The Complete Works

~ Release by Britten (see all versions of this release, 1 available)

Tracklist

1CD: Paul Bunyan, Op.17
2CD: Paul Bunyan, Op.17
3CD: Peter Grimes, Op.33
4CD: Peter Grimes, Op.33
5CD: The Rape of Lucretia, Op.37
#TitleArtistRatingLength
1The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Rome is now ruled by the Etruscan upstart
producer:
Ray Minshull (record producer)
tenor vocals [Male Chorus]:
Peter Pears (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-07)
balance engineer:
James Lock (James Locke, engineer) (in 1970-07) and Kenneth Wilkinson (engineer) (in 1970-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-07)
recording of:
The Rape of Lucretia, op. 37: Act I, Scene I. "Rome is now ruled by the Etruscan upstart" (Male Chorus) (in 1970-07)
additional composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1947)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
librettist:
Ronald Duncan
part of:
The Rape of Lucretia, op. 37: Act I
Benjamin Britten2:39
2The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: It is an axiom among kings
producer:
Ray Minshull (record producer)
soprano vocals [Female Chorus]:
Heather Harper (soprano) (in 1970-07)
tenor vocals [Male Chorus]:
Peter Pears (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-07)
balance engineer:
James Lock (James Locke, engineer) (in 1970-07) and Kenneth Wilkinson (engineer) (in 1970-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-07)
recording of:
The Rape of Lucretia, op. 37: Act I, Scene I. "It is an axiom among kings" (Female Chorus, Male Chorus) (in 1970-07)
additional composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1947)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
librettist:
Ronald Duncan
part of:
The Rape of Lucretia, op. 37: Act I
Benjamin Britten2:33
3The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Here the thirsty evening
producer:
Ray Minshull (record producer)
tenor vocals [Male Chorus]:
Peter Pears (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-07)
balance engineer:
James Lock (James Locke, engineer) (in 1970-07) and Kenneth Wilkinson (engineer) (in 1970-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-07)
recording of:
The Rape of Lucretia, op. 37: Act I, Scene I. "Here the thirsty ev'ning has drunk the wine of light" (Male Chorus) (in 1970-07)
additional composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1947)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
librettist:
Ronald Duncan
part of:
The Rape of Lucretia, op. 37: Act I
Benjamin Britten2:54
4The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Who reaches heaven first
producer:
Ray Minshull (record producer)
baritone vocals [Junius]:
Bryan Drake (baritone) (in 1970-07)
baritone vocals [Tarquinius]:
Benjamin Luxon (baritone) (in 1970-07)
bass vocals [Collatinus]:
John Shirley‐Quirk (bass-baritone) (in 1970-07)
tenor vocals [Male Chorus]:
Peter Pears (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-07)
balance engineer:
James Lock (James Locke, engineer) (in 1970-07) and Kenneth Wilkinson (engineer) (in 1970-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-07)
recording of:
The Rape of Lucretia, op. 37: Act I, Scene I. "Who reaches heaven first is the best philosopher" (Collatinus, Male Chorus, Junius, Tarquinius) (in 1970-07)
additional composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1947)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
librettist:
Ronald Duncan
part of:
The Rape of Lucretia, op. 37: Act I
Benjamin Britten2:33
5The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Maria was unmasked at a masked ball
producer:
Ray Minshull (record producer)
baritone vocals [Junius]:
Bryan Drake (baritone) (in 1970-07)
baritone vocals [Tarquinius]:
Benjamin Luxon (baritone) (in 1970-07)
bass vocals [Collatinus]:
John Shirley‐Quirk (bass-baritone) (in 1970-07)
tenor vocals [Male Chorus]:
Peter Pears (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-07)
balance engineer:
James Lock (James Locke, engineer) (in 1970-07) and Kenneth Wilkinson (engineer) (in 1970-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-07)
recording of:
The Rape of Lucretia, op. 37: Act I, Scene I. "Maria was unmasked at a masked ball" (Junius, Tarquinius, Collatinus, Male Chorus) (in 1970-07)
additional composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1947)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
librettist:
Ronald Duncan
part of:
The Rape of Lucretia, op. 37: Act I
Benjamin Britten4:14
6The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Collatinus is politically astute
producer:
Ray Minshull (record producer)
baritone vocals [Junius]:
Bryan Drake (baritone) (in 1970-07)
baritone vocals [Tarquinius]:
Benjamin Luxon (baritone) (in 1970-07)
bass vocals [Collatinus]:
John Shirley‐Quirk (bass-baritone) (in 1970-07)
tenor vocals [Male Chorus]:
Peter Pears (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-07)
balance engineer:
James Lock (James Locke, engineer) (in 1970-07) and Kenneth Wilkinson (engineer) (in 1970-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-07)
recording of:
The Rape of Lucretia, op. 37: Act I, Scene I. "Collatinus is politically astute" (Male Chorus, Junius, Collatinus, Tarquinius) (in 1970-07)
additional composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1947)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
librettist:
Ronald Duncan
part of:
The Rape of Lucretia, op. 37: Act I
Benjamin Britten4:29
7The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: There goes a happy man!
