The Ultimate Jazz Archive, Set 40: Vocalists

~ Release by Anita O’Day, Billy Eckstine, Peggy Lee, Nat King Cole (see all versions of this release, 44 available)

Tracklist

1▶CD: Anita O’Day
2▶CD: Billy Eckstine
3▶CD: Peggy Lee
4▼CD: Nat King Cole
#TitleArtistRatingLength
1Sweet Lorraine
recording of:
Sweet Lorraine
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
Nat King Cole3:09
2Embraceable You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-12-15)
instrumental cover recording of:
Embraceable You (on 1943-12-15)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Nat King Cole3:24
3It’s Only a Paper Moon
cover recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
Nat King Cole2:56
4I Just Can’t See for Looking
double bass:
Red Callender (on 1943-12-15) and Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-12-15)
recording of:
I Just Can’t See for Lookin’ (on 1943-12-15)
writer:
Nadine Robinson and Dok Stanford
Nat King Cole3:08
5I Realize Now
Nat King Cole3:10
6I’d Love to Make Love to You
Nat King Cole3:10
7Katusha
Nat King Cole2:31
8You’re Nobody Till Somebody Loves You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-19)
guitar:
Oscar Moore (on 1945-05-19)
piano:
Nat King Cole (on 1945-05-19)
vocals:
Nat King Cole (on 1945-05-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-19)
recording of:
You’re Nobody Till Somebody Loves You (on 1945-05-19)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, volume I)
cover recording of:
You’re Nobody Till Somebody Loves You (in 1945)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, volume I)
Nat King Cole2:51
9Don’t Blame Me
recording of:
Don’t Blame Me
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
Nat King Cole3:24
10I’m Thru With You
Nat King Cole2:56
11I’m in the Mood for Love
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
piano:
Nat King Cole (on 1946-03-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
recording of:
I’m in the Mood for Love (on 1946-03-15)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Nat King Cole3:12
12I Don’t Know Why
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
piano and lead vocals:
Nat King Cole (on 1946-03-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
cover recording of:
I Don’t Know Why (on 1946-03-15)
lyricist:
Roy Turk (in 1931)
composer:
Fred Ahlert (in 1931)
publisher:
Bucks Music Ltd, Leo Feist, Inc., Memory Lane Music Ltd. and Redwood Music
Nat King Cole3:11
13Route 66
recording of:
(Get Your Kicks on) Route 66
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Burke-Van Heusen, Inc. (on 1946-04-22)
Nat King Cole3:01
14Everyone Is Sayin’ Hello Again
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
piano:
Nat King Cole (on 1946-03-15)
lead vocals:
King Cole (on 1946-03-15)
vocals:
Nat King Cole (on 1946-03-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
recording of:
Everyone Is Sayin’ Hello Again (Why Must We Say Goodbye?) (on 1946-03-15)
writer:
Jerry Marlowe and Jack Segal (US songwriter)
Nat King Cole2:39
15What Can I Say After I Say I’m Sorry
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-05)
guitar:
Oscar Moore (on 1946-04-05)
piano and lead vocals:
Nat King Cole (on 1946-04-05)
vocals:
Nat King Cole (on 1946-04-05)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-05)
recording of:
What Can I Say After I Say I’m Sorry? (on 1946-04-05)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
Nat King Cole3:03
16Could‐’Ja
Nat King Cole3:01
17Baby, Baby All the Time
cover recording of:
Baby Baby All the Time
lyricist and composer:
Bobby Troup
Nat King Cole3:02
18You Call It Madness
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-05-01)
guitar:
Oscar Moore (on 1946-05-01)
piano:
Nat King Cole (on 1946-05-01)
vocals:
Nat King Cole (on 1946-05-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-05-01)
recording of:
You Call It Madness (But I Call It Love) (on 1946-05-01)
writer:
Russ Columbo (American singer, songwriter, violinist and actor), Con Conrad (songwriter and producer), Gladys DuBois and Paul Gregory (Songwriter)
part of:
Going Hollywood (1933 film)
Nat King Cole3:05
19Look What You Have Done to Me
Nat King Cole3:03
20It Only Happens Once
Nat King Cole2:55