Passions of a Man: The Complete Atlantic Recordings 1956-1961 (2013 reissue)

~ Release by Charles Mingus (see all versions of this release, 2 available)

Annotation

2013 repackaging in clamshell box with cds in individual cardsleeves and 112-page booklet

Date and location:
Disc 1, 1-5: January 30, 1956, Audio-Video Studios, New York City
Disc 1, 5-8: November 12, 1956, New York City
Disc 2, 1: February 13, 1957, Audio-Video Studios, New York City
Disc 2: 2-6: March 12, 1957, Atlantic Studios, New York City
Disc 3: February 4, 1959, Atlantic Studios, New York City
Disc 4: July 13, 1960, Antibes Jazz Festival, Juan-les-Pins, France
Disc 5: November 6, 1961, Atlantic Studios, New York City
Disc 6: late 1961/early 1962, Nesuhi Ertegun's office, Atlantic Records, New York City

Original issue (year):
Disc 1, 1-5: Atlantic 1237 as "Pithecanthropus Erectus" (July 1956)
Disc 1, 5-8: Atlantic 1274 as Teddy Charles' "Word From Bird" (June 1958)
Disc 2, 1,3,5,6: Atlantic 1260 as "The Clown" (August 1957)
Disc 2, 2,4; Disc 5, 3,4,9: Atlantic 1416 as "Tonight At Noon" (June 1964)
Disc 3, 1-6: Atlantic 1305 as "Blues & Roots" (March 1960)
Disc 3, 7-10: previously unissued
Disc 4: Atlantic 2-3001 as "Mingus At Antibes" (October 1976)
Disc 5, 1,2,5-8,10: Atlantic 1377 as "Oh Yeah" (April 1962)
Disc 6: previously unissued extended interview; edited version originally appeared on CD reissue of "Oh Yeah", Atlantic 90667-2 (1988)

Annotation last modified on 2023-11-09 15:25 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Pithecanthropus Erectus
recording engineer:
Tom Dowd and Hal Lustig
producer:
Nesuhi Ertegun
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1956-01-30)
double bass:
Charles Mingus (on 1956-01-30)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1956-01-30)
piano:
Mal Waldron (American jazz pianist) (on 1956-01-30)
tenor saxophone:
J. R. Monterose (on 1956-01-30)
recorded at:
Audio-Video Studios (NYC) in New York, New York, United States (on 1956-01-30)
later releases:
Pithecanthropus Erectus by Charles Mingus and Pithecanthropus Erectus by Charles Mingus
recording of:
Pithecanthropus Erectus (on 1956-01-30)
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
10:36
2A Foggy Day
recording engineer:
Tom Dowd and Hal Lustig
producer:
Nesuhi Ertegun
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1956-01-30)
double bass:
Charles Mingus (on 1956-01-30)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1956-01-30)
piano:
Mal Waldron (American jazz pianist) (on 1956-01-30)
tenor saxophone:
J. R. Monterose (on 1956-01-30)
recorded at:
Audio-Video Studios (NYC) in New York, New York, United States (on 1956-01-30)
instrumental recording of:
A Foggy Day (in London Town) (on 1956-01-30)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
7:52
3Love Chant
recording engineer:
Tom Dowd and Hal Lustig
producer:
Nesuhi Ertegun
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1956-01-30)
double bass:
Charles Mingus (on 1956-01-30)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1956-01-30)
piano:
Mal Waldron (American jazz pianist) (on 1956-01-30)
tenor saxophone:
J. R. Monterose (on 1956-01-30)
recorded at:
Audio-Video Studios (NYC) in New York, New York, United States (on 1956-01-30)
recording of:
Love Chant (on 1956-01-30)
composer:
Charles Mingus
15:00
4Profile of Jackie
recording engineer:
Tom Dowd and Hal Lustig
producer:
Nesuhi Ertegun
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1956-01-30)
double bass:
Charles Mingus (on 1956-01-30)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1956-01-30)
piano:
Mal Waldron (American jazz pianist) (on 1956-01-30)
tenor saxophone:
J. R. Monterose (on 1956-01-30)
recorded at:
Audio-Video Studios (NYC) in New York, New York, United States (on 1956-01-30)
recording of:
Profile of Jackie (on 1956-01-30)
composer:
Charles Mingus
3:15
5Laura
recorded in:
New York, New York, United States (on 1956-11-12)
double bass:
Charles Mingus (on 1956-11-12)
drums (drum set):
Ed Shaughnessy (on 1956-11-12)
