Alle 40 goed: Absolute 70’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Don’t Take Away the Music
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1976)
edit di:
Don’t Take Away the Music di Tavares (US R&B, funk and soul music)
registrazione di:
Don’t Take Away the Music
autore:
Freddie Perren, Keni St. Lewis e Christine Yarian
editore:
Songs of PolyGram International, Inc. e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Tavares3:40
2Rhinestone Cowboy
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1975)
registrazione cover di:
Rhinestone Cowboy
paroliere e compositore:
Larry Weiss (American singer-songwriter)
editore:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
Glen Campbell4.53:11
3So You Win Again
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977) e RAK (nel 1977)
registrazione di:
So You Win Again
paroliere e compositore:
Russ Ballard
editore:
EMI Virgin Music Publishing Australia Pty Ltd, Sony Music Publishing (worldwide except Japan, ended 1995) e Universal Music–MGB Songs
Hot Chocolate4.254:29
4My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.24:01
5All Around My Hat
produttore:
Mike Batt
basso :
Rick Kemp
batteria :
Nigel Pegrum
chitarra :
Tim Hart (UK folk singer and multi-instrumentalist) e Bob Johnson (British guitarist and Steeleye Span member)
mandolino e violino folk :
Peter Knight (Steeleye Span fiddler)
voce:
Maddy Prior
voce di accompagnamento:
Tim Hart (UK folk singer and multi-instrumentalist), Bob Johnson (British guitarist and Steeleye Span member) e Peter Knight (Steeleye Span fiddler)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1975)
registrazione di:
All Around My Hat (nel 1975)
autore:
Tim Hart (UK folk singer and multi-instrumentalist), Bob Johnson (British guitarist and Steeleye Span member), Rick Kemp, Peter Knight (Steeleye Span fiddler) e Maddy Prior
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Peermusic (UK) Limited e Steeleye Span Music Ltd.
si basa su:
Farewell He (Farewell She / Fare Thee Well, Cold Winter / All Smiles Tonight)
si basa su:
The Nobleman’s Wedding
Steeleye Span54:08
6Some Kind of Wonderful
produttore:
Jimmy Ienner (producer)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979, nel 2001)
registrazione cover di:
Some Kind of Wonderful
paroliere e compositore:
Willie John Ellison (American/Canadian musician)
editore:
Crash Music, Dandelion Music Company e Fermata do Brasil
Grand Funk Railroad4.253:17
7Moviestar
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (nel 1976)
registrazione di:
Movie Star
paroliere e compositore:
Harpo (Swedish pop singer) (nel 1975)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), RAK Publishing Ltd. e Warner/Chappell Music Scandinavia AB
Harpo4.53:21
8Everytime I Think of You
tecnico di registrazione e produttore:
Ron Nevison
assistente tecnico:
Mike Clink
basso :
Jack Conrad (producer and songwriter)
batteria e percussione :
Tony Brock
chitarra :
Wally Stocker
pianoforte :
Kevin Kelly (piano, organ, accordion player)
voce di accompagnamento:
Diana Lee (credited mostly for backing vocals, does soprano too), Myrna Matthews e Marti McCall (session vocalist)
voce principale:
John Waite
direttore d'orchestra:
Jimmy Haskell
arrangiatore archi e arrangiatore ottoni [horns] :
Jimmy Haskell
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978, nel 1979) e Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1979)
registrazione di:
Every Time I Think of You
autore:
Jack Conrad (producer and songwriter) (nel 1978) e Ray Kennedy (singer, songwriter, and record producer based in L.A.) (nel 1978)
editore:
Ensign Music Corporation, Hudson Bay Music, Seven Summits Music e X‐Ray Music
The Babys4.354:02
9We Don’t Talk Anymore
produttore:
Bruce Welch (English guitarist, singer, songwriter and producer)
voce:
Cliff Richard (nel 1979)
diritti fonografici (℗) detenuti da:
EMI America (nel 1979) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1979)
video musicali:
We Don’t Talk Anymore di Cliff Richard
registrazione di:
We Don’t Talk Anymore (nel 1979)
paroliere e compositore:
Alan Tarney
editore:
ATV Music Ltd., Sony/ATV Songs LLC e Warner Chappell
Cliff Richard34:15
10Don’t It Make My Brown Eyes Blue
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (nel 1976) e Capitol Nashville (nel 1977, nel 1979)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 71)
registrazione cover di:
Don’t It Make My Brown Eyes Blue
paroliere e compositore:
Richard Leigh (American country music songwriter and singer)
