The Complete Works

~ Release by Britten (see all versions of this release, 1 available)

Tracklist

1CD: Paul Bunyan, Op.17
2CD: Paul Bunyan, Op.17
3CD: Peter Grimes, Op.33
4CD: Peter Grimes, Op.33
5CD: The Rape of Lucretia, Op.37
6CD: The Rape of Lucretia, Op.37
7CD: Albert Herring, Op.39
8CD: Albert Herring, Op.39
9CD: Billy Budd, Op.50
10CD: Billy Budd, Op.50
11CD: Gloriana, Op.53
12CD: Gloriana, Op.53
13CD: The Turn of the Screw, Op.54
14CD: The Turn of the Screw, Op.54
15CD: A Midsummer Night's Dream, Op.64
16CD: A Midsummer Night's Dream, Op.64
#TitleArtistRatingLength
1A Midsummer Night's Dream, op. 64, Act 2: "Flower of this purple dye"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
countertenor vocals [Oberon]:
Alfred Deller (countertenor) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Flower of this purple dye" (Oberon, Puck, Lysander, Helena, Detrius, Hermia) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten6:32
2A Midsummer Night's Dream, op. 64, Act 2: "Puppet? Why so?"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Puppet? Why so?" (Hermia, Helena, Lysander, Demetrius) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten3:05
3A Midsummer Night's Dream, op. 64, Act 2: "This is thy negligence"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
countertenor vocals [Oberon]:
Alfred Deller (countertenor) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "This is thy negligence" (Oberon, Puck) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten2:10
4A Midsummer Night's Dream, op. 64, Act 2: "Up and down, up and down"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Up and down, up and down" (Puck, Lysander, Demetrius, Helena, Hermia) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten6:02
5A Midsummer Night's Dream, op. 64, Act 2: "On the ground, sleep sound"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
choir vocals:
Choir of Downside School, Purley (Purley) (in 1966) and Emanuel School Wandsworth, Boys’ Choir (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "On the ground, sleep sound" (Fairies) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten3:05
6A Midsummer Night's Dream, op. 64, Act 3: "My gentle Robin, see'st thou this sweet sight?"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
countertenor vocals [Oberon]:
Alfred Deller (countertenor) (in 1966)
soprano vocals [Tytania]:
Elizabeth Harwood (soprano) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "My gentle Robin, see'st thou this sweet sight?" (Oberon, Puck, Tytania) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten7:12
7A Midsummer Night's Dream, op. 64, Act 3: "Helena! Hermi! Demetrius! Lysander!"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Helena! - Hermia! - Demetrius! - Lysander!" (Demetrius, Lysander, Helena, Hermia) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten4:46
8A Midsummer Night's Dream, op. 64, Act 3: "When my cue comes, call me"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "When my cue comes, call me" (Bottom) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten3:37
9A Midsummer Night's Dream, op. 64, Act 3: "Have you sent to Bottom's house?"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Starveling]:
Keith Raggett (in 1966)
bass vocals [Quince]:
Norman Lumsden (in 1966)
bass vocals [Snug]:
David Kelly (operatic bass) (in 1966)
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
tenor vocals [Flute]:
Kenneth MacDonald (tenor) (in 1966)
tenor vocals [Snout]:
Robert Tear (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Have you sent to Bottom's house?" (Rustics) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten3:10
10A Midsummer Night's Dream, op. 64, Act 3: "Now, fair Hippolyta"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
contralto vocals [Hippolyta]:
Helen Watts (contralto) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Now, fair Hyppolyta" (Theseus, Hyppolyta, Lysander, Demerius, Helena, Hermia) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten7:25
11A Midsummer Night's Dream, op. 64, Act 3: "If we offend, it is with our good will"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
baritone vocals [Starveling]:
Keith Raggett (in 1966)
bass vocals [Quince]:
Norman Lumsden (in 1966)
bass vocals [Snug]:
David Kelly (operatic bass) (in 1966)
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
contralto vocals [Hippolyta]:
Helen Watts (contralto) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
tenor vocals [Flute]:
Kenneth MacDonald (tenor) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
tenor vocals [Snout]:
Robert Tear (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "If we offend, it is with our good will" (Rustics) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:20
12A Midsummer Night's Dream, op. 64, Act 3: "Gentles, perchance you wonder at this show"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
bass vocals [Quince]:
Norman Lumsden (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Gentles, perchance you wonder at this show" (Quince/Prologue) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:16
13A Midsummer Night's Dream, op. 64, Act 3: "In this same interlude it doth befall"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
tenor vocals [Snout]:
