Sounds of the Seventies: 1974, Take Two

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Lookin’ for a Love
cover recording of:
Lookin’ for a Love
Verfasser(in):
James Woodie Alexander und Zelda Samuels
Version von:
Couldn't Hear Nobody Pray
Bobby Womack4.52:38
2You Ain’t Seen Nothing Yet
Techniker(in):
Mark Smith (Canadian engineer)
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
Solo-Gitarre und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
You Ain’t Seen Nothing Yet
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. und Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:38
3Joker
assistierende(r) Techniker(in) und assistierende(r) Mix:
Gene Hicks
Techniker(in) und Mix:
Jay Ranellucci
Produzent(in):
Steve Miller (leader of Steve Miller Band)
phonographisches Urheberrecht (℗) von:
Sailor Music (in 1973)
recording of:
The Joker
Verfasser(in):
Eddie Curtis (songwriter), Ahmet Ertegun (US songwriter/producer) und Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.153:36
4Until You Come Back to Me (That’s What I’m Gonna Do)
Techniker(in):
Lew Hahn
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1973-09-07)
Gitarre:
Hugh McCracken (am 1973-09-07)
Hybrid-Piano:
Donny Hathaway (am 1973-09-07)
Klavier und Sologesang:
Aretha Franklin (am 1973-09-07)
Orgel:
Richard Tee (am 1973-09-07)
Schlagzeug:
Bernard “Pretty” Purdie (am 1973-09-07)
Solo-flute:
Joe Farrell (am 1973-09-07)
Synthesizer:
Ken Bichel (keyboardist) (am 1973-09-07)
Hintergrundgesang:
Margaret Branch (am 1973-09-07), Ann S. Clark (am 1973-09-07) und Pat Smith (soul vocalist) (am 1973-09-07)
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (am 1973-09-07)
Verfasser(in):
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul und Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau und Stone Agate Music
Aretha Franklin4.353:26
5Can’t Get Enough of Your Love, Babe
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) und Barry White
recording of:
Can’t Get Enough of Your Love Babe
Texter und Komponist(in):
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White53:47
6Mockingbird
Produzent(in):
Richard Perry (producer)
baritone saxophone:
Bobby Keys (American saxophonist)
Bass:
Klaus Voormann
E-Gitarre:
Jimmy Ryan (mandolin player)
Klavier und Orgel:
Dr. John (New Orleans blues pianist, singer and songwriter)
Perkussion:
Ralph MacDonald
Schlagzeug:
Jim Keltner
Solo-E-Gitarre:
Robbie Robertson
Solo-Tenorsaxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
vocals:
Carly Simon und James Taylor (singer-songwriter and guitarist)
Interpret(in):
James Taylor (singer-songwriter and guitarist)
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 2015)
cover recording of:
Mockingbird
Verfasser(in):
Charlie Foxx und Inez Foxx
publisher:
EMI Unart Catalog Inc.
basiert auf:
Hush, Little Baby (lullaby, popularized as "Mockingbird")
Carly Simon feat. James Taylor54:12
7I’ve Got to Use My Imagination
recording of:
I’ve Got to Use My Imagination
Verfasser(in):
Gerry Goffin und Barry Goldberg (blues rock keyboardist and producer)
Gladys Knight & the Pips53:32
8Sundown
assistierende(r) Techniker(in):
Chris Skene
Produzent(in):
Lenny Waronker
Akustikgitarre:
Terry Clements und Gordon Lightfoot
Bassgitarre:
John Stockfish
E-Gitarre:
Red Shea
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
phonographisches Urheberrecht (℗) von:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text), Reprise Records (in 1974, in 1975) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
recording of:
Sundown
Texter und Komponist(in):
Gordon Lightfoot
publisher:
Moose Music und WB Music Corp. (1929–2019)
Gordon Lightfoot4.853:35
9Everlasting Love
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 332)
cover recording of:
Everlasting Love
Verfasser(in):
James “Buzz” Cason und Mac Gayden
publisher:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. und Rising Sons Music Inc. (in 1967)
Carl Carlton52:36
10Shinin’ On
recording of:
Shinin’ On
Verfasser(in):
Don Brewer (drummer for Grand Funk Railroad) und Mark Farner
publisher:
Brew Music Company, Cram Renraff Co. und Fujipacific Music, Inc.
