Rock’mantique Top 100, Vol. 3

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Mmm Mmm Mmm Mmm
recording engineer:
Tommy Lipnick
zusätzlich recording engineer:
David Vartanian
Techniker(in):
Dan Harjung
Produzent(in):
Crash Test Dummies und Jerry Harrison (Talking Heads & producer)
Mix:
Tom Lord‐Alge
Editing:
Patrick Murphy (engineer)
accordion, Keyboard [keyboards], Klavier und Hintergrundgesang [back-up vocals]:
Ellen Reid (Canadian keyboardist and singer)
Akustikgitarre [acoustic guitars], E-Gitarre [electric guitars] und Sologesang:
Brad Roberts (of Crash Test Dummies)
phonographisches Urheberrecht (℗) von:
BMG Music Canada Inc. (in 1991, in 1993) und BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 1993)
aufgenommen bei:
DV Productions in Milwaukee, Wisconsin, Vereinigte Staaten, Mindscape in Chicago, Illinois, Vereinigte Staaten und Music Head Recording in Lake Geneva, Wisconsin, Vereinigte Staaten
mixed at:
Music Head Recording in Lake Geneva, Wisconsin, Vereinigte Staaten
produced at:
God of Thunder Studios in Winnipeg, Manitoba, Kanada
Musikvideos:
Mmm Mmm Mmm Mmm von Crash Test Dummies
recording of:
Mmm Mmm Mmm Mmm
Texter und Komponist(in):
Brad Roberts (of Crash Test Dummies)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Door Number Two Music (in 1993), Dummies Productions Inc. (in 1993) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1993)
Crash Test Dummies3.953:53
2How to Save a Life
Assistent recording engineer:
Kevin Loyal und James Masterson
recording engineer und Editing:
Paul Mahern
assistierende(r) Techniker(in):
Alex Uychocde
zusätzliche(r) Techniker(in):
Tim Hoagland und Aaron Johnson (producer/mixer/engineer, worked with The Fray)
Produzent(in):
Mike Flynn (A&R executive) und Aaron Johnson (producer/mixer/engineer, worked with The Fray)
Mix:
Mark Endert
zusätzliches Editing:
Warren Huart
Musikvideo für:
How to Save a Life (first variant) von The Fray (US alternative rock band)
Musikvideos:
How to Save a Life (third variant) von The Fray (US alternative rock band)
recording of:
How to Save a Life
Verfasser(in):
Joe King (guitarist and vocalist in The Fray) und Isaac Slade
publisher:
Aaron Edwards Publishing, EMI April Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
The Fray4.24:22
3Another Day
recording of:
Another Day
Verfasser(in):
Bill Gable, Branford Marsalis (saxophonist) und Frank McComb
Buckshot LeFonque3:33
4Sylvia’s Mother
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recording of:
Sylvia’s Mother
Texter und Komponist(in):
Shel Silverstein
publisher:
Essex Music, Essex Music of Australia Pty. Ltd. und Evil Eye Music Inc.
Dr. Hook43:49
5Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (guitarist, composer, arranger, and producer) (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 71) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (von 1967-03-28 bis 1967-04-07)
Texter und Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
Van Morrison3.53:01
6With You
recording engineer:
Mikkel Storleer Eriksen
Produzent(in):
StarGate (Norwegian production/songwriting team)
zusätzliche(r) Produzent(in):
Espionage (NY-based Norwegian songwriting/production team)
assistierende(r) Mix:
Josh Houghkirk
Mix:
Phil Tan (Malaysian-American audio engineer)
Gitarre:
Espen Lind
Instrumente:
Mikkel Storleer Eriksen und Tor Erik Hermansen
vocals:
Chris Brown (US R&B/pop singer and dancer)
gemixt für:
Riot Proof Productions, Inc.
produced for:
Delirious/Blacksmith Management
aufgenommen bei:
Battery Studios (mastering/archival/digitization studio located at 321 W 44th Street, NYC) in Midtown Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Soapbox Studios in Atlanta, Georgia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2008 (Nummer: 9)
recording of:
With You
Verfasser(in):
Amund Bjørklund, Mikkel Storleer Eriksen, Tor Erik Hermansen, Johntá Moore Austin (American singer-songwriter, arranger, producer, vocalist and rapper) und Espen Lind
publisher:
Chrysalis Music Publishing, EMI Music Inc., Naked Under My Clothes Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) und Stellar Songs Ltd.
Chris Brown34:14
7Dear Lie
recording of:
Dear Lie
Verfasser(in):
Babyface (R&B musician Kenny Edmonds) und Tionne “T‐Boz” Watkins
TLC3:57
8Out of Love
Assistent recording engineer:
Ken Allardyce und Michael Reiter
recording engineer und Mix:
James Guthrie
Produzent(in):
James Guthrie und Toto (US rock group)
assistierende(r) Mix:
Ken Allardyce (Aufgabe: assistant) und Michael Reiter (Aufgabe: assistant)
Bass:
Michael Porcaro
Gitarre und Klavier:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
David Paich
Perkussion und Schlagzeug:
Jeff Porcaro
Sologesang:
Jean-Michel Byron
vocals:
David Paich und Steve Lukather (guitarist, vocalist, composer, producer and arranger)
arranger:
John Bahler
recording of:
Out of Love
Verfasser(in):
Jean-Michel Byron und Steve Lukather (guitarist, vocalist, composer, producer and arranger)
publisher:
Lords & Tramps Music und Rehtakul Veets Music
Toto35:54
9Daydream
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) und Kama Sutra (in 1966)
recording of:
Daydream (in 1966-02)
Texter und Komponist(in):
John B. Sebastian
publisher:
Robbins Music Corp. Ltd.
