Passions of a Man: The Complete Atlantic Recordings 1956-1961 (2013 reissue)

~ Veröffentlichung von Charles Mingus (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

2013 repackaging in clamshell box with cds in individual cardsleeves and 112-page booklet

Date and location:
Disc 1, 1-5: January 30, 1956, Audio-Video Studios, New York City
Disc 1, 5-8: November 12, 1956, New York City
Disc 2, 1: February 13, 1957, Audio-Video Studios, New York City
Disc 2: 2-6: March 12, 1957, Atlantic Studios, New York City
Disc 3: February 4, 1959, Atlantic Studios, New York City
Disc 4: July 13, 1960, Antibes Jazz Festival, Juan-les-Pins, France
Disc 5: November 6, 1961, Atlantic Studios, New York City
Disc 6: late 1961/early 1962, Nesuhi Ertegun's office, Atlantic Records, New York City

Original issue (year):
Disc 1, 1-5: Atlantic 1237 as "Pithecanthropus Erectus" (July 1956)
Disc 1, 5-8: Atlantic 1274 as Teddy Charles' "Word From Bird" (June 1958)
Disc 2, 1,3,5,6: Atlantic 1260 as "The Clown" (August 1957)
Disc 2, 2,4; Disc 5, 3,4,9: Atlantic 1416 as "Tonight At Noon" (June 1964)
Disc 3, 1-6: Atlantic 1305 as "Blues & Roots" (March 1960)
Disc 3, 7-10: previously unissued
Disc 4: Atlantic 2-3001 as "Mingus At Antibes" (October 1976)
Disc 5, 1,2,5-8,10: Atlantic 1377 as "Oh Yeah" (April 1962)
Disc 6: previously unissued extended interview; edited version originally appeared on CD reissue of "Oh Yeah", Atlantic 90667-2 (1988)

Anmerkung zuletzt geändert am 2023-11-09 15:25 UTC.

Titelliste

1CD
Nr.TitelBewertungLänge
1Pithecanthropus Erectus
recording engineer:
Tom Dowd und Hal Lustig
Produzent(in):
Nesuhi Ertegun
alto saxophone:
Jackie McLean (jazz saxophonist) (am 1956-01-30)
Klavier:
Mal Waldron (American jazz pianist) (am 1956-01-30)
Kontrabass:
Charles Mingus (am 1956-01-30)
Schlagzeug:
Willie Jones (jazz drummer, not Willie Jones III) (am 1956-01-30)
Tenorsaxophon:
J. R. Monterose (am 1956-01-30)
aufgenommen bei:
Audio-Video Studios (NYC) in New York, New York, Vereinigte Staaten (am 1956-01-30)
spätere Veröffentlichungen:
Pithecanthropus Erectus von Charles Mingus und Pithecanthropus Erectus von Charles Mingus
recording of:
Pithecanthropus Erectus (am 1956-01-30)
Komponist(in):
Charles Mingus
publisher:
Jazz Workshop, Inc.
10:36
2A Foggy Day
recording engineer:
Tom Dowd und Hal Lustig
Produzent(in):
Nesuhi Ertegun
alto saxophone:
Jackie McLean (jazz saxophonist) (am 1956-01-30)
Klavier:
Mal Waldron (American jazz pianist) (am 1956-01-30)
Kontrabass:
Charles Mingus (am 1956-01-30)
Schlagzeug:
Willie Jones (jazz drummer, not Willie Jones III) (am 1956-01-30)
Tenorsaxophon:
J. R. Monterose (am 1956-01-30)
aufgenommen bei:
Audio-Video Studios (NYC) in New York, New York, Vereinigte Staaten (am 1956-01-30)
instrumental recording of:
A Foggy Day (in London Town) (am 1956-01-30)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
7:52
3Love Chant
recording engineer:
Tom Dowd und Hal Lustig
Produzent(in):
Nesuhi Ertegun
alto saxophone:
Jackie McLean (jazz saxophonist) (am 1956-01-30)
Klavier:
Mal Waldron (American jazz pianist) (am 1956-01-30)
Kontrabass:
Charles Mingus (am 1956-01-30)
Schlagzeug:
Willie Jones (jazz drummer, not Willie Jones III) (am 1956-01-30)
Tenorsaxophon:
J. R. Monterose (am 1956-01-30)
aufgenommen bei:
Audio-Video Studios (NYC) in New York, New York, Vereinigte Staaten (am 1956-01-30)
recording of:
Love Chant (am 1956-01-30)
Komponist(in):
Charles Mingus
15:00
4Profile of Jackie
recording engineer:
Tom Dowd und Hal Lustig
Produzent(in):
Nesuhi Ertegun
alto saxophone:
Jackie McLean (jazz saxophonist) (am 1956-01-30)
Klavier:
Mal Waldron (American jazz pianist) (am 1956-01-30)
Kontrabass:
Charles Mingus (am 1956-01-30)
Schlagzeug:
Willie Jones (jazz drummer, not Willie Jones III) (am 1956-01-30)
Tenorsaxophon:
J. R. Monterose (am 1956-01-30)
aufgenommen bei:
Audio-Video Studios (NYC) in New York, New York, Vereinigte Staaten (am 1956-01-30)
recording of:
Profile of Jackie (am 1956-01-30)
Komponist(in):
Charles Mingus
3:15
5Laura
recorded in:
New York, New York, Vereinigte Staaten (am 1956-11-12)
Klavier:
Hall Overton (American composer and jazz pianist) (am 1956-11-12)
Kontrabass:
Charles Mingus (am 1956-11-12)
Schlagzeug:
Ed Shaughnessy (am 1956-11-12)
Vibraphon:
Teddy Charles (am 1956-11-12)
instrumental recording of:
Laura (1945 song) (am 1956-11-12)
Texter:
Johnny Mercer (in 1945)
Komponist(in):
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. und United Partnership Ltd.
Version von:
Laura (original 1944 film theme)
recording of:
Laura (1945 song)
Texter:
Johnny Mercer (in 1945)
Komponist(in):
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. und United Partnership Ltd.
Version von:
Laura (original 1944 film theme)
5:06
6When Your Lover Has Gone
recorded in:
New York, New York, Vereinigte Staaten (am 1956-11-12)
Klavier:
Hall Overton (American composer and jazz pianist) (am 1956-11-12)
Kontrabass:
Charles Mingus (am 1956-11-12)
Schlagzeug:
Ed Shaughnessy (am 1956-11-12)
Vibraphon:
Teddy Charles (am 1956-11-12)
instrumental recording of:
When Your Lover Has Gone (am 1956-11-12)
Texter und Komponist(in):
Einar Aaron Swan
publisher:
Remick Music Corp. und Warner Bros., Inc. (Warner Bros. Music Division)
2:31
7Just One of Those Things
recorded in:
New York, New York, Vereinigte Staaten (am 1956-11-12)
Klavier:
Hall Overton (American composer and jazz pianist) (am 1956-11-12)
Kontrabass:
Charles Mingus (am 1956-11-12)
Schlagzeug:
Ed Shaughnessy (am 1956-11-12)
Vibraphon:
Teddy Charles (am 1956-11-12)
instrumental recording of:
Just One of Those Things (am 1956-11-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
6:11
8Blue Greens
recorded in:
New York, New York, Vereinigte Staaten (am 1956-11-12)
Klavier:
Hall Overton (American composer and jazz pianist) (am 1956-11-12)
Kontrabass:
Charles Mingus (am 1956-11-12)
Schlagzeug:
Ed Shaughnessy (am 1956-11-12)
Vibraphon:
Teddy Charles (am 1956-11-12)
11:40
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