The New Anthology of Music

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Includes Edexcel logo on front cover and spine

ISBN: 1-901507-04-1

Annotation last modified on 2020-10-22 15:53 UTC.

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1O Wilhelme, pastor bone
choir vocals:
Christ Church Cathedral Choir, Oxford
conductor:
Stephen Darlington (conductor/organist)
recorded at:
Dorchester Abbey in Dorchester on Thames, Oxfordshire, England, United Kingdom
recording of:
O Wilhelme, pastor bone
composer:
John Taverner (16th century composer)
Taverner3:21
2In ecclesiis
recording engineer:
Jürgen Bulgrin (sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (engineer/producer)
editor and balance engineer:
Andrew Wedman (producer and engineer)
baritone vocals:
Donald Greig (baritone) (in 1995-08) and Charles Pott (in 1995-08)
countertenor vocals:
Timothy Wilson (countertenor) (in 1995-08)
tenor vocals:
Julian Podger (English tenor vocalist & choral conductor) (in 1995-08)
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (UK early music ensemble) (in 1995-08)
recorded at:
Scuola Grande di San Rocco in Venezia (Venice), Venezia, Veneto, Italy (in 1995-08)
recording of:
In ecclesiis à 14, Ch. 78 (Sacrae symphoniae, Liber 2) (in 1995-08)
composer:
Giovanni Gabrieli (composer)
part of:
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (number: Ch. 78)
part of:
Sacrae symphoniae, Liber 2
G. Gabrieli6:58
3Cantata no. 48, “Ich elender Mensch”: movement I
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": I. Coro "Ich elender Mensch, wer wird mich erlösen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
J. S. Bach4:09
4Cantata no. 48, “Ich elender Mensch”: movement II
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": II. Recitativo (Alto) "O Schmerz, o Elend, so mich trifft"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
J. S. Bach1:08
5Cantata no. 48, “Ich elender Mensch”: movement III
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": III. Choral "Solls ja so sein, daß Straf und Pein"
lyricist:
Martin Rutilius (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 4)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
J. S. Bach0:45
6Cantata no. 48, “Ich elender Mensch”: movement IV
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": IV. Aria (Alto) "Ach, lege das Sodom der sündlichen Glieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
J. S. Bach2:44
7“Quoniam tu solus” from The Nelson Mass
engineer:
Stanley Goodall (engineer)
producer:
Chris Hazell
bass vocals:
Stephen Roberts (UK bass-baritone)
choir vocals:
London Symphony Chorus (in 1984-11)
soprano vocals:
Barbara Bonney (soprano) and Anne Howells (operatic mezzo-soprano)
tenor vocals:
Anthony Rolfe Johnson (tenor)
orchestra:
City of London Sinfonia (chamber orchestra) (in 1984-11)
conductor:
Richard Hickox (conductor) (in 1984-11)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1984-11)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": Gloria: Quoniam tu solus Sanctus (soli SATB)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": II. Gloria
Haydn2:53
8Locus Iste
choir vocals:
Christ Church Cathedral Choir, Oxford
conductor:
Stephen Darlington (conductor/organist)
recording of:
Locus iste, WAB 23
composer:
Anton Bruckner (Austrian composer) (in 1869)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 23)
Bruckner2:54
9Symphony of Psalms: movement III
recording of:
Symphony of Psalms: III. "Alleluia"
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1930)
part of:
Symphony of Psalms
Stravinsky11:35
10The Lamb
engineer:
Dirk Lachmann (Engineer) and Rob Rapley (engineer)
producer:
David Mottley (producer)
choir vocals:
Westminster Abbey Choir
conductor:
Martin Neary (English organist and choral conductor)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1995)
recorded at:
Westminster Abbey in London (Greater London), England, United Kingdom (from 1995-05-01 until 1995-05-05)
recording of:
The Lamb
lyricist:
William Blake (English poet, painter, and printmaker) (in 1789)
composer:
John Tavener (20th century composer) (in 1982)
publisher:
Chester Music Ltd., Edition Wilhelm Hansen London Ltd. and J. & W. Chester, Ltd.
Tavener3:54
11Flow my tears
lute:
David Miller (UK lutenist, theorbist and guitarist) (from 1990-02-05 until 1990-02-12)
viola da gamba [viol]:
Mark Caudle (cellist and bass violist) (from 1990-02-05 until 1990-02-12)
countertenor vocals:
James Bowman (UK countertenor) (from 1990-02-05 until 1990-02-12)
recording of:
The Second Booke of Songs or Ayres, No. 2: "Flow My Tears" (from 1990-02-05 until 1990-02-12)
composer:
John Dowland (English Renaissance composer, lutenist, and singer) (in 1600)
part of:
The Second Booke of Songs or Ayres
Dowland3:40
12Sing we at pleasure
recording of:
Sing We at Pleasure
composer:
Thomas Weelkes (English composer & organist, c. 1576–1623)
Weelkes1:53
13Ohimè, se tanto amate
orchestra:
The Consort of Musicke (British early-music group) (on 1984-03-26)
conductor:
Anthony Rooley (lute player / conductor) (on 1984-03-26)
performer:
The Consort of Musicke (British early-music group)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (on 1984-03-26)
recording of:
Ohimè, se tanto amate SV 85 (on 1984-03-26)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 85)
part of:
Quarto libro de madrigali, SV 75–93
Monteverdi2:44
14“Thy hand, Belinda” and “When I am laid in earth” from Dido and Aeneas
vocals:
Carolyn Watkinson (Dido) (mezzo-soprano and contralto) (in 1990-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-07)
conductor:
John Eliot Gardiner (in 1990-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1993 to present)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (in 1990-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Purcell4:12
15My mother bids me bind my hair
piano:
Jörg Demus (pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
Pastoral Song, Hob. XXVIa:27 "My mother bids me bind my hair"
composer:
Joseph Haydn (composer)
part of:
Hoboken-Verzeichnis (number: Hob. XXVIa:27)
Haydn3:33
16Der Doppelgänger
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Raeburn (producer)
piano:
András Schiff (pianist) (from 1988-08-06 until 1988-08-09)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1988-08-06 until 1988-08-09)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1990)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1988-08-06 until 1988-08-09)
recording of:
Schwanengesang, D. 957: XIII. Der Doppelgänger (from 1988-08-06 until 1988-08-09)
lyricist:
Heinrich Heine (German poet)
composer:
Franz Schubert (composer) (in 1828)
part of:
Schwanengesang, D. 957
Schubert3:55
17Après un rêve
piano:
Geoffrey Parsons (pianist) (from 1988-08-13 until 1988-08-14)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1988-08-13 until 1988-08-14)
recorded at:
Haberdashers’ Aske’s Boys’ School: Seldon Hall in Elstree, Hertfordshire, England, United Kingdom (from 1988-08-13 until 1988-08-14)
recording of:
Après un rêve, op. 7 no. 1 (original; for voice and piano) (from 1988-08-13 until 1988-08-14)
lyricist:
[anonymous] (special purpose artist)
composer:
Gabriel Fauré (French composer) (in 1877)
translator:
Romain Bussine
publisher:
Choudens (in 1878)
premiered at:
Société nationale de musique in Paris, Île-de-France, France (on 1879-01-11)
part of:
Trois mélodies, op. 7
Fauré2:03
18“Der kranke Mond” from Pierrot Lunaire
producer:
Roy Emerson (producer, engineer, classical)
bass clarinet and clarinet:
Antony Pay (clarinetist) (in 1977)
cello:
Lynn Harrell (cellist) (in 1977)
concert flute and piccolo:
Michel Debost (flutist) (in 1977)
piano:
Daniel Barenboim (pianist and conductor) (in 1977)
viola and violin:
Pinchas Zukerman (violinist/conductor) (in 1977)
spoken vocals:
Yvonne Minton (mezzo-soprano) (in 1977)
conductor:
Pierre Boulez (composer and conductor) (in 1977)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 7. „Der kranke Mond“ (in 1977)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Schoenberg2:16
19“Summertime” from Porgy and Bess
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Gershwin2:28
4▶CD

Credits

Release

miscellaneous support:Julia Winterson (task: edited by)
mastering:Alan Ferne
design:Adam Hay (Graphic designer and art director)
ASIN:UK: 1901507041 [info]