Was het nu 70, 80 of 90? File 5

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶Medium
2▼Medium
Nr.TitelKünstlerBewertungLänge
1Scooby Snacks
Assistent recording engineer:
Edward Douglas (engineer) (von 1995-04-25 bis 1995-05-20) und Juan Garcia (assistant at Magic Shop) (von 1995-04-25 bis 1995-05-20)
recording engineer:
Tim Latham (von 1995-04-25 bis 1995-05-20)
Produzent(in):
Fun Lovin’ Criminals
assistierende(r) Mix:
Sean “Puffy” Coffey (US recording engineer) (von 1995-06-03 bis 1995-07-19)
Mix:
Tim Latham (von 1995-06-03 bis 1995-07-19)
Interpret(in):
Fun Lovin’ Criminals
arranger:
Fun Lovin’ Criminals
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1996)
aufgenommen bei:
Steve Rosenthal’s Magic Shop in Manhattan, New York, New York, Vereinigte Staaten (von 1995-04-25 bis 1995-05-20)
mixed at:
Platinum Island NYC in New York, New York, Vereinigte Staaten (von 1995-06-03 bis 1995-07-19)
Samples:
Movement of Fear von Tones on Tail
recording of:
Scooby Snacks
zusätzlicher Texter:
Quentin Tarantino
Verfasser(in):
Stephen Borgovini, Brian Leiser und Huey Morgan (DJ for the BBC)
publisher:
Beggars Banquet Music Ltd., DiFontaine Carting & Asbestos Removal, Co., Notting Hill Music (UK) Ltd., Universal Music Careers und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Fun Lovin’ Criminals3.63:02
2Loungin'
recording of:
Loungin’
Texter und Komponist(in):
Guru (Rapper, half of Gang Starr, Gifted Unlimited Rhymes Universal)
Guru & Donald Byrd2:51
3Do the Strand
Techniker(in):
John Middleton (engineer) und John Punter
Produzent(in):
Roxy Music und Chris Thomas (UK record producer / remixer)
vocals:
Bryan Ferry (in 1973-02)
arranger:
Roxy Music
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1973, in 1999)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1973-02)
recording of:
Do the Strand (in 1973-02)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc., E.G. Music Ltd. (publisher) (, in 1973), EG Music Publishers Ltd., Universal Music Careers und Universal Music Publishing Group
Roxy Music44:01
4Crash
Mix:
Mark Wallis (in 1988)
Bassgitarre:
Steve Dullaghan
Gitarre:
Paul Court (of "The Primitives")
vocals:
Tracy Cattell
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recording of:
Crash
Verfasser(in):
Paul Court (of "The Primitives"), Steve Dullaghan und Tracy Louise Spencer
publisher:
Complete Music Ltd.
The Primitives4.652:32
5It's a Shame (feat. True Image)
Interpret(in):
True Image (r&b a cappella group)
recording of:
It's a Shame (My Sister)
Verfasser(in):
Lee Garrett, Monie Love (English rapper, actress & radio personality), David Steele (UK musician, member of The Beat and Fine Young Cannibals), Syreeta (US singer‐songwriter active 1970s–80s) und Stevie Wonder
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music (UK) Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) und Virgin Music (Pubs.) Ltd. (publisher)
basiert auf:
It’s a Shame
Monie Love3:42
6Tattva
Techniker(in), Produzent(in) und Mix:
John Leckie
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1996) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
recording of:
Tattva
Texter:
Crispian Mills
Komponist(in):
Alonza Bevan, Jay Darlington, Crispian Mills und Paul Winter-Hart
publisher:
Hit & Run Music (Publishing) Ltd
Kula Shaker3.43:47
7Do You Wanna Hold Me
Produzent(in):
Mike Chapman (Australian producer and songwriter)
recording of:
Do You Wanna Hold Me?