editore:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) e EMI United Partnership Ltd.
Crystal Gayle4.42:34
11I Hear You Knocking
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
EMI Records UK (company credits only; file no releases here!) (nel 1970) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971)
registrazione cover di:
I Hear You Knocking
paroliere e compositore:
Dave Bartholomew e Pearl King
editore:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier e World Music (publisher)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:49
12Summer of ’71
diritti fonografici (℗) detenuti da:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (nel 1972)
registrazione di:
Summer of ’71
autore:
Ferdi Bolland e Rob Bolland
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Bolland & Bolland4:10
13Sharing the Night Together
produttore:
Ron Haffkine
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978)
registrazione cover di:
Sharing the Night Together
autore:
Ava Aldridge e Eddie Struzick
editore:
Buddy Killen Music, Cal IV Songs, Fermata do Brasil, Hope -n- Cal Music, Killen Songs Inc. e Leosong (publisher)
Dr. Hook42:54
14Dancing in the City
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (nel 1978)
registrazione di:
Dancing in the City (nel 1978)
autore:
Kit Hain e Julian Marshall
editore:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) e Rondor Music (London) Ltd.
Marshall Hain3:46
15Don’t You Write Her Off?
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1974, nel 2002)
registrazione di:
Don’t You Write Her Off
autore:
Robert J. Hippard e Roger McGuinn
editore:
McGuinn Music e Red Shift Music
McGuinn, Clark & Hillman3:19
16Right Back Where We Started From
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1994)
registrazione di:
Right Back Where We Started From (nel 1975)
autore:
J. Vincent Edwards e Pierre Tubbs
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Sony/ATV Songs LLC
Maxine Nightingale4.153:13
17Making Plans for Nigel
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2001)
registrazione di:
Making Plans for Nigel
paroliere e compositore:
Colin Moulding
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) e Virgin Music (Publishers) Ltd.
XTC4:09
18If You Can’t Give Me Love
produttore:
Mike Chapman (Australian producer and songwriter)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1980) e RAK Records Ltd. (nel 1978)
è stato produttore per:
Chinnichap (production company and publisher)
registrazione di:
If You Can’t Give Me Love (nel 1980)
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music Publishing Ltd., Chinnichap (production company and publisher), Chinnichap Ltd. (production company), RAK Publishing Ltd. e Universal Music–MGB Songs
Suzi Quatro4.53:53
19They Shoot Horses, Don’t They?
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1976)
registrazione di:
They Shoot Horses Don't They?
paroliere e compositore:
Gareth Mortimer
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Racing Cars3:42
20It’s a Long Way There
registrata a:
Melbourne, Victoria, Australia (dal 1975-06 al 1975-07)
produttore:
Little River Band e Glenn Wheatley
basso :
Roger McLachlan (dal 1975-06 al 1975-07)
batteria :
Derek Pellicci (dal 1975-06 al 1975-07)
chitarra :
Beeb Birtles (dal 1975-06 al 1975-07) e Rick Formosa (dal 1975-06 al 1975-07)
chitarra acustica :
Graham Goble (dal 1975-06 al 1975-07)
voce:
Beeb Birtles (dal 1975-06 al 1975-07), Graham Goble (dal 1975-06 al 1975-07) e Glenn Shorrock (dal 1975-06 al 1975-07)
arrangiatore archi :
Rick Formosa
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1975, nel 1982) e EMI Music Australia Pty. Limited (not for release label use!) (nel 1976, nel 1999)
è stato produttore per:
Tumbleweed Productions
registrazione di:
It’s a Long Way There (dal 1975-06 al 1975-07)
scritta a:
Australia (nel 1972)
paroliere e compositore:
Graeham Goble (nel 1972)
editore:
Australian Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sunbury Music Ltd., Tumbleweed Music, Tumbleweed Music Pty. Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. e Wheatley Music Pty Ltd.
Little River Band4:11

Accreditamenti

Pubblicazione

fabbricata a:Europa
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:EMI Catalogue Marketing (nel 2010)
licenziata a:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
Discogs:https://www.discogs.com/release/2536313 [info]

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parte di:Alle 40 goed (ordine: 17)