Angel Voices

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
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1St. Matthew Passion, BWV 244: Erbarme dich, mein Gott
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals and solo vocals:
Andreas Scholl (countertenor) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor and chorus master:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1998-08)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:39
2Stabat Mater: Eia Mater, fons amoris
solo vocals:
Gérard Lesne (countertenor)
orchestra:
Il Seminario Musicale (French baroque music ensemble)
Giovanni Battista Pergolesi2:11
3Mass in B minor, BWV 232: Qui sedes ad dexteram Patris
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
alto vocals and solo vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1988-04)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor and chorus master:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:28
4Mass in B minor, BWV 232: Agnus Dei
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
alto vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:28
5Christmas Oratorio, BWV 248: Bereite dich, Zion, mit zärtlichen Trieben
alto vocals:
Michael Chance (British countertenor) (in 1989-01)
countertenor vocals:
Michael Chance (British countertenor)
orchestra:
Collegium Vocale Gent (in 1989-01)
conductor and chorus master:
Philippe Herreweghe (Belgian conductor) (in 1989-01)
recorded at:
Mindersbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1989-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1989-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:41
6Magnificat: Cantata BWV 243: Esurientes implevit
alto vocals and solo performer:
René Jacobs (conductor) (in 1988-12)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1988-12)
conductor:
Sigiswald Kuijken (in 1988-12)
recorded at:
Augustinuskerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-12)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (in 1988-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:14
7Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170
recording engineer:
Johann-Nikolaus Matthes (sound engineer) (in 1980-04)
producer:
Gerd Berg (producer)
countertenor vocals:
René Jacobs (conductor) (in 1980-04)
orchestra:
Linde Consort (Swiss ensemble led by Hans-Martin Linde) (in 1980-04)
conductor:
Hans-Martin Linde (flutist and conductor) (in 1980-04)
recorded at:
Evangelische Kirche (Seon) in Seon, Aargau, Switzerland (in 1980-04)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (in 1980-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach7:14
8Cantata "Ich ruf zu dir, Herr Jesu Christ", BWV 177
recording engineer:
Johann-Nikolaus Matthes (sound engineer) (in 1980-04)
producer:
Gerd Berg (producer)
countertenor vocals:
René Jacobs (conductor) (in 1980-04)
orchestra:
Linde Consort (Swiss ensemble led by Hans-Martin Linde) (in 1980-04)
conductor:
Hans-Martin Linde (flutist and conductor) (in 1980-04)
recorded at:
Evangelische Kirche (Seon) in Seon, Aargau, Switzerland (in 1980-04)
recording of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": II. Aria (Alt) "Ich bitt noch mehr, o Herre Gott" (in 1980-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1732-07-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
librettist:
Johann Friedrich Agricola (German composer & organist, 1720-1774)
part of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ"
Johann Sebastian Bach4:33
9Saül: O Lord, whose mercies numberless
alto vocals and solo vocals:
Paul Esswood (countertenor)
orchestra:
English Chamber Orchestra
conductor:
Philip Ledger
recording of:
Saul, HWV 53: Act I, Scene V, no. 32. Air "Oh Lord, whose mercies numberless" (David)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel3:33
10Saül: Your works, oh king
solo vocals:
Paul Esswood (countertenor)
orchestra:
English Chamber Orchestra
conductor:
Philip Ledger
George Frideric Handel1:17
11Israel in Egypt: Thou shalt bring them in
solo vocals:
Timothy Wilson (countertenor)
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
George Frideric Handel3:56
12Messiah: He was despised
countertenor vocals and solo vocals:
Alfred Deller (countertenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
George Weldon (conductor)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel6:45
13Il Sedecia, re di Gerusalemme: Caldo sangue
solo vocals:
Philippe Jaroussky (countertenor)
orchestra:
Il Seminario Musicale (French baroque music ensemble)
conductor:
Gérard Lesne (countertenor)
Alessandro Scarlatti4:48
14I Pellegrini al Sepolcro di Nostro Signore, Parte prima: Compagni, eccoci giunti
solo vocals:
Michael Chance (British countertenor)
orchestra:
Il Seminario Musicale (French baroque music ensemble)
conductor:
Gérard Lesne (countertenor)
Johann Adolf Hasse1:03
15I Pellegrini al Sepolcro di Nostro Signore, Parte prima: Cità misera il tuo stato
solo vocals:
Michael Chance (British countertenor)
orchestra:
Il Seminario Musicale (French baroque music ensemble)
conductor:
Gérard Lesne (countertenor)
Johann Adolf Hasse5:08
16Miserere: Redde mihi laetitiam
solo vocals:
Dominique Visse (countertenor)
orchestra:
La Grande Écurie et la Chambre du Roy
conductor:
Jean‐Claude Malgoire (conductor and oboist)
André Campra2:42

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ASIN:US: B00005Y31C [info]