producer:
Ray Minshull (record producer)
baritone vocals [Junius]:
Bryan Drake (baritone) (in 1970-07)
baritone vocals [Tarquinius]:
Benjamin Luxon (baritone) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-07)
balance engineer:
James Lock (James Locke, engineer) (in 1970-07) and Kenneth Wilkinson (engineer) (in 1970-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-07)
recording of:
The Rape of Lucretia, op. 37: Act I, Scene I. "Goodnight!....There goes a happy man!" (Collatinus, Tarquinius, Junius) (in 1970-07)
additional composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1947)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
librettist:
Ronald Duncan
part of:
The Rape of Lucretia, op. 37: Act I
Benjamin Britten4:15
8The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Tarquinius does not dare
producer:
Ray Minshull (record producer)
tenor vocals [Male Chorus]:
Peter Pears (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-07)
balance engineer:
James Lock (James Locke, engineer) (in 1970-07) and Kenneth Wilkinson (engineer) (in 1970-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-07)
recording of:
The Rape of Lucretia, op. 37: Act I, Scene I. "Tarquinius does not dare" (Male Chorus) (in 1970-07)
additional composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1947)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
librettist:
Ronald Duncan
part of:
The Rape of Lucretia, op. 37: Act I
Benjamin Britten2:27
9The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: My horse! My horse! tarquinius does not wait
producer:
Ray Minshull (record producer)
baritone vocals [Tarquinius]:
Benjamin Luxon (baritone) (in 1970-07)
tenor vocals [Male Chorus]:
Peter Pears (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-07)
balance engineer:
James Lock (James Locke, engineer) (in 1970-07) and Kenneth Wilkinson (engineer) (in 1970-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-07)
recording of:
The Rape of Lucretia, op. 37: Act I, Scene I. "My horse! My horse!" (Tarquinius, Male Chorus) (in 1970-07)
additional composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1947)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
librettist:
Ronald Duncan
part of:
The Rape of Lucretia, op. 37: Act I
Benjamin Britten3:06
10The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Their spinning
producer:
Ray Minshull (record producer)
contralto vocals [Lucretia]:
Dame Janet Baker (mezzo‐soprano and alto) (in 1970-07)
mezzo-soprano vocals [Bianca]:
Elizabeth Bainbridge (mezzo-soprano, contralto) (in 1970-07)
soprano vocals [Female Chorus]:
Heather Harper (soprano) (in 1970-07)
soprano vocals [Lucia]:
Jenny Hill (soprano) (in 1977-03)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-07)
balance engineer:
James Lock (James Locke, engineer) (in 1970-07) and Kenneth Wilkinson (engineer) (in 1970-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-07)
recording of:
The Rape of Lucretia, op. 37: Act I, Scene II. "Their spinning wheel unwinds" (Female Chorus, Lucretia, Bianca, Lucia) (in 1970-07)
additional composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1947)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
librettist:
Ronald Duncan
part of:
The Rape of Lucretia, op. 37: Act I
Benjamin Britten5:19
11The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Listen! I heard a knock
producer:
Ray Minshull (record producer)
contralto vocals [Lucretia]:
Dame Janet Baker (mezzo‐soprano and alto) (in 1970-07)
mezzo-soprano vocals [Bianca]:
Elizabeth Bainbridge (mezzo-soprano, contralto) (in 1970-07)
soprano vocals [Lucia]:
Jenny Hill (soprano) (in 1977-03)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-07)
balance engineer:
James Lock (James Locke, engineer) (in 1970-07) and Kenneth Wilkinson (engineer) (in 1970-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-07)
recording of:
The Rape of Lucretia, op. 37: Act I, Scene II. "Listen! I heard a knock" (Lucretia, Bianca, Lucia) (in 1970-07)
additional composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1947)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
librettist:
Ronald Duncan
part of:
The Rape of Lucretia, op. 37: Act I
Benjamin Britten2:35
12The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Time treads upon the hands of women
producer:
Ray Minshull (record producer)
