The Pros and Cons of Hitch Hiking
~ Release by Roger Waters (see all versions of this release, 17 available)
Annotation
http://www.pinkfloydarchives.com/DNLCDRW.htm#RWaPC3
Third edition release. With barcode and Made in Holland
BIEM/STEMRA
Matrix: 746029 2 @ 4 4-3-4-NL
No mastering or mould SIDs
Mould SID: none
DiscID: erdxUHXMKqmkdT4C4m3k0pM57Kg-
This CD seems to have less solid paint that usual. My copy the paint has been damaged and the black bars on the CD can be seen to be incomplete \ scratched.
This Dutch pressed CD has some slightly different track splits to other versions.
Track 2,3,4 are offset when compared to other editions.
Track two is cut at 4:08 before "Arabs with knifes at the foot of the bed". Other editions add this onto the end of Running Shoes. (which seems wrong)
Track three therefore fits the title and starts with "Arabs with knifes at the foot of the bed" and ends with finishing the bottle of wine and "goodnight"
Track four start with the guitar solo whereas other editions have this on the end of track three.
These errors seem to trace back to the Japanese pressing?
This pressing matches the words in the booklet...
(I am tweaking these notes while I investigate.... I'll be back)
Annotation last modified on 2024-08-12 10:03 UTC.
Tracklist
| 1CD | |||
|---|---|---|---|
| # | Title | Rating | Length |
| 1 | 4:30 AM (Apparently They Were Travelling Abroad)
| 3:12 | |
| 2 | 4:33 AM (Running Shoes)
| 3:22 | |
| 3 | 4:37 AM (Arabs With Knives and West German Skies)
| 2:21 | |
| 4 | 4:39 AM (For the First Time Today, Part 2)
| 2:45 | |
| 5 | 4:41 AM (Sexual Revolution)
| 4:49 | |
| 6 | 4:47 AM (The Remains of Our Love)
| 3:08 | |
| 7 | 4:50 AM (Go Fishing)
| 6:47 | |
| 8 | 4:56 AM (For the First Time Today, Part 1)
| 1:52 | |
| 9 | 4:58 AM (Dunroamin, Duncarin, Dunlivin)
| 3:04 | |
| 10 | 5:01 AM (The Pros and Cons of Hitch Hiking, Part 10)
| 4:37 | |
| 11 | 5:06 AM (Every Stranger's Eyes)
| 4:49 | |
| 12 | 5:11 AM (The Moment of Clarity)
| 1:29 | |
Credits
Release
| manufactured in: | Holland, Kingdom of the Netherlands |
|---|
| photography: | Alex Henderson (trombonist) |
|---|---|
| mastering: | Mike Reese (mastering engineer) Doug Sax |
| bass guitar and guitar: | Roger Waters (from 1983-02 until 1983-12) |
| guest drums (drum set): | Andy Newmark (from 1983-02 until 1983-12) |
| guest electric guitar: | Eric Clapton (from 1983-02 until 1983-12) |
| guest Hammond organ and guitar: | Andy Bown (from 1983-02 until 1983-12) |
| guest percussion: | Ray Cooper (percussionist) (from 1983-02 until 1983-12) |
| guest piano: | Michael Kamen (American score composer) (from 1983-02 until 1983-12) |
| guest saxophone: | David Sanborn (from 1983-02 until 1983-12) |
| horn: | Kevin Flanagan (from 1983-02 until 1983-12) Raphael Ravenscroft (from 1983-02 until 1983-12) Vic Sullivan (from 1983-02 until 1983-12) |
| orchestra: | National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1983-02 until 1983-12) |
| conductor: | Michael Kamen (American score composer) |
| guest background vocals: | Madeline Bell (from 1983-02 until 1983-12) Doreen Chanter (from 1983-02 until 1983-12) Katie Kissoon (from 1983-02 until 1983-12) |
| vocals: | Roger Waters (from 1983-02 until 1983-12) |
| arranger: | Michael Kamen (American score composer) |
| illustration: | Gerald Scarfe |
| design: | Gerald Scarfe Roger Waters |
| rights society: | BIEM (international rights organization representing member societies from 58 countries) STEMRA (Netherlands rights society for composers and music publishers) |
|---|---|
| copyrighted (©) by and phonographic copyright (℗) by: | Roger Waters Music Limited (in 1984) |
| pressed by and glass mastered by: | EMI Uden (manufacturer) |
| recorded at: | Eel Pie Studios in London (Greater London), England, United Kingdom (from 1983-02 until 1983-12) Olympic Sound Studios (1958–1966 before moving to Barnes) in London (Greater London), England, United Kingdom (from 1983-02 until 1983-12) The Billiard Room in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1983-02 until 1983-12) |
|---|---|
| mastered at: | The Mastering Lab (Hollywood, 1967–2008) in Hollywood, Los Angeles, California, United States |
| Discogs: | https://www.discogs.com/release/378245 [info] |
|---|---|
| discography entry: | http://www.pinkfloydarchives.com/DNLCDRW.htm#RWaPC3 [info] |
Release group
| included in: | The Collection |
|---|
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