Was het nu 70, 80 of 90? File 5

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶Medium
2▼Medium
#TitleArtistRatingLength
1Scooby Snacks
assistant recording engineer:
Edward Douglas (engineer) (from 1995-04-25 until 1995-05-20) and Juan Garcia (assistant at Magic Shop) (from 1995-04-25 until 1995-05-20)
recording engineer:
Tim Latham (from 1995-04-25 until 1995-05-20)
producer:
Fun Lovin’ Criminals
assistant mixer:
Sean “Puffy” Coffey (US recording engineer) (from 1995-06-03 until 1995-07-19)
mixer:
Tim Latham (from 1995-06-03 until 1995-07-19)
performer:
Fun Lovin’ Criminals
arranger:
Fun Lovin’ Criminals
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1996)
recorded at:
Steve Rosenthal’s Magic Shop in Manhattan, New York, New York, United States (from 1995-04-25 until 1995-05-20)
mixed at:
Platinum Island NYC in New York, New York, United States (from 1995-06-03 until 1995-07-19)
samples:
Movement of Fear by Tones on Tail
recording of:
Scooby Snacks
additional lyricist:
Quentin Tarantino
writer:
Stephen Borgovini, Brian Leiser and Huey Morgan (DJ for the BBC)
publisher:
Beggars Banquet Music Ltd., DiFontaine Carting & Asbestos Removal, Co., Notting Hill Music (UK) Ltd., Universal Music Careers and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Fun Lovin’ Criminals3.63:02
2Loungin'
recording of:
Loungin’
lyricist and composer:
Guru (Rapper, half of Gang Starr, Gifted Unlimited Rhymes Universal)
Guru & Donald Byrd2:51
3Do the Strand
engineer:
John Middleton (engineer) and John Punter
producer:
Roxy Music and Chris Thomas (UK record producer / remixer)
vocals:
Bryan Ferry (in 1973-02)
arranger:
Roxy Music
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1973, in 1999)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Do the Strand (in 1973-02)
lyricist and composer:
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc., E.G. Music Ltd. (publisher) (, in 1973), EG Music Publishers Ltd., Universal Music Careers and Universal Music Publishing Group
Roxy Music44:01
4Crash
mixer:
Mark Wallis (in 1988)
bass guitar:
Steve Dullaghan
guitar:
Paul Court (of "The Primitives")
vocals:
Tracy Cattell
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recording of:
Crash
writer:
Paul Court (of "The Primitives"), Steve Dullaghan and Tracy Louise Spencer
publisher:
Complete Music Ltd.
The Primitives4.652:32
5It's a Shame (feat. True Image)
performer:
True Image (r&b a cappella group)
recording of:
It's a Shame (My Sister)
writer:
Lee Garrett, Monie Love (English rapper, actress & radio personality), David Steele (UK musician, member of The Beat and Fine Young Cannibals), Syreeta (US singer‐songwriter active 1970s–80s) and Stevie Wonder
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music (UK) Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) and Virgin Music (Pubs.) Ltd. (publisher)
is based on:
It’s a Shame
Monie Love3:42
6Tattva
engineer, producer and mixer:
John Leckie
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1996) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
recording of:
Tattva
lyricist:
Crispian Mills
composer:
Alonza Bevan, Jay Darlington, Crispian Mills and Paul Winter-Hart
publisher:
Hit & Run Music (Publishing) Ltd
Kula Shaker3.43:47
7Do You Wanna Hold Me
producer:
Mike Chapman (Australian producer and songwriter)
recording of:
Do You Wanna Hold Me?
writer:
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) and Annabella Lwin
Bow Wow Wow3:14
8Fred vom Jupiter
recording of:
Fred vom Jupiter (in 1981)
lyricist:
Nicole Kahl, Jürgen Kreffter, Birgit Masur and Natalia Munoz Valderrama
composer:
Andreas Dorau and Olaf Maureschat
publisher:
EMI Music Publishing Germany GmbH (2008–today)
Die Doraus & Die Marinas2:39
9Have a Little Faith in Me
recording of:
Have a Little Faith in Me
lyricist and composer:
John Hiatt (guitarist, pianist and singer-songwriter)
publisher:
Careers–BMG Music Publishing, Inc.
recording of:
Lass mich nicht allein heut' Nacht (Have a Little Faith in Me)
composer:
John Hiatt (guitarist, pianist and singer-songwriter)
translated version of:
Have a Little Faith in Me
John Hiatt3:51
10Cocaine
producer:
Audie Ashworth
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1976)
recording of:
Cocaine (in 1976)
lyricist and composer:
J.J. Cale
publisher:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale32:47
11Seven seas
recording of:
Seven Seas
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen3:20
12Sanctuary
producer:
Tony Mansfield (producer & songwriter)
recorded at:
TMC Studios (Recording studio, active in the 1970s and 80s in Tooting, London) in Tooting, Wandsworth, London (Greater London), England, United Kingdom (from 1979 until 1980-03)
recording of:
Sanctuary (from 1979 until 1980-03)
lyricist and composer:
Tony Mansfield (producer & songwriter)
New Musik4:13
13Here's Where the Story Ends
bass:
Paul Brindley
drums (drum set):
Patch Hannan
guitar:
David Gavurin
lead vocals:
Harriet Wheeler
music videos:
Here’s Where the Story Ends by The Sundays
recording of:
Here’s Where the Story Ends
writer:
David Gavurin and Harriet Wheeler
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Sundays4.253:53
14Special One
programming:
Hugh Jones (UK producer) and Kurt Ralske
assistant engineer:
Guy Fixsen (producer, engineer & programmer)
engineer and producer:
Hugh Jones (UK producer)
mixer:
Hugh Jones (UK producer) and Helen Woodward
guest organ and guest piano:
Nick Muir
guest vocals:
Kim Deal
recorded at:
First Protocol Studios in London (Greater London), England, United Kingdom (in 1989-11)
mixed at:
Master Rock Studios in Kilburn, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Special One
lyricist and composer:
Kurt Ralske
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Ultra Vivid Scene3:16
15No Kid
recording of:
No Kid (from 1989-05 until 1989-07)
lyricist and composer:
de Vreede (Dutch DJ/producer Arjen de Vreede), Matadin, Schoots (Dutch drummer, performs as Magic Stick), Tilon and van Barneveld (Dutch singer/guitarist born in Soerabaja)
publisher:
Universal Music–MGB Songs
Urban Dance Squad33:40
16Love Wars
producer:
Stewart Levine (record producer and saxophonist)
produced for:
Womack Brothers Productions
recording of:
Love Wars
writer:
Cecil Womack and Linda Womack
composer:
Zekuumba Zekkariyas and Zeniya Zekkariyas
publisher:
Next Flight Music
Womack & Womack24:02
17Nipple to the Bottle
recording of:
Nipple to the Bottle
lyricist and composer:
Lowell “Sly” Dunbar and Grace Jones
Grace Jones5:52
18Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
producer:
Val Garay
electric guitar:
Waddy Wachtel (in 1981-01)
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:40
19Mathar
cover recording of:
Mathar
composer:
Volker Kriegel
Indian Vibes3:56