piano:
Hall Overton (American composer and jazz pianist) (on 1956-11-12)
vibraphone:
Teddy Charles (on 1956-11-12)
instrumental recording of:
Laura (1945 song) (on 1956-11-12)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
recording of:
Laura (1945 song)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
5:06
6When Your Lover Has Gone
recorded in:
New York, New York, United States (on 1956-11-12)
double bass:
Charles Mingus (on 1956-11-12)
drums (drum set):
Ed Shaughnessy (on 1956-11-12)
piano:
Hall Overton (American composer and jazz pianist) (on 1956-11-12)
vibraphone:
Teddy Charles (on 1956-11-12)
instrumental recording of:
When Your Lover Has Gone (on 1956-11-12)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
2:31
7Just One of Those Things
recorded in:
New York, New York, United States (on 1956-11-12)
double bass:
Charles Mingus (on 1956-11-12)
drums (drum set):
Ed Shaughnessy (on 1956-11-12)
piano:
Hall Overton (American composer and jazz pianist) (on 1956-11-12)
vibraphone:
Teddy Charles (on 1956-11-12)
instrumental recording of:
Just One of Those Things (on 1956-11-12)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
6:11
8Blue Greens
recorded in:
New York, New York, United States (on 1956-11-12)
double bass:
Charles Mingus (on 1956-11-12)
drums (drum set):
Ed Shaughnessy (on 1956-11-12)
piano:
Hall Overton (American composer and jazz pianist) (on 1956-11-12)
vibraphone:
Teddy Charles (on 1956-11-12)
11:40
2▼CD
#TitleRatingLength
1The Clown
recorded in:
New York, New York, United States (on 1957-03-13)
alto saxophone:
Curtis Porter (American jazz tenor and alto saxophonist aka. Shafi Hadi)
double bass:
Charles Mingus (on 1957-03-13)
drums (drum set) [drums]:
Dannie Richmond (drummer) (on 1957-03-13)
piano:
Wade Legge (on 1957-03-13)
tenor saxophone:
Curtis Porter (American jazz tenor and alto saxophonist aka. Shafi Hadi) and Curtis Porter (on 1957-03-13)
trombone:
Jimmy Knepper (trombonist) (on 1957-03-13)
spoken vocals [improvised narration]:
Jean Shepherd (American storyteller, radio and TV personality, writer and actor) (on 1957-03-13)
recording of:
The Clown (on 1957-03-13)
composer:
Charles Mingus
12:19
2Passions of a Woman Loved
recorded in:
New York, New York, United States (on 1957-03-13)
alto saxophone:
Curtis Porter (on 1957-03-13)
double bass [bass]:
Charles Mingus (on 1957-03-13)
drums (drum set):
Dannie Richmond (drummer) (on 1957-03-13)
piano:
Wade Legge (on 1957-03-13)
trombone:
Jimmy Knepper (trombonist) (on 1957-03-13)
9:43
3Blue Cee
recorded in:
New York, New York, United States (on 1957-03-13)
alto saxophone:
Curtis Porter (American jazz tenor and alto saxophonist aka. Shafi Hadi) and Curtis Porter (on 1957-03-13)
double bass:
Charles Mingus (on 1957-03-13)
drums (drum set):
Dannie Richmond (drummer) (on 1957-03-13)
piano:
Wade Legge (on 1957-03-13)
trombone:
Jimmy Knepper (trombonist) (on 1957-03-13)
recording of:
Blue Cee (on 1957-03-13)
composer:
Charles Mingus
7:48
4Tonight at Noon
recorded in:
New York, New York, United States (on 1957-03-13)
alto saxophone:
Curtis Porter (on 1957-03-13)
double bass [bass]:
Charles Mingus (on 1957-03-13)
drums (drum set):
Dannie Richmond (drummer) (on 1957-03-13)
piano:
Wade Legge (on 1957-03-13)
trombone:
Jimmy Knepper (trombonist) (on 1957-03-13)
recording of:
Tonight at Noon (on 1957-03-13)
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
2.55:58
5Reincarnation of a Lovebird
recorded in:
New York, New York, United States (on 1957-03-13)
alto saxophone:
Curtis Porter (American jazz tenor and alto saxophonist aka. Shafi Hadi) and Curtis Porter (on 1957-03-13)
double bass:
Charles Mingus (on 1957-03-13)
drums (drum set):
Dannie Richmond (drummer) (on 1957-03-13)
piano:
Wade Legge (on 1957-03-13)
trombone:
Jimmy Knepper (trombonist) (on 1957-03-13)
recording of:
Reincarnation of a Lovebird (on 1957-03-13)
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
8:31
6Haitian Fight Song
alto saxophone:
Curtis Porter (American jazz tenor and alto saxophonist aka. Shafi Hadi) and Curtis Porter (on 1957-02-12)
double bass:
Charles Mingus (on 1957-02-12)
drums (drum set):
Dannie Richmond (drummer) (on 1957-02-12)
piano:
Wade Legge (on 1957-02-12)
trombone:
Jimmy Knepper (trombonist) (on 1957-02-12)
recorded at:
Audio-Video Studios (NYC) in New York, New York, United States (on 1957-02-12)
later releases:
Haitian Fight Song by Charles Mingus, Haitian Fight Song by Charles Mingus and Haitian Fight Song by Charles Mingus
recording of:
Haitian Fight Song (on 1957-02-12)
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
411:57
3▼CD
#TitleRatingLength
1E's Flat Ah's Flat Too
recording engineer:
Tom Dowd (on 1959-02-04)
producer:
Nesuhi Ertegun
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (on 1959-02-04) and Jackie McLean (jazz saxophonist) (on 1959-02-04)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1959-02-04)
double bass:
Charles Mingus (on 1959-02-04)
drums (drum set):
Dannie Richmond (drummer) (on 1959-02-04)
piano:
Mal Waldron (American jazz pianist) (on 1959-02-04)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1959-02-04)
trombone:
Willie Dennis (on 1959-02-04) and Jimmy Knepper (trombonist) (on 1959-02-04)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-02-04)
recording of:
E's Flat Ah's Flat Too (on 1959-02-04)
composer:
Charles Mingus
6:37
2My Jelly Roll Soul
recording engineer:
Tom Dowd (on 1959-02-04)
producer:
Nesuhi Ertegun
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (on 1959-02-04) and Jackie McLean (jazz saxophonist) (on 1959-02-04)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1959-02-04)
double bass:
Charles Mingus (on 1959-02-04)
drums (drum set):
Dannie Richmond (drummer) (on 1959-02-04)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1959-02-04)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1959-02-04)
trombone:
Willie Dennis (on 1959-02-04) and Jimmy Knepper (trombonist) (on 1959-02-04)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-02-04)
recording of:
My Jelly Roll Soul (on 1959-02-04)
composer:
Charles Mingus
6:47
3Tensions
recording engineer:
Tom Dowd (on 1959-02-04)
producer:
Nesuhi Ertegun
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (on 1959-02-04) and Jackie McLean (jazz saxophonist) (on 1959-02-04)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1959-02-04)
double bass:
Charles Mingus (on 1959-02-04)
drums (drum set):
Dannie Richmond (drummer) (on 1959-02-04)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1959-02-04)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1959-02-04)
trombone:
Willie Dennis (on 1959-02-04) and Jimmy Knepper (trombonist) (on 1959-02-04)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-02-04)
recording of:
Tensions (on 1959-02-04)
composer:
Charles Mingus
6:27
4Moanin'
recording engineer:
Tom Dowd (on 1959-02-04)
producer:
Nesuhi Ertegun
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (on 1959-02-04) and Jackie McLean (jazz saxophonist) (on 1959-02-04)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1959-02-04)
double bass:
Charles Mingus (on 1959-02-04)
drums (drum set):
Dannie Richmond (drummer) (on 1959-02-04)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1959-02-04)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1959-02-04)
trombone:
Willie Dennis (on 1959-02-04) and Jimmy Knepper (trombonist) (on 1959-02-04)
double bass arranger:
Charles Mingus
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-02-04)
recording of:
Moanin' (on 1959-02-04)
composer:
Charles Mingus
7:57
5Cryin' Blues
recording engineer:
Tom Dowd (on 1959-02-04)
producer:
Nesuhi Ertegun
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (on 1959-02-04) and Jackie McLean (jazz saxophonist) (on 1959-02-04)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1959-02-04)
double bass:
Charles Mingus (on 1959-02-04)
drums (drum set):
Dannie Richmond (drummer) (on 1959-02-04)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1959-02-04)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1959-02-04)
