The Platinum Collection

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1We Have All the Time in the World
Produzent(in):
John Barry (English score composer) und Phil Ramone
Sologesang:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
We Have All the Time in the World (from the film “On Her Majesty’s Secret Service”)
Texter:
Hal David
Komponist(in):
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
On Her Majesty's Secret Service (from the James Bond film)
3.53:16
2(What a) Wonderful World
recorded in:
New York, New York, Vereinigte Staaten (am 1970-05-26)
Produzent(in):
Bob Thiele (producer & songwriter)
Bratsche / Viola:
Julien Barber (am 1970-05-26), Alfred Brown (viola) (am 1970-05-26), David Schwartz (violist) (am 1970-05-26) und Emanuel Vardi (am 1970-05-26)
Cello:
Charles McCracken (cellist) (am 1970-05-26), Kermit Moore (am 1970-05-26) und George Ricci (am 1970-05-26)
E-Bass:
John Williams Jr. (bass) (am 1970-05-26)
flute:
James Spaulding (jazz) (am 1970-05-26)
Geige / Violine:
Arnold Black (am 1970-05-26), Winston Collymore (am 1970-05-26), Paul Gershman (am 1970-05-26), Harry Lookofsky (am 1970-05-26), Joe Malin (am 1970-05-26), Manny Green (am 1970-05-26), Gene Orloff (am 1970-05-26), Max Pollikoff (am 1970-05-26) und Selwart Richard Clarke (am 1970-05-26)
Gitarre:
Sam Brown (jazz guitarist) (am 1970-05-26) und Kenny Burrell (am 1970-05-26)
Instrumente:
Allan Schulman (cellist and composer) (am 1970-05-26)
Klavier:
Frank Owens (American pianist) (am 1970-05-26)
Kontrabass:
Richard Davis (American jazz bassist) (am 1970-05-26) und George Duvivier (am 1970-05-26)
Schlagzeug:
Bernard “Pretty” Purdie (am 1970-05-26)
vocals:
Louis Armstrong (am 1970-05-26)
conductor:
Oliver Nelson (saxophone, arranger, composer) (am 1970-05-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1970)
recording of:
What a Wonderful World (am 1970-05-26)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
3:22
3It Don't Mean a Thing (If It Ain't Got That Swing)
recording engineer:
Ray Hall (engineer) (am 1961-04-03)
Produzent(in):
Bob Thiele (producer & songwriter)
Klarinette:
Barney Bigard (am 1961-04-03)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-03)
Kontrabass:
Mort Herbert (am 1961-04-03)
Posaune:
Trummy Young (am 1961-04-03)
Schlagzeug:
Danny Barcelona (am 1961-04-03)
Trompete:
Louis Armstrong (am 1961-04-03)
vocals:
Louis Armstrong (am 1961-04-03)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-03)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (am 1961-04-03)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
43:58
4St. Louis Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-04-26)
alto saxophone:
Scoville Browne (am 1933-04-26) und George Oldham (am 1933-04-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-04-26)
Klarinette:
Scoville Browne (am 1933-04-26), Budd Johnson (am 1933-04-26) und George Oldham (am 1933-04-26)
Klavier:
Charlie Beal (am 1933-04-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-04-26)
Schlagzeug:
Harry Dial (am 1933-04-26)
Tenorsaxophon:
Budd Johnson (am 1933-04-26)
Trompete:
Louis Armstrong (am 1933-04-26), Zilner Randolph (am 1933-04-26) und Elmer Whitlock (US trumpet player) (am 1933-04-26)
Tuba:
Bill Oldham (Double Bass Player) (am 1933-04-26)
recording of:
St. Louis Blues (am 1933-04-26)
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
2:41
5Don't Get Around Much Anymore
recording of:
Don’t Get Around Much Anymore
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
3:31
6Everybody's Talkin' (Echoes)
recorded in:
New York, New York, Vereinigte Staaten (am 1970-05-27)
Produzent(in):
Bob Thiele (producer & songwriter)
Bratsche / Viola:
Julien Barber (am 1970-05-27), Alfred Brown (viola) (am 1970-05-27), David Schwartz (violist) (am 1970-05-27) und Emanuel Vardi (am 1970-05-27)
Cello:
Charles McCracken (cellist) (am 1970-05-27), Kermit Moore (am 1970-05-27) und George Ricci (am 1970-05-27)
Conga:
Gene Golden (Latin jazz percussionist) (am 1970-05-27)
E-Bass:
John Williams Jr. (bass) (am 1970-05-27)
flute:
James Spaulding (jazz) (am 1970-05-27)
Geige / Violine:
Arnold Black (am 1970-05-27), Winston Collymore (am 1970-05-27), Paul Gershman (am 1970-05-27), Harry Lookofsky (am 1970-05-27), Joe Malin (am 1970-05-27), Manny Green (am 1970-05-27), Gene Orloff (am 1970-05-27), Max Pollikoff (am 1970-05-27) und Selwart Richard Clarke (am 1970-05-27)
Gitarre:
Sam Brown (jazz guitarist) (am 1970-05-27) und Kenny Burrell (am 1970-05-27)
Instrumente:
Allan Schulman (cellist and composer) (am 1970-05-27)
Klavier:
Frank Owens (American pianist) (am 1970-05-27)
Kontrabass:
Richard Davis (American jazz bassist) (am 1970-05-27) und George Duvivier (am 1970-05-27)
Schlagzeug:
Bernard “Pretty” Purdie (am 1970-05-27)
vocals:
Louis Armstrong (am 1970-05-27)
conductor:
Oliver Nelson (saxophone, arranger, composer) (am 1970-05-27)
cover recording of:
Everybody’s Talkin’ (am 1970-05-27)
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
3:02
7The Mooche
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter)
Klarinette:
Barney Bigard (am 1961-04-04)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-04)
Kontrabass:
Mort Herbert (am 1961-04-04)
Posaune:
Trummy Young (am 1961-04-04)
Schlagzeug:
Danny Barcelona (am 1961-04-04)
Trompete:
Louis Armstrong (am 1961-04-04)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-04)
recording of:
The Mooche (am 1961-04-04)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Irving Mills
3:38
8We Shall Overcome
recording of:
We Shall Overcome
Texter:
Guy Carawan, Frank Hamilton (folk musician), Zilphia Horton und Pete Seeger
Komponist(in):
Charles Albert Tindley
5:43
9I'm Just a Lucky So and So
recording of:
I’m Just a Lucky So and So
Texter:
Mack David (American lyricist and songwriter) (in 1945)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation und PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
3:09
10Give Peace a Change
cover recording of:
Give Peace a Chance
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
44:21
11Do Nothin' Till You Hear From Me
recording of:
Do Nothin’ Till You Hear From Me
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
2:38
12Mack the Knife
Bass:
Arvell Shaw (in 1955)
Klarinette:
Barney Bigard (in 1955)
Klavier:
Billy Kyle (in 1955)
Posaune:
Trummy Young (in 1955)
Schlagzeug:
Barrett Deems (in 1955)
Trompete und Sologesang:
Louis Armstrong (in 1955)
recording of:
Mack the Knife (1954 Blitzstein translation) (am 1955-09-28)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
3.653:24
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Nennungen

Veröffentlichung

Teil von:The Platinum Collection (EMI Italy group, 2003–onwards) (Reihenfolge: 9)
Discogs:https://www.discogs.com/release/6224576 [Info]