Sounds of the Seventies: 1974, Take Two

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Lookin’ for a LoveBobby Womack4.52:38
2You Ain’t Seen Nothing Yet
engineer:
Mark Smith (Canadian engineer)
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC and Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. and Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:38
3Joker
assistant engineer and assistant mixer:
Gene Hicks
engineer and mixer:
Jay Ranellucci
producer:
Steve Miller (leader of Steve Miller Band)
phonographic copyright (℗) by:
Sailor Music (in 1973)
recording of:
The Joker
writer:
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) and Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.153:36
4Until You Come Back to Me (That’s What I’m Gonna Do)
engineer:
Lew Hahn
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1973-09-07)
drums (drum set):
Bernard “Pretty” Purdie (on 1973-09-07)
electric piano:
Donny Hathaway (on 1973-09-07)
guitar:
Hugh McCracken (on 1973-09-07)
organ:
Richard Tee (on 1973-09-07)
piano and lead vocals:
Aretha Franklin (on 1973-09-07)
solo flute:
Joe Farrell (on 1973-09-07)
synthesizer:
Ken Bichel (keyboardist) (on 1973-09-07)
background vocals:
Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (soul vocalist) (on 1973-09-07)
arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
writer:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
Aretha Franklin4.353:26
5Can’t Get Enough of Your Love, Babe
engineer:
Frank Kejmar (engineer)
producer:
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) and Barry White
recording of:
Can’t Get Enough of Your Love Babe
lyricist and composer:
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White53:47
6Mockingbird
producer:
Richard Perry (producer)
baritone saxophone:
Bobby Keys (American saxophonist)
bass:
Klaus Voormann
drums (drum set):
Jim Keltner
electric guitar:
Jimmy Ryan (mandolin player)
organ and piano:
Dr. John (New Orleans blues pianist, singer and songwriter)
percussion:
Ralph MacDonald
solo electric guitar:
Robbie Robertson
solo tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
vocals:
Carly Simon and James Taylor (singer-songwriter and guitarist)
performer:
James Taylor (singer-songwriter and guitarist)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2015)
cover recording of:
Mockingbird
writer:
Charlie Foxx and Inez Foxx
publisher:
EMI Unart Catalog Inc.
is based on:
Hush, Little Baby (lullaby, popularized as "Mockingbird")
Carly Simon feat. James Taylor54:12
7I’ve Got to Use My Imagination
recording of:
I’ve Got to Use My Imagination
writer:
Gerry Goffin and Barry Goldberg (blues rock keyboardist and producer)
Gladys Knight & the Pips53:32
8Sundown
assistant engineer:
Chris Skene
producer:
Lenny Waronker
acoustic guitar:
Terry Clements and Gordon Lightfoot
bass guitar:
John Stockfish
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
electric guitar:
Red Shea
phonographic copyright (℗) by:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text), Reprise Records (in 1974, in 1975) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
recording of:
Sundown
lyricist and composer:
Gordon Lightfoot
publisher:
Moose Music and WB Music Corp. (1929–2019)
Gordon Lightfoot4.853:35
9Everlasting LoveCarl Carlton52:36
10Shinin’ On
recording of:
Shinin’ On
writer:
Don Brewer (drummer for Grand Funk Railroad) and Mark Farner
publisher:
Brew Music Company, Cram Renraff Co. and Fujipacific Music, Inc.
Grand Funk Railroad53:29
11Rock and Roll, Hoochie Koo
Rick Derringer52:57
12Takin’ Care of Business
assistant engineer:
Marc Sterling
engineer:
Buzz Richmond
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
bass guitar:
C.F. Turner (from 1973-09 until 1973-10)
drums (drum set) and percussion:
Rob Bachman (from 1973-09 until 1973-10)
guitar [lead guitar] and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter) (from 1973-09 until 1973-10)
guitar [second lead guitar]:
Tim Bachman (from 1973-09 until 1973-10)
piano:
Norman Durkee (from 1973-09 until 1973-10)
background vocals:
