Alle 40 goed: Absolute 70’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Don’t Take Away the Music
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1976)
Bearbeitung von:
Don’t Take Away the Music von Tavares (US R&B, funk and soul music)
recording of:
Don’t Take Away the Music
Verfasser(in):
Freddie Perren, Keni St. Lewis und Christine Yarian
publisher:
Songs of PolyGram International, Inc. und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Tavares3:40
2Rhinestone Cowboy
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1975)
cover recording of:
Rhinestone Cowboy
Texter und Komponist(in):
Larry Weiss (American singer-songwriter)
publisher:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Glen Campbell4.53:11
3So You Win Again
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977) und RAK (in 1977)
recording of:
So You Win Again
Texter und Komponist(in):
Russ Ballard
publisher:
EMI Virgin Music Publishing Australia Pty Ltd, Sony Music Publishing (worldwide except Japan, ended 1995) und Universal Music–MGB Songs
Hot Chocolate4.254:29
4My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.24:01
5All Around My Hat
Produzent(in):
Mike Batt
Bass:
Rick Kemp
Fiddle und Mandoline:
Peter Knight (Steeleye Span fiddler)
Gitarre:
Tim Hart (UK folk singer and multi-instrumentalist) und Bob Johnson (British guitarist and Steeleye Span member)
Schlagzeug:
Nigel Pegrum
Hintergrundgesang:
Tim Hart (UK folk singer and multi-instrumentalist), Bob Johnson (British guitarist and Steeleye Span member) und Peter Knight (Steeleye Span fiddler)
vocals:
Maddy Prior
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1975)
recording of:
All Around My Hat (in 1975)
Verfasser(in):
Tim Hart (UK folk singer and multi-instrumentalist), Bob Johnson (British guitarist and Steeleye Span member), Rick Kemp, Peter Knight (Steeleye Span fiddler) und Maddy Prior
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Peermusic (UK) Limited und Steeleye Span Music Ltd.
basiert auf:
Farewell He (Farewell She / Fare Thee Well, Cold Winter / All Smiles Tonight)
basiert auf:
The Nobleman’s Wedding
Steeleye Span54:08
6Some Kind of Wonderful
Produzent(in):
Jimmy Ienner (producer)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979, in 2001)
cover recording of:
Some Kind of Wonderful
Texter und Komponist(in):
Willie John Ellison (American/Canadian musician)
publisher:
Crash Music, Dandelion Music Company und Fermata do Brasil
Grand Funk Railroad4.253:17
7Moviestar
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1976)
recording of:
Movie Star
Texter und Komponist(in):
Harpo (Swedish pop singer) (in 1975)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), RAK Publishing Ltd. und Warner/Chappell Music Scandinavia AB
Harpo53:21
8Everytime I Think of You
recording engineer und Produzent(in):
Ron Nevison
assistierende(r) Techniker(in):
Mike Clink
Bass:
Jack Conrad (producer and songwriter)
Gitarre:
Wally Stocker
Klavier:
Kevin Kelly (piano, organ, accordion player)
Perkussion und Schlagzeug:
Tony Brock
Hintergrundgesang:
Diana Lee (credited mostly for backing vocals, does soprano too), Myrna Matthews und Marti McCall (session vocalist)
Sologesang:
John Waite
conductor:
Jimmy Haskell
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Jimmy Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978, in 1979) und Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979)
recording of:
Every Time I Think of You
Verfasser(in):
Jack Conrad (producer and songwriter) (in 1978) und Ray Kennedy (singer, songwriter, and record producer based in L.A.) (in 1978)
publisher:
Ensign Music Corporation, Hudson Bay Music, Seven Summits Music und X‐Ray Music
The Babys4.354:02
9We Don’t Talk Anymore
Produzent(in):
Bruce Welch (English guitarist, singer, songwriter and producer)
vocals:
Cliff Richard (in 1979)
phonographisches Urheberrecht (℗) von:
EMI America (in 1979) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
Musikvideos:
We Don’t Talk Anymore von Cliff Richard
recording of:
We Don’t Talk Anymore (in 1979)
Texter und Komponist(in):
Alan Tarney
publisher:
ATV Music Ltd., Sony/ATV Songs LLC und Warner Chappell
Cliff Richard34:15
10Don’t It Make My Brown Eyes Blue
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1976) und Capitol Nashville (in 1977, in 1979)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