Robert Tear (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "In this same interlude it doth befall" (Snout/Wall) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:11
14A Midsummer Night's Dream, op. 64, Act 3: "O grim-look'd night, O night with hue so black"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "O grim-look'd night, o night with hue so black" (Bottom/Pyramus) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:52
15A Midsummer Night's Dream, op. 64, Act 3: "O wall, full often hast thou heard my moans"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
contralto vocals [Hippolyta]:
Helen Watts (contralto) (in 1966)
tenor vocals [Flute]:
Kenneth MacDonald (tenor) (in 1966)
tenor vocals [Snout]:
Robert Tear (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "O Wall, full often hast thou heard my moans" (Flute/Thisby, Bottom/Pyramus) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten2:30
16A Midsummer Night's Dream, op. 64, Act 3: "You ladies, you whose gentle hearts do fear"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
bass vocals [Snug]:
David Kelly (operatic bass) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "You, ladies, you whose gentle hearts do fear" (Snug/Lion) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten0:47
17A Midsummer Night's Dream, op. 64, Act 3: "This lanthorn doth the horned moon present"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
baritone vocals [Starveling]:
Keith Raggett (in 1966)
bass vocals [Snug]:
David Kelly (operatic bass) (in 1966)
contralto vocals [Hippolyta]:
Helen Watts (contralto) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
tenor vocals [Flute]:
Kenneth MacDonald (tenor) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "This lanthorn doth the hornèd Moon present" (Starveling/Moonshine, Flute/Thisby, Snug/Lion) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:51
18A Midsummer Night's Dream, op. 64, Act 3: "Sweet moon, I thank thee for thy sunny beams"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
contralto vocals [Hippolyta]:
Helen Watts (contralto) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Sweet Moon, I thank thee for thy sunny beams" (Bottom/Pyramus) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:52
19A Midsummer Night's Dream, op. 64, Act 3: "Asleep, my love?"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
tenor vocals [Flute]:
Kenneth MacDonald (tenor) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Asleep, my love?" (Flute/Thisby) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten2:32
20A Midsummer Night's Dream, op. 64, Act 3: "Come, your Bergomask"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Come, your Bergomask" (Theseus) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten2:46
21A Midsummer Night's Dream, op. 64, Act 3: "Now the hungry lion roars"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
countertenor vocals [Oberon]:
Alfred Deller (countertenor) (in 1966)
soprano vocals [Tytania]:
Elizabeth Harwood (soprano) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
treble vocals [Fairy]:
Gordon Clark (chorus vocalist) (in 1966), Richard Dakin (in 1966), John Pryor (treble) (in 1966) and Ian Wodehouse (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Now the hungry lion roars" (Fairies, Puck, Oberon, Tytania) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten5:04
17CD: Owen Wingrave, Op. 85
18CD: Owen Wingrave, Op. 85
19CD: Death in Venice, Op.88
20CD: Death in Venice, Op.88
21CD: The Beggar's Opera Realised Britten, Op. 43
22CD: The Beggar's Opera Realised Britten, Op. 43
23CD: Noye's Fludde, Op.59 / The Golden Vanity - A Vaudeville for boys & piano, Op.78
24CD: Curlew River, Op.71
25CD: The Burning Fiery Furnace, Op.77
26CD: The Prodigal Son - Third Parable for Church Performance
27CD: The Little Sweep (Let's make an opera), Op.45 / The Children's Crusade, Op.82
28CD: The Prince of the Pagodas, Op.57
29CD: The Prince of the Pagodas, Op.57 / Plymouth Town
30CD: Night Mail / The Tocher (Rossini Suite) / The King's Stamp / Negroes - Music from GPO Film / The Way To The Sea / Telegrams / Peace Of Britain / Men Behind The Meters / Coal Face / When You're Feeling Like Expressing Your Affection
31CD: Love From A Stranger / Johnson Over Jordan (Suite) / The Rescue Of Penelope
32CD: The Company Of Heaven / The Sword In The Stone / Russian Funeral - march for brass and percussion (1936) / / Fanfare: 'The Eagle has Two Heads' / / On The Frontier / This Way To The Tomb
33CD: War Requiem, Op.66
34CD: Spring Symphony, Op.44 / Cantata Academica, (Carmen basiliense) Op.62 / / Hymn to St. Cecilia (1942), Op.27
35CD: Saint Nicolas, Op.42 / 5 Flower Songs, Op. 47 / Cantata Misericordium, Op.69
36CD: A boy was born, Op.3 / Corpus Christi Carol / A Wealden Trio - Christmas Song of the Women / The Sycamore Tree / A Shepherd's Carol (1944) / Christ's Nativity - Christmas Suite For Chorus / Ceremony of Carols, Op.28 / The Holly and the Ivy
37CD
38CD
39CD
40CD
41CD
42CD
43CD
44CD
45CD
46CD
47CD
48CD
49CD
50CD
51CD
52CD
53CD
54CD
55CD
56CD
57CD
58CD
59CD
60CD
61CD
62CD
63CD
64CD
65CD: Canticle II, Abraham and Isaac, Op.51 / Songs From "Friday Afternoons", Op.7 / On this island, Op.11 / Four Cabaret Songs / Sweet Was The Song / Missa brevis, Op.63 / Piano Concerto, Op.13 / Our Hunting Fathers, Op.8
66DVD: The 1967 Recording Of "The Burning Fiery Furnace"