Rock’mantique Top 100, Vol. 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Mmm Mmm Mmm Mmm
additional recording engineer:
David Vartanian
recording engineer:
Tommy Lipnick
engineer:
Dan Harjung
producer:
Crash Test Dummies and Jerry Harrison (Talking Heads & producer)
mixer:
Tom Lord‐Alge
editor:
Patrick Murphy (engineer)
accordion, keyboard [keyboards], piano and background vocals [back-up vocals]:
Ellen Reid (Canadian keyboardist and singer)
acoustic guitar [acoustic guitars], electric guitar [electric guitars] and lead vocals:
Brad Roberts (of Crash Test Dummies)
phonographic copyright (℗) by:
BMG Music Canada Inc. (in 1991, in 1993) and BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 1993)
recorded at:
DV Productions in Milwaukee, Wisconsin, United States, Mindscape in Chicago, Illinois, United States and Music Head Recording in Lake Geneva, Wisconsin, United States
mixed at:
Music Head Recording in Lake Geneva, Wisconsin, United States
produced at:
God of Thunder Studios in Winnipeg, Manitoba, Canada
music videos:
Mmm Mmm Mmm Mmm by Crash Test Dummies
recording of:
Mmm Mmm Mmm Mmm
lyricist and composer:
Brad Roberts (of Crash Test Dummies)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Door Number Two Music (in 1993), Dummies Productions Inc. (in 1993) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1993)
Crash Test Dummies3.953:53
2How to Save a Life
assistant recording engineer:
Kevin Loyal and James Masterson
recording engineer and editor:
Paul Mahern
additional engineer:
Tim Hoagland and Aaron Johnson (producer/mixer/engineer, worked with The Fray)
assistant engineer:
Alex Uychocde
producer:
Mike Flynn (A&R executive) and Aaron Johnson (producer/mixer/engineer, worked with The Fray)
mixer:
Mark Endert
additional editor:
Warren Huart
music video for:
How to Save a Life (first variant) by The Fray (US alternative rock band)
music videos:
How to Save a Life (third variant) by The Fray (US alternative rock band)
recording of:
How to Save a Life
writer:
Joe King (guitarist and vocalist in The Fray) and Isaac Slade
publisher:
Aaron Edwards Publishing, EMI April Music Inc. and EMI Music Publishing Ltd. (PRS‐affiliated)
The Fray4.24:22
3Another Day
recording of:
Another Day
writer:
Bill Gable, Branford Marsalis (saxophonist) and Frank McComb
Buckshot LeFonque3:33
4Sylvia’s Mother
producer:
Ron Haffkine
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recording of:
Sylvia’s Mother
lyricist and composer:
Shel Silverstein
publisher:
Essex Music, Essex Music of Australia Pty. Ltd. and Evil Eye Music Inc.
Dr. Hook43:49
5Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (guitarist, composer, arranger, and producer) (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.53:01
6With You
recording engineer:
Mikkel Storleer Eriksen
additional producer:
Espionage (NY-based Norwegian songwriting/production team)
producer:
StarGate (Norwegian production/songwriting team)
assistant mixer:
Josh Houghkirk
mixer:
Phil Tan (Malaysian-American audio engineer)
guitar:
Espen Lind
instruments:
Mikkel Storleer Eriksen and Tor Erik Hermansen
vocals:
Chris Brown (US R&B/pop singer and dancer)
mixed for:
Riot Proof Productions, Inc.
produced for:
Delirious/Blacksmith Management
recorded at:
Battery Studios (mastering/archival/digitization studio located at 321 W 44th Street, NYC) in Midtown Manhattan, New York, New York, United States
mixed at:
Soapbox Studios in Atlanta, Georgia, United States
part of:
Billboard Year-End Hot 100 singles of 2008 (number: 9)
recording of:
With You
writer:
Amund Bjørklund, Mikkel Storleer Eriksen, Tor Erik Hermansen, Johntá Moore Austin (American singer-songwriter, arranger, producer, vocalist and rapper) and Espen Lind
publisher:
Chrysalis Music Publishing, EMI Music Inc., Naked Under My Clothes Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) and Stellar Songs Ltd.
Chris Brown34:14
7Dear Lie
recording of:
Dear Lie
writer:
Babyface (R&B musician Kenny Edmonds) and Tionne “T‐Boz” Watkins
TLC3:57
8Out of Love
assistant recording engineer:
Ken Allardyce and Michael Reiter
recording engineer and mixer:
James Guthrie
producer:
James Guthrie and Toto (US rock group)
assistant mixer:
Ken Allardyce (task: assistant) and Michael Reiter (task: assistant)
bass:
Michael Porcaro
drums (drum set) and percussion:
Jeff Porcaro
guitar and piano:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
keyboard:
David Paich
lead vocals:
Jean-Michel Byron
vocals:
David Paich and Steve Lukather (guitarist, vocalist, composer, producer and arranger)
arranger:
John Bahler
recording of:
Out of Love
writer:
Jean-Michel Byron and Steve Lukather (guitarist, vocalist, composer, producer and arranger)
publisher:
Lords & Tramps Music and Rehtakul Veets Music
Toto35:54
9Daydream
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) and Kama Sutra (in 1966)
recording of:
Daydream (in 1966-02)
lyricist and composer:
John B. Sebastian
publisher:
Robbins Music Corp. Ltd.