trombone:
Willie Dennis (on 1959-02-04) and Jimmy Knepper (trombonist) (on 1959-02-04)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-02-04)
recording of:
Cryin' Blues (on 1959-02-04)
composer:
Charles Mingus
4:58
6Wednesday Night Prayer Meeting
recording engineer:
Tom Dowd (on 1959-02-04)
producer:
Nesuhi Ertegun
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (on 1959-02-04) and Jackie McLean (jazz saxophonist) (on 1959-02-04)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1959-02-04)
double bass:
Charles Mingus (on 1959-02-04)
drums (drum set):
Dannie Richmond (drummer) (on 1959-02-04)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1959-02-04)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1959-02-04)
trombone:
Willie Dennis (on 1959-02-04) and Jimmy Knepper (trombonist) (on 1959-02-04)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-02-04)
recording of:
Wednesday Night Prayer Meeting (on 1959-02-04)
composer:
Charles Mingus
5:42
7E's Flat Ah's Flat Too (alternate take)
recording engineer:
Tom Dowd (on 1959-02-04)
producer:
Nesuhi Ertegun (on 1959-02-04)
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (on 1959-02-04) and Jackie McLean (jazz saxophonist) (on 1959-02-04)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1959-02-04)
double bass:
Charles Mingus (on 1959-02-04)
drums (drum set):
Dannie Richmond (drummer) (on 1959-02-04)
piano:
Mal Waldron (American jazz pianist) (on 1959-02-04)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1959-02-04)
trombone:
Willie Dennis (on 1959-02-04) and Jimmy Knepper (trombonist) (on 1959-02-04)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-02-04)
recording of:
E's Flat Ah's Flat Too (on 1959-02-04)
composer:
Charles Mingus
7:16
8My Jelly Roll Soul (alternate take)
recording engineer:
Tom Dowd (on 1959-02-04)
producer:
Nesuhi Ertegun
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (on 1959-02-04) and Jackie McLean (jazz saxophonist) (on 1959-02-04)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1959-02-04)
double bass:
Charles Mingus (on 1959-02-04)
drums (drum set):
Dannie Richmond (drummer) (on 1959-02-04)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1959-02-04)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1959-02-04)
trombone:
Willie Dennis (on 1959-02-04) and Jimmy Knepper (trombonist) (on 1959-02-04)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-02-04)
recording of:
My Jelly Roll Soul (on 1959-02-04)
composer:
Charles Mingus
11:51
9Tensions (alternate take)
recording engineer:
Tom Dowd (on 1959-02-04)
producer:
Nesuhi Ertegun
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (on 1959-02-04) and Jackie McLean (jazz saxophonist) (on 1959-02-04)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1959-02-04)
double bass:
Charles Mingus (on 1959-02-04)
drums (drum set):
Dannie Richmond (drummer) (on 1959-02-04)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1959-02-04)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1959-02-04)
trombone:
Willie Dennis (on 1959-02-04) and Jimmy Knepper (trombonist) (on 1959-02-04)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-02-04)
recording of:
Tensions (on 1959-02-04)
composer:
Charles Mingus
5:30
10Wednesday Night Prayer Meeting (alternate take)
recording engineer:
Tom Dowd (on 1959-02-04)
producer:
Nesuhi Ertegun (on 1959-02-04)
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (on 1959-02-04) and Jackie McLean (jazz saxophonist) (on 1959-02-04)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1959-02-04)
double bass:
Charles Mingus (on 1959-02-04)
drums (drum set):
Dannie Richmond (drummer) (on 1959-02-04)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1959-02-04)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1959-02-04)
trombone:
Willie Dennis (on 1959-02-04) and Jimmy Knepper (trombonist) (on 1959-02-04)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-02-04)
recording of:
Wednesday Night Prayer Meeting (on 1959-02-04)
composer:
Charles Mingus
6:56
4▼CD
#TitleRatingLength
1Prayer for Passive Resistance
alto saxophone:
Eric Dolphy (on 1960-07-13)
double bass and double bass [bass]:
Charles Mingus (on 1960-07-13)
drums (drum set):
Dannie Richmond (drummer) (on 1960-07-13)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1960-07-13)
trumpet:
Ted Curson (on 1960-07-13)
recorded at:
Festival Mondial du Jazz Antibes, Juans-les-Pins in Antibes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (on 1960-07-13)
live recording of:
Prayer for Passive Resistance (on 1960-07-13)
composer:
Charles Mingus
recording of:
Prayer for Passive Resistance
composer:
Charles Mingus
8:06
2Better Git Hit in Your Soul
alto saxophone:
Eric Dolphy (on 1960-07-13)
double bass and piano:
Charles Mingus (on 1960-07-13)
drums (drum set):
Dannie Richmond (drummer) (on 1960-07-13)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1960-07-13)
trumpet:
Ted Curson (on 1960-07-13)
recorded at:
Festival Mondial du Jazz Antibes, Juans-les-Pins in Antibes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (on 1960-07-13)
live recording of:
Better Git It in Your Soul (on 1960-07-13)
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
11:36
3Wednesday Night Prayer Meeting
alto saxophone:
Eric Dolphy (on 1960-07-13)
double bass and piano:
Charles Mingus (on 1960-07-13)
drums (drum set):
Dannie Richmond (drummer) (on 1960-07-13)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1960-07-13)
trumpet:
Ted Curson (on 1960-07-13)
recorded at:
Festival Mondial du Jazz Antibes, Juans-les-Pins in Antibes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (on 1960-07-13)
live recording of:
Wednesday Night Prayer Meeting (on 1960-07-13)
composer:
Charles Mingus
11:54
4Folk Forms I
alto saxophone:
Eric Dolphy (on 1960-07-13)
double bass:
Charles Mingus (on 1960-07-13)
drums (drum set):
Dannie Richmond (drummer) (on 1960-07-13)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1960-07-13)
trumpet:
Ted Curson (on 1960-07-13)
recorded at:
Festival Mondial du Jazz Antibes, Juans-les-Pins in Antibes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (on 1960-07-13)
live recording of:
Folk Forms No. 1 (on 1960-07-13)
composer:
Charles Mingus
11:08
5What Love?
alto saxophone and bass clarinet:
Eric Dolphy (on 1960-07-13)
double bass:
Charles Mingus (on 1960-07-13)
drums (drum set):
Dannie Richmond (drummer) (on 1960-07-13)
trumpet:
Ted Curson (on 1960-07-13)
recorded at:
Festival Mondial du Jazz Antibes, Juans-les-Pins in Antibes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (on 1960-07-13)
live recording of:
What Love (on 1960-07-13)
composer:
Charles Mingus
14:04
6I'll Remember April
alto saxophone:
Eric Dolphy (on 1960-07-13)
double bass:
Charles Mingus (on 1960-07-13)
drums (drum set):
Dannie Richmond (drummer) (on 1960-07-13)
piano:
Bud Powell (on 1960-07-13)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1960-07-13)
trumpet:
Ted Curson (on 1960-07-13)
recorded at:
Festival Mondial du Jazz Antibes, Juans-les-Pins in Antibes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (on 1960-07-13)
live instrumental recording of:
I’ll Remember April (on 1960-07-13)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
13:39
5▼CD
#TitleRatingLength
1Devil Woman
recorded in:
New York, New York, United States (on 1961-11-06)
double bass [bass]:
Doug Watkins (on 1961-11-06)
drums (drum set):
Dannie Richmond (drummer) (on 1961-11-06)
piano:
Charles Mingus (on 1961-11-06)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1961-11-06)
trombone:
Jimmy Knepper (trombonist) (on 1961-11-06)
woodwind:
Roland Kirk (on 1961-11-06)
samples from:
Oh Yeah (stereo) by Charles Mingus (in 1962)
recording of:
Devil Woman
writer, composer and arranger:
Charles Mingus
9:38
2Ecclusiastics
recorded in:
New York, New York, United States (on 1961-11-06)
double bass [bass]:
Doug Watkins (on 1961-11-06)
drums (drum set):
Dannie Richmond (drummer) (on 1961-11-06)
piano:
Charles Mingus (on 1961-11-06)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1961-11-06)
