The Ultimate Jazz Archive, Set 40: Vocalists

~ Veröffentlichung von Anita O’Day, Billy Eckstine, Peggy Lee, Nat King Cole (alle Versionen dieser Veröffentlichung ansehen, 44 vorhanden)

Titelliste

1▶CD: Anita O’Day
2▶CD: Billy Eckstine
3▶CD: Peggy Lee
4▼CD: Nat King Cole
Nr.TitelKünstlerBewertungLänge
1Sweet Lorraine
recording of:
Sweet Lorraine
Texter:
Mitchell Parish (in 1928)
Komponist(in):
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. und Mills Music, Inc.
Nat King Cole3:09
2Embraceable You
Gitarre:
Oscar Moore (am 1943-12-15)
Klavier:
Nat King Cole (am 1943-12-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1943-12-15)
vocals:
Nat King Cole (am 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (am 1943-12-15) und Oscar Moore (am 1943-12-15)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-12-15)
instrumental cover recording of:
Embraceable You (am 1943-12-15)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Nat King Cole3:24
3It’s Only a Paper Moon
cover recording of:
It’s Only a Paper Moon
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
Nat King Cole2:56
4I Just Can’t See for Looking
Gitarre:
Oscar Moore (am 1943-12-15)
Klavier:
Nat King Cole (am 1943-12-15)
Kontrabass:
Red Callender (am 1943-12-15) und Johnny Miller (part of the Nat King Cole Trio) (am 1943-12-15)
vocals:
Nat King Cole (am 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (am 1943-12-15) und Oscar Moore (am 1943-12-15)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-12-15)
recording of:
I Just Can’t See for Lookin’ (am 1943-12-15)
Verfasser(in):
Nadine Robinson und Dok Stanford
Nat King Cole3:08
5I Realize Now
Nat King Cole3:10
6I’d Love to Make Love to You
Nat King Cole3:10
7Katusha
Nat King Cole2:31
8You’re Nobody Till Somebody Loves You
Gitarre:
Oscar Moore (am 1945-05-19)
Klavier:
Nat King Cole (am 1945-05-19)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1945-05-19)
vocals:
Nat King Cole (am 1945-05-19)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1945-05-19)
recording of:
You’re Nobody Till Somebody Loves You (am 1945-05-19)
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, volume I)
cover recording of:
You’re Nobody Till Somebody Loves You (in 1945)
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Nat King Cole2:51
9Don’t Blame Me
recording of:
Don’t Blame Me
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) und Ireneadele Publishing
Nat King Cole3:24
10I’m Thru With You
Nat King Cole2:56
11I’m in the Mood for Love
Gitarre:
Oscar Moore (am 1946-03-15)
Klavier:
Nat King Cole (am 1946-03-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-03-15)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-03-15)
recording of:
I’m in the Mood for Love (am 1946-03-15)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Nat King Cole3:12
12I Don’t Know Why
Gitarre:
Oscar Moore (am 1946-03-15)
Klavier und Sologesang:
Nat King Cole (am 1946-03-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-03-15)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-03-15)
cover recording of:
I Don’t Know Why (am 1946-03-15)
Texter:
Roy Turk (in 1931)
Komponist(in):
Fred Ahlert (in 1931)
publisher:
Bucks Music Ltd, Leo Feist, Inc., Memory Lane Music Ltd. und Redwood Music
Nat King Cole3:11
13Route 66
recording of:
(Get Your Kicks on) Route 66
Texter und Komponist(in):
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Burke-Van Heusen, Inc. (am 1946-04-22)
Nat King Cole3:01
14Everyone Is Sayin’ Hello Again
Gitarre:
Oscar Moore (am 1946-03-15)
Klavier:
Nat King Cole (am 1946-03-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-03-15)
Sologesang:
King Cole (am 1946-03-15)
vocals:
Nat King Cole (am 1946-03-15)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-03-15)
recording of:
Everyone Is Sayin’ Hello Again (Why Must We Say Goodbye?) (am 1946-03-15)
Verfasser(in):
Jerry Marlowe und Jack Segal (US songwriter)
Nat King Cole2:39
15What Can I Say After I Say I’m Sorry
Gitarre:
Oscar Moore (am 1946-04-05)
Klavier und Sologesang:
Nat King Cole (am 1946-04-05)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-05)
vocals:
Nat King Cole (am 1946-04-05)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-04-05)
recording of:
What Can I Say After I Say I’m Sorry? (am 1946-04-05)
Texter und Komponist(in):
Walter Donaldson (in 1926) und Abe Lyman (in 1926)
Nat King Cole3:03
16Could‐’Ja
Nat King Cole3:01
17Baby, Baby All the Time
cover recording of:
Baby Baby All the Time
Texter und Komponist(in):
Bobby Troup
Nat King Cole3:02
18You Call It Madness
Gitarre:
Oscar Moore (am 1946-05-01)
Klavier:
Nat King Cole (am 1946-05-01)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-05-01)
vocals:
Nat King Cole (am 1946-05-01)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-05-01)
recording of:
You Call It Madness (But I Call It Love) (am 1946-05-01)
Verfasser(in):
Russ Columbo (American singer, songwriter, violinist and actor), Con Conrad (songwriter and producer), Gladys DuBois und Paul Gregory (Songwriter)
Teil von:
Going Hollywood (1933 film)
Nat King Cole3:05
19Look What You Have Done to Me
Nat King Cole3:03
20It Only Happens Once
Nat King Cole2:55