gene Golden (Latin jazz percussionist) (on 1970-05-27)
double bass:
Richard Davis (American jazz bassist) (on 1970-05-27) and George Duvivier (on 1970-05-27)
drums (drum set):
Bernard “Pretty” Purdie (on 1970-05-27)
electric bass guitar:
John Williams Jr. (bass) (on 1970-05-27)
flute:
James Spaulding (jazz) (on 1970-05-27)
guitar:
Sam Brown (jazz guitarist) (on 1970-05-27) and Kenny Burrell (on 1970-05-27)
instruments:
Allan Schulman (cellist and composer) (on 1970-05-27)
piano:
Frank Owens (American pianist) (on 1970-05-27)
viola:
Julien Barber (on 1970-05-27), Alfred Brown (viola) (on 1970-05-27), David Schwartz (violist) (on 1970-05-27) and Emanuel Vardi (on 1970-05-27)
violin:
Arnold Black (on 1970-05-27), Winston Collymore (on 1970-05-27), Paul Gershman (on 1970-05-27), Harry Lookofsky (on 1970-05-27), Joe Malin (on 1970-05-27), Manny Green (on 1970-05-27), Gene Orloff (on 1970-05-27), Max Pollikoff (on 1970-05-27) and Selwart Richard Clarke (on 1970-05-27)
vocals:
Louis Armstrong (on 1970-05-27)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1970-05-27)
cover recording of:
Everybody’s Talkin’ (on 1970-05-27)
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
3:02
7The Mooche
recording engineer:
Ray Hall (engineer)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Barney Bigard (on 1961-04-04)
double bass:
Mort Herbert (on 1961-04-04)
drums (drum set):
Danny Barcelona (on 1961-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-04)
trombone:
Trummy Young (on 1961-04-04)
trumpet:
Louis Armstrong (on 1961-04-04)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-04)
recording of:
The Mooche (on 1961-04-04)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
3:38
8We Shall Overcome
recording of:
We Shall Overcome
lyricist:
Guy Carawan, Frank Hamilton (folk musician), Zilphia Horton and Pete Seeger
composer:
Charles Albert Tindley
5:43
9I'm Just a Lucky So and So
recording of:
I’m Just a Lucky So and So
lyricist:
Mack David (American lyricist and songwriter) (in 1945)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation and PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
3:09
10Give Peace a Change
cover recording of:
Give Peace a Chance
lyricist and composer:
John Lennon (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
44:21
11Do Nothin' Till You Hear From Me
recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
2:38
12Mack the Knife
bass:
Arvell Shaw (in 1955)
clarinet:
Barney Bigard (in 1955)
drums (drum set):
Barrett Deems (in 1955)
piano:
Billy Kyle (in 1955)
trombone:
Trummy Young (in 1955)
trumpet and lead vocals:
Louis Armstrong (in 1955)
recording of:
Mack the Knife (1954 Blitzstein translation) (on 1955-09-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
3.653:24
2▶CD
3▶CD

Credits

Release

part of:The Platinum Collection (EMI Italy group, 2003–onwards) (order: 9)
Discogs:https://www.discogs.com/release/6224576 [info]