The Lovin’ Spoonful3.752:19
10Blue Velvet
Produzent(in):
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
cover recording of:
Blue Velvet
Verfasser(in):
Lee Morris (US songwriter) und Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:48
11Simple Song of Freedom
cover recording of:
Simple Song of Freedom
Texter und Komponist(in):
Bobby Darin
Tim Hardin3:52
12Shake You Down
Produzent(in):
Gregory Abbott
Bass:
T.M. Stevens (US bass player Thomas Michael Stevens)
membranophone:
David Beal
Hintergrundgesang:
Gregory Abbott, Robert Deadmon und Aida Foreman
Sologesang:
Gregory Abbott
arranger:
Gregory Abbott
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
Teil von:
The Downloader’s Music Source Book (Nummer: 69)
recording of:
Shake You Down
Texter und Komponist(in):
Gregory Abbott
publisher:
EMI Songs Ltd. und Grabbitt Music (publisher)
Gregory Abbott3.34:06
13Young Girl
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recording of:
Young Girl
Texter und Komponist(in):
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
Gary Puckett & the Union Gap43:13
14Baby Come to Me
recording of:
Baby Come to Me
Verfasser(in):
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) und Narada Michael Walden
publisher:
BMG Gold Songs, Gratitude Sky Music, Inc., Penzafire Music, WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Regina Belle4:12
15Lovin’ You
Mastering:
Kent Duncan
Techniker(in):
Malcolm Cecil und Robert Margouleff
zusätzliche(r) Techniker(in):
Gary Olazabal
Bassgitarre:
Reggie McBride
Conga:
Rocki Dzidzornu
Gitarre:
Michael Sembello
große Trommel, Becken, Mundharmonika, membranophone und Klavier:
El Toro Negro
membranophone:
Ollie E. Brown (US drummer, session musician & record producer)
Hintergrundgesang:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) und Yvonne Wright
Sologesang:
Minnie Riperton
arranger:
Wonderlove (Stevie Wonder alias used to do work outside of Motown)
recording of:
Lovin’ You
Verfasser(in):
Minnie Riperton und Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton23:45
16My Guy
Bass:
James Jamerson (in 1964)
Gitarre:
Robert White (US funk/soul guitarist) (in 1964) und Eddie Willis (in 1964)
Instrumente:
The Funk Brothers (in 1964)
Klavier:
Johnny Griffith (in 1964)
Orgel:
Earl Van Dyke (in 1964)
Posaune:
George Bohanon (in 1964) und Paul Riser (in 1964)
Schlagzeug:
Benny Benjamin (US drummer) (in 1964)
Trompete:
Russell Conway (trumpet player) (in 1964) und Herbert Williams (trumpet player) (in 1964)
Vibraphon:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
Hintergrundgesang:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) und Jackie Hicks (in 1964)
Sologesang:
Mary Wells (Motown singer) (in 1964)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1964)
recording of:
My Guy (in 1964)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:50
17Wires
Assistent recording engineer:
Ian Davenport (UK based recording engineer) und Mark Duggan (engineer)
Produzent(in):
Athlete und Victor van Vugt
assistierende(r) Mix:
Keith Gary
Mix:
Michael H Brauer (engineer)
Saiteninstrumente:
London Metropolitan Orchestra
conductor:
Adam Peters
Saiteninstrumente arranger:
Adam Peters
concertmaster:
David Juritz (violinist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
mixed at:
Quad Recording Studios in New York, New York, Vereinigte Staaten
recording of:
Wires
Verfasser(in):
Joel Pott, Steve Roberts (drummer of Athlete), Tim Wanstall und Carey Willets
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Athlete3.54:19
18Endless Love
recording engineer:
Reggie Dozier
Produzent(in):
Lionel Richie
Mix:
Guy Costa
zusätzliche(r) Gast-Interpret(in):
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 20)
recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner/Chappell North America
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1981 nominee)
Diana Ross & Lionel Richie3.54:26
19A Woman’s Worth
Programmierung und Produzent(in):
Alicia Keys
Mix:
Manny Marroquin
Gitarre:
Arty White
Hintergrundgesang:
Paul L. Green und Alicia Keys
arranger:
Alicia Keys
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
A Woman’s Worth
Verfasser(in):
Alicia Keys und Erika Rose (President of Alicia Keys' multimedia company, AK Worldwide; co-wrote "A Woman's Worth")
publisher:
EMI Music Publishing (do not use as a release label!), Lellow Music Publishing und Skyhy Publishing
Alicia Keys4:14
20The Power of Love
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Frankie Goes to Hollywood4:02
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