contralto vocals [Lucretia]:
Dame Janet Baker (mezzo‐soprano and alto) (in 1970-07)
mezzo-soprano vocals [Bianca]:
Elizabeth Bainbridge (mezzo-soprano, contralto) (in 1970-07)
soprano vocals [Female Chorus]:
Heather Harper (soprano) (in 1970-07)
soprano vocals [Lucia]:
Jenny Hill (soprano) (in 1977-03)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-07)
balance engineer:
James Lock (James Locke, engineer) (in 1970-07) and Kenneth Wilkinson (engineer) (in 1970-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-07)
recording of:
The Rape of Lucretia, op. 37: Act I, Scene II. "Time treads upon the hands of women" (Lucia, Bianca, Female Chorus, Lucretia) (in 1970-07)
additional composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1947)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
librettist:
Ronald Duncan
part of:
The Rape of Lucretia, op. 37: Act I
Benjamin Britten3:42
13The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: The oatmeal slippers of sleep
producer:
Ray Minshull (record producer)
baritone vocals [Tarquinius]:
Benjamin Luxon (baritone) (in 1970-07)
contralto vocals [Lucretia]:
Dame Janet Baker (mezzo‐soprano and alto) (in 1970-07)
mezzo-soprano vocals [Bianca]:
Elizabeth Bainbridge (mezzo-soprano, contralto) (in 1970-07)
soprano vocals [Female Chorus]:
Heather Harper (soprano) (in 1970-07)
soprano vocals [Lucia]:
Jenny Hill (soprano) (in 1977-03)
tenor vocals [Male Chorus]:
Peter Pears (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-07)
balance engineer:
James Lock (James Locke, engineer) (in 1970-07) and Kenneth Wilkinson (engineer) (in 1970-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-07)
recording of:
The Rape of Lucretia, op. 37: Act I, Scene II. "The oatmeal slippers of sleep" (Female Chorus, Male Chorus) (in 1970-07)
additional composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1947)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
librettist:
Ronald Duncan
part of:
The Rape of Lucretia, op. 37: Act I
Benjamin Britten7:36
6CD: The Rape of Lucretia, Op.37
7CD: Albert Herring, Op.39
8CD: Albert Herring, Op.39
9CD: Billy Budd, Op.50
10CD: Billy Budd, Op.50
11CD: Gloriana, Op.53
12CD: Gloriana, Op.53
13CD: The Turn of the Screw, Op.54
14CD: The Turn of the Screw, Op.54
15CD: A Midsummer Night's Dream, Op.64
16CD: A Midsummer Night's Dream, Op.64
17CD: Owen Wingrave, Op. 85
18CD: Owen Wingrave, Op. 85
19CD: Death in Venice, Op.88
20CD: Death in Venice, Op.88
21CD: The Beggar's Opera Realised Britten, Op. 43
22CD: The Beggar's Opera Realised Britten, Op. 43
23CD: Noye's Fludde, Op.59 / The Golden Vanity - A Vaudeville for boys & piano, Op.78
24CD: Curlew River, Op.71
25CD: The Burning Fiery Furnace, Op.77
26CD: The Prodigal Son - Third Parable for Church Performance
27CD: The Little Sweep (Let's make an opera), Op.45 / The Children's Crusade, Op.82
28CD: The Prince of the Pagodas, Op.57
29CD: The Prince of the Pagodas, Op.57 / Plymouth Town
30CD: Night Mail / The Tocher (Rossini Suite) / The King's Stamp / Negroes - Music from GPO Film / The Way To The Sea / Telegrams / Peace Of Britain / Men Behind The Meters / Coal Face / When You're Feeling Like Expressing Your Affection
31CD: Love From A Stranger / Johnson Over Jordan (Suite) / The Rescue Of Penelope
32CD: The Company Of Heaven / The Sword In The Stone / Russian Funeral - march for brass and percussion (1936) / / Fanfare: 'The Eagle has Two Heads' / / On The Frontier / This Way To The Tomb
33CD: War Requiem, Op.66
34CD: Spring Symphony, Op.44 / Cantata Academica, (Carmen basiliense) Op.62 / / Hymn to St. Cecilia (1942), Op.27
35CD: Saint Nicolas, Op.42 / 5 Flower Songs, Op. 47 / Cantata Misericordium, Op.69
36CD: A boy was born, Op.3 / Corpus Christi Carol / A Wealden Trio - Christmas Song of the Women / The Sycamore Tree / A Shepherd's Carol (1944) / Christ's Nativity - Christmas Suite For Chorus / Ceremony of Carols, Op.28 / The Holly and the Ivy
37CD
38CD
39CD
40CD
41CD
42CD
43CD
44CD
45CD
46CD
47CD
48CD
49CD
50CD
51CD
52CD
53CD
54CD
55CD
56CD
57CD
58CD
59CD
60CD
61CD
62CD
63CD
64CD
65CD: Canticle II, Abraham and Isaac, Op.51 / Songs From "Friday Afternoons", Op.7 / On this island, Op.11 / Four Cabaret Songs / Sweet Was The Song / Missa brevis, Op.63 / Piano Concerto, Op.13 / Our Hunting Fathers, Op.8
66DVD: The 1967 Recording Of "The Burning Fiery Furnace"