Texter und Komponist(in):
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Crystal Gayle4.42:34
11I Hear You Knocking
Produzent(in):
Dave Edmunds
phonographisches Urheberrecht (℗) von:
EMI Records UK (company credits only; file no releases here!) (in 1970) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
cover recording of:
I Hear You Knocking
Texter und Komponist(in):
Dave Bartholomew und Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier und World Music (publisher)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:49
12Summer of ’71
phonographisches Urheberrecht (℗) von:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1972)
recording of:
Summer of ’71
Verfasser(in):
Ferdi Bolland und Rob Bolland
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Bolland & Bolland4:10
13Sharing the Night Together
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978)
cover recording of:
Sharing the Night Together
Verfasser(in):
Ava Aldridge und Eddie Struzick
publisher:
Buddy Killen Music, Cal IV Songs, Fermata do Brasil, Hope -n- Cal Music, Killen Songs Inc. und Leosong (publisher)
Dr. Hook42:54
14Dancing in the City
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (in 1978)
recording of:
Dancing in the City (in 1978)
Verfasser(in):
Kit Hain und Julian Marshall
publisher:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) und Rondor Music (London) Ltd.
Marshall Hain3:46
15Don’t You Write Her Off?
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1974, in 2002)
recording of:
Don’t You Write Her Off
Verfasser(in):
Robert J. Hippard und Roger McGuinn
publisher:
McGuinn Music und Red Shift Music
McGuinn, Clark & Hillman3:19
16Right Back Where We Started From
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
Verfasser(in):
J. Vincent Edwards und Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Sony/ATV Songs LLC
Maxine Nightingale4.153:13
17Making Plans for Nigel
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001)
recording of:
Making Plans for Nigel
Texter und Komponist(in):
Colin Moulding
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (Publishers) Ltd.
XTC4:09
18If You Can’t Give Me Love
Produzent(in):
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980) und RAK Records Ltd. (in 1978)
produced for:
Chinnichap (production company and publisher)
recording of:
If You Can’t Give Me Love (in 1980)
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap (production company and publisher), Chinnichap Ltd. (production company), RAK Publishing Ltd. und Universal Music–MGB Songs
Suzi Quatro4.53:53
19They Shoot Horses, Don’t They?
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1976)
recording of:
They Shoot Horses Don't They?
Texter und Komponist(in):
Gareth Mortimer
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Racing Cars3:42
20It’s a Long Way There
recorded in:
Melbourne, Victoria, Australien (von 1975-06 bis 1975-07)
Produzent(in):
Little River Band und Glenn Wheatley
Akustikgitarre:
Graham Goble (von 1975-06 bis 1975-07)
Bass:
Roger McLachlan (von 1975-06 bis 1975-07)
Gitarre:
Beeb Birtles (von 1975-06 bis 1975-07) und Rick Formosa (von 1975-06 bis 1975-07)
Schlagzeug:
Derek Pellicci (von 1975-06 bis 1975-07)
vocals:
Beeb Birtles (von 1975-06 bis 1975-07), Graham Goble (von 1975-06 bis 1975-07) und Glenn Shorrock (von 1975-06 bis 1975-07)
Saiteninstrumente arranger:
Rick Formosa
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1975, in 1982) und EMI Music Australia Pty. Limited (not for release label use!) (in 1976, in 1999)
produced for:
Tumbleweed Productions
recording of:
It’s a Long Way There (von 1975-06 bis 1975-07)
geschrieben in:
Australien (in 1972)
Texter und Komponist(in):
Graeham Goble (in 1972)
publisher:
Australian Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sunbury Music Ltd., Tumbleweed Music, Tumbleweed Music Pty. Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. und Wheatley Music Pty Ltd.
Little River Band4:11

Nennungen

Veröffentlichung

hergestellt in:Europa
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:EMI Catalogue Marketing (in 2010)
lizenziert an:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
Discogs:https://www.discogs.com/release/2536313 [Info]

Veröffentlichungsgruppe

Teil von:Alle 40 goed (Reihenfolge: 17)