trombone:
Jimmy Knepper (trombonist) (on 1961-11-06)
woodwind:
Roland Kirk (on 1961-11-06)
recording of:
Ecclusiastics (on 1961-11-06)
composer:
Charles Mingus
6:55
3"Old" Blues for Walt's Torin
recorded in:
New York, New York, United States (on 1961-11-06)
double bass [bass]:
Doug Watkins (on 1961-11-06)
drums (drum set):
Dannie Richmond (drummer) (on 1961-11-06)
piano:
Charles Mingus (on 1961-11-06)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1961-11-06)
trombone:
Jimmy Knepper (trombonist) (on 1961-11-06)
woodwind:
Roland Kirk (on 1961-11-06)
8:59
4Peggy's Blue Skylight
recorded in:
New York, New York, United States (on 1961-11-06)
double bass [bass]:
Doug Watkins (on 1961-11-06)
drums (drum set):
Dannie Richmond (drummer) (on 1961-11-06)
piano:
Charles Mingus (on 1961-11-06)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1961-11-06)
trombone:
Jimmy Knepper (trombonist) (on 1961-11-06)
woodwind:
Roland Kirk (on 1961-11-06)
double bass arranger:
Charles Mingus
recording of:
Peggy's Blue Skylight (on 1961-11-06)
composer:
Charles Mingus
part of:
The Real Book (compilation of jazz standards, volume I)
9:42
5Hog Callin' Blues
recorded in:
New York, New York, United States (on 1961-11-06)
double bass [bass]:
Doug Watkins (on 1961-11-06)
drums (drum set):
Dannie Richmond (drummer) (on 1961-11-06)
piano:
Charles Mingus (on 1961-11-06)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1961-11-06)
trombone:
Jimmy Knepper (trombonist) (on 1961-11-06)
woodwind:
Roland Kirk (on 1961-11-06)
7:26
6Oh Lord Don't Let Them Drop That Atomic Bomb on Me
recorded in:
New York, New York, United States (on 1961-11-06)
double bass [bass]:
Doug Watkins (on 1961-11-06)
drums (drum set):
Dannie Richmond (drummer) (on 1961-11-06)
piano:
Charles Mingus (on 1961-11-06)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1961-11-06)
trombone:
Jimmy Knepper (trombonist) (on 1961-11-06)
woodwind:
Roland Kirk (on 1961-11-06)
recording of:
Oh Lord, Don't Let Them Drop That Atomic Bomb On Me (on 1961-11-06)
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
45:38
7Passions of a Man
recorded in:
New York, New York, United States (on 1961-11-06)
double bass [bass]:
Doug Watkins (on 1961-11-06)
drums (drum set):
Dannie Richmond (drummer) (on 1961-11-06)
piano:
Charles Mingus (on 1961-11-06)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1961-11-06)
trombone:
Jimmy Knepper (trombonist) (on 1961-11-06)
woodwind:
Roland Kirk (on 1961-11-06)
4:52
8Wham Bam Thank You Ma'am
recorded in:
New York, New York, United States (on 1961-11-06)
double bass [bass]:
Doug Watkins (on 1961-11-06)
drums (drum set):
Dannie Richmond (drummer) (on 1961-11-06)
piano:
Charles Mingus (on 1961-11-06)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1961-11-06)
trombone:
Jimmy Knepper (trombonist) (on 1961-11-06)
woodwind:
Roland Kirk (on 1961-11-06)
double bass arranger:
Charles Mingus
recording of:
Wham Bam Thank You Ma'am (on 1961-11-06)
composer:
Charles Mingus
4:41
9Invisible Lady
recorded in:
New York, New York, United States (on 1961-11-06)
double bass [bass]:
Doug Watkins (on 1961-11-06)
drums (drum set):
Dannie Richmond (drummer) (on 1961-11-06)
piano:
Charles Mingus (on 1961-11-06)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1961-11-06)
trombone:
Jimmy Knepper (trombonist) (on 1961-11-06)
woodwind:
Roland Kirk (on 1961-11-06)
recording of:
Invisible Lady (instrumental) (on 1961-11-06)
composer:
Charles Mingus
4:49
10Eat That Chicken
recorded in:
New York, New York, United States (on 1961-11-06)
double bass [bass]:
Doug Watkins (on 1961-11-06)
drums (drum set):
Dannie Richmond (drummer) (on 1961-11-06)
piano:
Charles Mingus (on 1961-11-06)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1961-11-06)
trombone:
Jimmy Knepper (trombonist) (on 1961-11-06)
woodwind:
Roland Kirk (on 1961-11-06)
recording of:
Eat That Chicken (on 1961-11-06)
composer:
Charles Mingus
4:36
6▼CD
#TitleRatingLength
1Charles Mingus Interviewed by Nesuhi Ertegun
1:15:00