The Pros and Cons of Hitch Hiking
~ Pubblicazione di Roger Waters (visualizza tutte le versioni di questa pubblicazione: 17 disponibili)
Annotazione
http://www.pinkfloydarchives.com/DNLCDRW.htm#RWaPC3
Third edition release. With barcode and Made in Holland
BIEM/STEMRA
Matrix: 746029 2 @ 4 4-3-4-NL
No mastering or mould SIDs
Mould SID: none
DiscID: erdxUHXMKqmkdT4C4m3k0pM57Kg-
This CD seems to have less solid paint that usual. My copy the paint has been damaged and the black bars on the CD can be seen to be incomplete \ scratched.
This Dutch pressed CD has some slightly different track splits to other versions.
Track 2,3,4 are offset when compared to other editions.
Track two is cut at 4:08 before "Arabs with knifes at the foot of the bed". Other editions add this onto the end of Running Shoes. (which seems wrong)
Track three therefore fits the title and starts with "Arabs with knifes at the foot of the bed" and ends with finishing the bottle of wine and "goodnight"
Track four start with the guitar solo whereas other editions have this on the end of track three.
These errors seem to trace back to the Japanese pressing?
This pressing matches the words in the booklet...
(I am tweaking these notes while I investigate.... I'll be back)
Elenco tracce
| 1CD | |||
|---|---|---|---|
| # | Titolo | Valutazione | Durata |
| 1 | 4:30 AM (Apparently They Were Travelling Abroad)
| 3:12 | |
| 2 | 4:33 AM (Running Shoes)
| 3:22 | |
| 3 | 4:37 AM (Arabs With Knives and West German Skies)
| 2:21 | |
| 4 | 4:39 AM (For the First Time Today, Part 2)
| 2:45 | |
| 5 | 4:41 AM (Sexual Revolution)
| 4:49 | |
| 6 | 4:47 AM (The Remains of Our Love)
| 3:08 | |
| 7 | 4:50 AM (Go Fishing)
| 6:47 | |
| 8 | 4:56 AM (For the First Time Today, Part 1)
| 1:52 | |
| 9 | 4:58 AM (Dunroamin, Duncarin, Dunlivin)
| 3:04 | |
| 10 | 5:01 AM (The Pros and Cons of Hitch Hiking, Part 10)
| 4:37 | |
| 11 | 5:06 AM (Every Stranger's Eyes)
| 4:49 | |
| 12 | 5:11 AM (The Moment of Clarity)
| 1:29 | |
Accreditamenti
Pubblicazione
| fabbricata a: | Holland, Kingdom of the Netherlands |
|---|
| fotografia: | Alex Henderson (trombonist) |
|---|---|
| tecnico di mastering: | Mike Reese (mastering engineer) Doug Sax |
| batteria ospite : | Andy Newmark (dal 1983-02 al 1983-12) |
| chitarra e chitarra basso : | Roger Waters (dal 1983-02 al 1983-12) |
| chitarra elettrica ospite : | Eric Clapton (dal 1983-02 al 1983-12) |
| corno : | Kevin Flanagan (dal 1983-02 al 1983-12) Raphael Ravenscroft (dal 1983-02 al 1983-12) Vic Sullivan (dal 1983-02 al 1983-12) |
| organo Hammond e chitarra ospite : | Andy Bown (dal 1983-02 al 1983-12) |
| percussione ospite : | Ray Cooper (percussionist) (dal 1983-02 al 1983-12) |
| pianoforte ospite : | Michael Kamen (American score composer) (dal 1983-02 al 1983-12) |
| sassofono ospite : | David Sanborn (dal 1983-02 al 1983-12) |
| orchestra: | National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (dal 1983-02 al 1983-12) |
| direttore d'orchestra: | Michael Kamen (American score composer) |
| voce: | Roger Waters (dal 1983-02 al 1983-12) |
| voce di accompagnamento ospite: | Madeline Bell (dal 1983-02 al 1983-12) Doreen Chanter (dal 1983-02 al 1983-12) Katie Kissoon (dal 1983-02 al 1983-12) |
| arrangiatore: | Michael Kamen (American score composer) |
| illustrazioni: | Gerald Scarfe |
| design: | Gerald Scarfe Roger Waters |
| società di diritti: | BIEM (international rights organization representing member societies from 58 countries) STEMRA (Netherlands rights society for composers and music publishers) |
|---|---|
| copyright (©) detenuto da e diritti fonografici (℗) detenuti da: | Roger Waters Music Limited (nel 1984) |
| pressata da e master in vetro creato da: | EMI Uden (manufacturer) |
| registrata presso: | Eel Pie Studios in London (Greater London), England, Regno Unito (dal 1983-02 al 1983-12) Olympic Sound Studios (1958–1966 before moving to Barnes) in London (Greater London), England, Regno Unito (dal 1983-02 al 1983-12) The Billiard Room in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (dal 1983-02 al 1983-12) |
|---|---|
| mastering effettuato presso: | The Mastering Lab (Hollywood, 1967–2008) in Hollywood, Los Angeles, California, Stati Uniti |
| Discogs: | https://www.discogs.com/release/378245 [info] |
|---|---|
| voce della discografia: | http://www.pinkfloydarchives.com/DNLCDRW.htm#RWaPC3 [info] |
Gruppo di pubblicazioni
| compresa in: | The Collection |
|---|
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