The Lovin’ Spoonful3.752:19
10Blue Velvet
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
cover recording of:
Blue Velvet
writer:
Lee Morris (US songwriter) and Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:48
11Simple Song of Freedom
cover recording of:
Simple Song of Freedom
lyricist and composer:
Bobby Darin
Tim Hardin3:52
12Shake You Down
producer:
Gregory Abbott
bass:
T.M. Stevens (US bass player Thomas Michael Stevens)
membranophone:
David Beal
background vocals:
Gregory Abbott, Robert Deadmon and Aida Foreman
lead vocals:
Gregory Abbott
arranger:
Gregory Abbott
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
part of:
The Downloader’s Music Source Book (number: 69)
recording of:
Shake You Down
lyricist and composer:
Gregory Abbott
publisher:
EMI Songs Ltd. and Grabbitt Music (publisher)
Gregory Abbott3.34:06
13Young Girl
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recording of:
Young Girl
lyricist and composer:
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
Gary Puckett & the Union Gap43:13
14Baby Come to Me
recording of:
Baby Come to Me
writer:
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Narada Michael Walden
publisher:
BMG Gold Songs, Gratitude Sky Music, Inc., Penzafire Music, WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Regina Belle4:12
15Lovin’ You
mastering:
Kent Duncan
additional engineer:
Gary Olazabal
engineer:
Malcolm Cecil and Robert Margouleff
bass drum, cymbal, harmonica, membranophone and piano:
El Toro Negro
bass guitar:
Reggie McBride
congas:
Rocki Dzidzornu
guitar:
Michael Sembello
membranophone:
Ollie E. Brown (US drummer, session musician & record producer)
background vocals:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) and Yvonne Wright
lead vocals:
Minnie Riperton
arranger:
Wonderlove (Stevie Wonder alias used to do work outside of Motown)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton23:45
16My Guy
bass:
James Jamerson (in 1964)
drums (drum set):
Benny Benjamin (US drummer) (in 1964)
guitar:
Robert White (US funk/soul guitarist) (in 1964) and Eddie Willis (in 1964)
instruments:
The Funk Brothers (in 1964)
organ:
Earl Van Dyke (in 1964)
piano:
Johnny Griffith (in 1964)
trombone:
George Bohanon (in 1964) and Paul Riser (in 1964)
trumpet:
Russell Conway (trumpet player) (in 1964) and Herbert Williams (trumpet player) (in 1964)
vibraphone:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
background vocals:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) and Jackie Hicks (in 1964)
lead vocals:
Mary Wells (Motown singer) (in 1964)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1964)
recording of:
My Guy (in 1964)
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:50
17Wires
assistant recording engineer:
Ian Davenport (UK based recording engineer) and Mark Duggan (engineer)
producer:
Athlete and Victor van Vugt
assistant mixer:
Keith Gary
mixer:
Michael H Brauer (engineer)
strings:
London Metropolitan Orchestra
conductor:
Adam Peters
strings arranger:
Adam Peters
concertmaster:
David Juritz (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Quad Recording Studios in New York, New York, United States
recording of:
Wires
writer:
Joel Pott, Steve Roberts (drummer of Athlete), Tim Wanstall and Carey Willets
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Athlete3.54:19
18Endless Love
recording engineer:
Reggie Dozier
producer:
Lionel Richie
mixer:
Guy Costa
additional guest performer:
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 20)
recording of:
Endless Love
lyricist and composer:
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) and Warner/Chappell North America
part of:
The 54th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1981 nominee)
Diana Ross & Lionel Richie3.54:26
19A Woman’s Worth
programming and producer:
Alicia Keys
mixer:
Manny Marroquin
guitar:
Arty White
background vocals:
Paul L. Green and Alicia Keys
arranger:
Alicia Keys
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
A Woman’s Worth
writer:
Alicia Keys and Erika Rose (President of Alicia Keys' multimedia company, AK Worldwide; co-wrote "A Woman's Worth")
publisher:
EMI Music Publishing (do not use as a release label!), Lellow Music Publishing and Skyhy Publishing
Alicia Keys4:14
20The Power of Love
recording of:
The Power of Love
writer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and Rubet Music Publishing, Inc.
Frankie Goes to Hollywood4:02
3CD
4CD
5CD