Angel Voices

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Serse: Frondi tenere
solo lead vocals:
David Daniels (American countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Sir Roger Norrington (conductor)
recording of:
Serse, HWV 40: Atto I, no. 1. Recitativo “Frondi tenere” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:41
2Serse: Ombra mai fù
countertenor vocals:
David Daniels (American countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Sir Roger Norrington (conductor)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1998)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:05
3Tamerlano: A dispetto
solo lead vocals:
David Daniels (American countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Sir Roger Norrington (conductor)
George Frideric Handel4:36
4Orfeo ed Euridice: Ahimè! Dove trascorsi
solo lead vocals:
David Daniels (American countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Sir Roger Norrington (conductor)
Christoph Willibald Gluck1:14
5Orfeo ed Euridice: Che faro senza Euridice?Christoph Willibald Gluck3:51
6Cessate, omai cessate, cantata RV 684
solo countertenor vocals:
Derek Lee Ragin (countertenor) (in 1996)
orchestra:
Teatro Lirico (in 1996)
conductor:
Stephen Stubbs (US early music lutenist) (in 1996)
recording of:
Cantata for Alto voice, Strings, and Continuo, RV 684 “Cessate, omai cessate” (in 1996)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Ryom-Verzeichnis (number: RV 684)
Antonio Vivaldi11:57
7Come ye sons of art, ode for Queen Mary (1694): Come ye sons of art
solo vocals:
James Bowman (UK countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Gustav Leonhardt (conductor, harpsichordist)
Henry Purcell1:46
8Come ye sons of art, ode for Queen Mary (1694): Sound the trumpet, sound
countertenor vocals:
James Bowman (UK countertenor) and Christopher Robson (operatic counter-tenor)
solo vocals:
Christopher Robson (operatic counter-tenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:29
9Come ye sons of art, ode for Queen Mary (1694): Strike the viols, touch the lute
solo vocals:
James Bowman (UK countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Gustav Leonhardt (conductor, harpsichordist)
Henry Purcell4:27
10Love's goddes sure was blind, ode for Queen Mary (1692): Sweetness of natureHenry Purcell3:11
11Hail! Bright Cecilia, ode for St. Cecilia's day: In vain the am'rous flute
instruments:
La Canzona
solo vocals:
Steve Dugardin (Belgian counter-tenor vocalist) and Gérard Lesne (countertenor)
recording of:
“Hail! Bright Cecilia”, Z. 328: X. “In vain the am’rous flute”
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell5:27
12Plainte sur la mort de Monsieur Lambert
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
countertenor vocals:
Gérard Lesne (countertenor)
orchestra:
Il Seminario Musicale (French baroque music ensemble)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
recording of:
Plainte sur la mort de Monsieur Lambert (from 1997-04-01 until 1997-04-04)
composer:
Jean Lacquemant (DuBuisson) and Du Buisson (composer, died ca. 1710) (in 1696)
Du Buisson5:15
13If women could be fair
solo vocals:
Michael Chance (British countertenor)
orchestra:
Fretwork (consort of viols)
William Byrd3:26
14Giulio Cesare: Deep within my bosom burning
solo vocals:
James Bowman (UK countertenor)
orchestra:
English National Opera Orchestra
conductor:
Charles Mackerras (Australian conductor)
George Frideric Handel3:22
15Admeto: Sparite o pensieri
solo vocals:
René Jacobs (conductor)
orchestra:
Il Complesso Barocco
conductor:
Alan Curtis (harpsichordist, musicologist, and conductor)
George Frideric Handel5:45
16The Choice of Hercules: Yet, can I hear that dulcet lay
solo vocals:
James Bowman (UK countertenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
George Frideric Handel3:44
17Rodelinda, regina dei Lombardi: Si l'infida consorte
solo vocals:
Daniel Taylor (Canadian countertenor)
orchestra:
Raglan Baroque Players (UK baroque music ensemble)
conductor:
Nicholas Kraemer (harpsichordist and conductor)
George Frideric Handel0:27
18Rodelinda, regina dei Lombardi: Confusa si miri l'infida consorte
solo vocals:
Daniel Taylor (Canadian countertenor)
orchestra:
Raglan Baroque Players (UK baroque music ensemble)
conductor:
Nicholas Kraemer (harpsichordist and conductor)
George Frideric Handel5:10
19Arminio: Con quel sangue dipinta vedrai
solo vocals:
Sytse Buwalda
orchestra:
Il Complesso Barocco
conductor:
Alan Curtis (harpsichordist, musicologist, and conductor)
George Frideric Handel4:18
20The Fairy Queen: Hark, how all things
cello:
Terence Weil (cellist)
solo vocals:
Alfred Deller (countertenor)
Henry Purcell2:23
2CD

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ASIN:US: B00005Y31C [info]