The New Anthology of Music

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Includes Edexcel logo on front cover and spine

ISBN: 1-901507-04-1

Annotation last modified on 2020-10-22 15:53 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1Brandenburg Concerto no. 4 in G: movement I
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
J.S. Bach7:14
2Symphony no. 26 in D minor, “Lamentatione”: movement I
engineer:
Simon Eadon (classical music engineer)
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1989-06)
recording of:
Symphony no. 26 in D minor, Hob. I:26 “Lamentatione”: I. Allegro assai con spirito
composer:
Joseph Haydn (composer) (in 1768)
part of:
Symphony no. 26 in D minor, Hob. I:26 “Lamentatione”
Haydn3:56
3Harold in Italy: movement III
viola:
Nobuko Imai (Japanese violist) (in 1975-05)
orchestra:
London Symphony Orchestra (in 1975-05)
conductor:
Sir Colin Davis (English conductor) (in 1975-05)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1975-05)
recording of:
Harold en Italie, op. 16: III. Sérénade d’un montagnard des Abruzzes à sa maîtresse. Allegro assai — Allegretto (in 1975-05)
composer:
Hector Berlioz (French composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
Berlioz6:37
4Prelude to Tristan und Isolde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
recording of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
part of:
Tristan und Isolde, WWV 90: Akt I
Wagner10:34
5Prélude à l’après-midi d’un faune
producer:
Volker Straus (producer/engineer)
orchestra:
Concertgebouw Orchestra, Amsterdam (Royal Concertgebouw Orchestra) (in 1976-12)
conductor:
Bernard Haitink (conductor) (in 1976-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1977)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands and Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1976-12)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (in 1976-12)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Debussy11:11
6Concerto for Double String Orchestra: movement I
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1970-10-26 until 1970-10-28)
conductor:
Sir Neville Marriner (conductor) (from 1970-10-26 until 1970-10-28)
balance engineer:
Stanley Goodall (engineer) and Danny Gosling (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1970-10-26 until 1970-10-28)
recording of:
Concerto for Double String Orchestra: I. Allegro con brio (from 1970-10-26 until 1970-10-28)
composer:
Sir Michael Tippett (composer) (from 1938 until 1939)
part of:
Concerto for Double String Orchestra
Tippett6:23
7Pulcinella: Sinfonia
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Pulcinella (Suite): I. Sinfonia (Ouverture) (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pulcinella Suite
Stravinsky2:03
8Pulcinella: Gavotta
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Pulcinella (Suite): VI. Gavotta con due variazioni (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pulcinella Suite
Stravinsky4:00
9Pulcinella: Vivo
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Pulcinella (Suite): VII. Vivo (Duetto) (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pulcinella Suite
Stravinsky1:34
10Quartet, op. 22: movement IWebern3:11
11String Quartet no. 8, op. 110: movement I
recording of:
String Quartet no. 8 in C minor, op. 110: I. Largo
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1960-07-12 until 1960-07-14)
part of:
String Quartet no. 8 in C minor, op. 110
Shostakovich5:03
12Sonatas and Interludes for Prepared Piano: Sonata I
recording of:
Sonatas and Interludes for Prepared Piano: Sonata no. 1
composer:
John Cage (American composer) (from 1946 until 1948)
part of:
Sonatas and Interludes for Prepared Piano
Cage2:17
13Sonatas and Interludes for Prepared Piano: Sonata II
recording of:
Sonatas and Interludes for Prepared Piano: Sonata no. 2
composer:
John Cage (American composer) (from 1946 until 1948)
part of:
Sonatas and Interludes for Prepared Piano
Cage2:05
14Sonatas and Interludes for Prepared Piano: Sonata III
recording of:
Sonatas and Interludes for Prepared Piano: Sonata no. 3
composer:
John Cage (American composer) (from 1946 until 1948)
part of:
Sonatas and Interludes for Prepared Piano
Cage2:17
15Sequenza III for female voice
recorded in:
London (Greater London), England, United Kingdom (in 1969-04)
vocals:
Cathy Berberian (mezzo‐soprano) (in 1969-04)
recording of:
Sequenza III for Woman's Voice (in 1969-04)
lyricist:
Markus Kutter
composer:
Luciano Berio (Italian composer) (in 1965)
part of:
Sequenze (number: III)
Berio6:57
16New York Counterpoint: movement II
clarinet:
Roger Heaton (clarinetist)
recording of:
New York Counterpoint: II. Slow
composer:
Steve Reich (American composer) (in 1985)
part of:
New York Counterpoint
Reich2:47
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Credits

Release

miscellaneous support:Julia Winterson (task: edited by)
mastering:Alan Ferne
design:Adam Hay (Graphic designer and art director)
ASIN:UK: 1901507041 [info]