C.F. Turner (from 1973-09 until 1973-10), Randy Bachman (Canadian guitarist, singer & songwriter) (from 1973-09 until 1973-10) and Tim Bachman (from 1973-09 until 1973-10)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1973), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1973)
recorded at:
Kaye–Smith Studios in Seattle, Washington, United States (from 1973-09 until 1973-10)
mixed at:
Kaye–Smith Studios in Seattle, Washington, United States
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 59)
recording of:
Takin’ Care of Business (from 1973-09 until 1973-10)
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
Ranbach Music (publisher), Sony Songs Inc., Sony/ATV Songs LLC and Top Soil Music (publisher)
Bachman–Turner Overdrive4.254:54
13Rock Your Baby
vocals:
George McCrae
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
writer:
Harry Wayne Casey, Richard Finch and KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music and Peer Music (UK) Ltd.
George McCrae3.253:22
14Sideshow
engineer:
Carl Parualo, Kenny Present, Jay Mark, Don Murray (producer / engineer) and Joe Tarsia (engineer)
producer:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1973)
vocals:
Blue Magic (US R&B/soul vocal quintet) (in 1973)
conductor:
Don Renaldo (in 1973: brass [horns], strings)
brass [horns] arranger and strings arranger:
Don Renaldo
arranger:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recording of:
Sideshow (in 1973)
writer:
Bobby Eli and Gwendolyn Hines Woolfolk
publisher:
Poo Poo Publishing Co., Reservoir One America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Zella Music
Blue Magic54:10
15Haven’t Got Time for the PainCarly Simon53:52
16Tin Man
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass, bass, guitar and keyboard, guitar and keyboard:
America (US folk/soft rock band)
drums (drum set) and percussion:
Willie Leacox
tape:
Pete Henderson (engineer)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Tin Man
lyricist and composer:
Dewey Bunnell
live recording of:
Tin Man
lyricist and composer:
Dewey Bunnell
America3.853:27
17Dancing Machine
producer:
Hal Davis
arranger:
Arthur Wright (guitar)
recording of:
Dancing Machine (in 1974)
writer:
Hal Davis, Donald E. Fletcher and Dean Parks (American session guitarist)
part of:
MJ: The Musical
The Jackson 53.252:37
18Jungle Boogie
producer:
Kool & the Gang
arranger:
Kool & the Gang
recording of:
Jungle Boogie
writer:
Robert “Kool” Bell, Ronald Bell, Don Boyce, George Brown (US percussionist of Kool & the Gang), Robert Spike Mickens, Claydes Smith, Dennis “D.T.” Thomas (Kool & The Gang) and Ricky West (Kool & The Gang member)
publisher:
Delightful Music Publishing Ltd.
Kool & the Gang3.753:05
19Nothing From Nothing
recording of:
Nothing From Nothing
writer:
Bruce Fisher and Billy Preston
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Preston52:38
20I’ll Have to Say I Love You in a Song
acoustic guitar [lead acoustic guitar]:
Maury Muehleisen
bass:
Joe Macho
drums (drum set):
Gary Chester (studio drummer and educator)
electric piano:
Tommy West
guitar [rhythm guitar]:
Jim Croce
percussion:
George Devens
background vocals:
Marty Nelson and Tommy West
vocals:
Jim Croce (on 1973-06-07)
conductor:
Terence Minogue
arranger:
Terence Minogue
phonographic copyright (℗) by:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973) and Lastrada Entertainment Co., Ltd. (in 1973)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1973-06-07)
recording of:
I’ll Have to Say I Love You in a Song (on 1973-06-07)
lyricist and composer:
Jim Croce
publisher:
Blendingwell Music, Inc., DenJac Music Company and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.82:33
21Radar Love
producer:
Golden Earring
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1973) and Red Bullet Productions B.V. (in 1973)
recording of:
Radar Love
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) and Sony/ATV Music Publishing
Golden Earring4.255:02

Credits

Release group

part of:Sounds of the Seventies (Time-Life Music) (number: 15) (order: 15)