Verfasser(in):
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) und Annabella Lwin
Bow Wow Wow3:14
8Fred vom Jupiter
recording of:
Fred vom Jupiter (in 1981)
Texter:
Nicole Kahl, Jürgen Kreffter, Birgit Masur und Natalia Munoz Valderrama
Komponist(in):
Andreas Dorau und Olaf Maureschat
publisher:
EMI Music Publishing Germany GmbH (2008–today)
Die Doraus & Die Marinas2:39
9Have a Little Faith in Me
recording of:
Have a Little Faith in Me
Texter und Komponist(in):
John Hiatt (guitarist, pianist and singer-songwriter)
publisher:
Careers–BMG Music Publishing, Inc.
recording of:
Lass mich nicht allein heut' Nacht (Have a Little Faith in Me)
Komponist(in):
John Hiatt (guitarist, pianist and singer-songwriter)
übersetzte Version von:
Have a Little Faith in Me
John Hiatt3:51
10Cocaine
Produzent(in):
Audie Ashworth
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1976)
recording of:
Cocaine (in 1976)
Texter und Komponist(in):
J.J. Cale
publisher:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale32:47
11Seven seas
recording of:
Seven Seas
Verfasser(in):
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson und Will Sergeant
Echo & the Bunnymen3:20
12Sanctuary
Produzent(in):
Tony Mansfield (producer & songwriter)
aufgenommen bei:
TMC Studios (Recording studio, active in the 1970s and 80s in Tooting, London) in Tooting, Wandsworth, London (Greater London), England, Vereinigtes Königreich (von 1979 bis 1980-03)
recording of:
Sanctuary (von 1979 bis 1980-03)
Texter und Komponist(in):
Tony Mansfield (producer & songwriter)
New Musik4:13
13Here's Where the Story Ends
Bass:
Paul Brindley
Gitarre:
David Gavurin
Schlagzeug:
Patch Hannan
Sologesang:
Harriet Wheeler
Musikvideos:
Here’s Where the Story Ends von The Sundays
recording of:
Here’s Where the Story Ends
Verfasser(in):
David Gavurin und Harriet Wheeler
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Sundays4.253:53
14Special One
Programmierung:
Hugh Jones (UK producer) und Kurt Ralske
assistierende(r) Techniker(in):
Guy Fixsen (producer, engineer & programmer)
Techniker(in) und Produzent(in):
Hugh Jones (UK producer)
Mix:
Hugh Jones (UK producer) und Helen Woodward
Gast-Klavier und Gast-Orgel:
Nick Muir
Gast vocals:
Kim Deal
aufgenommen bei:
First Protocol Studios in London (Greater London), England, Vereinigtes Königreich (in 1989-11)
mixed at:
Master Rock Studios in Kilburn, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
recording of:
Special One
Texter und Komponist(in):
Kurt Ralske
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Ultra Vivid Scene3:16
15No Kid
recording of:
No Kid (von 1989-05 bis 1989-07)
Texter und Komponist(in):
de Vreede (Dutch DJ/producer Arjen de Vreede), Matadin, Schoots (Dutch drummer, performs as Magic Stick), Tilon und van Barneveld (Dutch singer/guitarist born in Soerabaja)
publisher:
Universal Music–MGB Songs
Urban Dance Squad33:40
16Love Wars
Produzent(in):
Stewart Levine (record producer and saxophonist)
produced for:
Womack Brothers Productions
recording of:
Love Wars
Verfasser(in):
Cecil Womack und Linda Womack
Komponist(in):
Zekuumba Zekkariyas und Zeniya Zekkariyas
publisher:
Next Flight Music
Womack & Womack24:02
17Nipple to the Bottle
recording of:
Nipple to the Bottle
Texter und Komponist(in):
Lowell “Sly” Dunbar und Grace Jones
Grace Jones5:52
18Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
Produzent(in):
Val Garay
E-Gitarre:
Waddy Wachtel (in 1981-01)
Sologesang:
Kim Carnes (in 1981-01)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1981-01)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:40
19Mathar
cover recording of:
Mathar
Komponist(in):
Volker Kriegel
Indian Vibes3:56