Grand Funk Railroad53:29
11Rock and Roll, Hoochie Koo
Rick Derringer52:57
12Takin’ Care of Business
assistierende(r) Techniker(in):
Marc Sterling
Techniker(in):
Buzz Richmond
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
Bassgitarre:
C.F. Turner (von 1973-09 bis 1973-10)
Gitarre [lead guitar] und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter) (von 1973-09 bis 1973-10)
Gitarre [second lead guitar]:
Tim Bachman (von 1973-09 bis 1973-10)
Klavier:
Norman Durkee (von 1973-09 bis 1973-10)
Perkussion und Schlagzeug:
Rob Bachman (von 1973-09 bis 1973-10)
Hintergrundgesang:
C.F. Turner (von 1973-09 bis 1973-10), Randy Bachman (Canadian guitarist, singer & songwriter) (von 1973-09 bis 1973-10) und Tim Bachman (von 1973-09 bis 1973-10)
phonographisches Urheberrecht (℗) von:
Phonogram, Inc. (in 1973), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1973)
aufgenommen bei:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten (von 1973-09 bis 1973-10)
mixed at:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 59)
recording of:
Takin’ Care of Business (von 1973-09 bis 1973-10)
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
Ranbach Music (publisher), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
Bachman–Turner Overdrive4.254:54
13Rock Your Baby
vocals:
George McCrae
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
Verfasser(in):
Harry Wayne Casey, Richard Finch und KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music und Peer Music (UK) Ltd.
George McCrae3.253:22
14Sideshow
Techniker(in):
Carl Parualo, Kenny Present, Jay Mark, Don Murray (producer / engineer) und Joe Tarsia (engineer)
Produzent(in):
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1973)
vocals:
Blue Magic (US R&B/soul vocal quintet) (in 1973)
conductor:
Don Renaldo (in 1973: Blechblasinstrumente [horns], Saiteninstrumente)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Don Renaldo
arranger:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recording of:
Sideshow (in 1973)
Verfasser(in):
Bobby Eli und Gwendolyn Hines Woolfolk
publisher:
Poo Poo Publishing Co., Reservoir One America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Zella Music
Blue Magic54:10
15Haven’t Got Time for the Pain
Produzent(in):
Richard Perry (producer)
Akustikgitarre:
Jimmy Ryan (mandolin player)
Bass:
Klaus Voormann
Klavier:
Carly Simon
Perkussion:
Ralph MacDonald
Schlagzeug:
Jim Keltner
Solo-Akustikgitarre:
James Taylor (singer-songwriter and guitarist)
Hintergrundgesang:
Carl Hall, Lani Groves und Tasha Thomas
vocals:
Carly Simon
Holzblasinstrumente arranger und Saiteninstrumente arranger:
Paul Buckmaster
recording of:
Haven't Got Time for the Pain
Verfasser(in):
Jacob Brackman und Carly Simon
publisher:
C’est Music, Maya Productions Ltd. und Universal Music Corp. (USA, affiliated with ASCAP)
Carly Simon53:52
16Tin Man
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Band:
Pete Henderson (engineer)
Bass, Bass, Gitarre und Keyboard, Gitarre und Keyboard:
America (US folk/soft rock band)
Schlagzeug und Perkussion:
Willie Leacox
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974) und Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Tin Man
Texter und Komponist(in):
Dewey Bunnell
live recording of:
Tin Man
Texter und Komponist(in):
Dewey Bunnell
America3.853:27
17Dancing Machine
Produzent(in):
Hal Davis
arranger:
Arthur Wright (guitar)
recording of:
Dancing Machine (in 1974)
Verfasser(in):
Hal Davis, Donald E. Fletcher und Dean Parks (American session guitarist)
Teil von:
MJ: The Musical
The Jackson 53.252:37
18Jungle Boogie
Produzent(in):
Kool & the Gang
arranger:
Kool & the Gang
recording of:
Jungle Boogie
Verfasser(in):
Robert “Kool” Bell, Ronald Bell, Don Boyce, George Brown (US percussionist of Kool & the Gang), Robert Spike Mickens, Claydes Smith, Dennis “D.T.” Thomas (Kool & The Gang) und Ricky West (Kool & The Gang member)
publisher:
Delightful Music Publishing Ltd.
Kool & the Gang3.83:05
19Nothing From Nothing
recording of:
Nothing From Nothing
Verfasser(in):
Bruce Fisher und Billy Preston
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Preston52:38
20I’ll Have to Say I Love You in a Song
Akustikgitarre [lead acoustic guitar]:
Maury Muehleisen
Bass:
Joe Macho
Gitarre [rhythm guitar]:
Jim Croce
Hybrid-Piano:
Tommy West
Perkussion:
George Devens
Schlagzeug:
Gary Chester (studio drummer and educator)
Hintergrundgesang:
Marty Nelson und Tommy West
vocals:
Jim Croce (am 1973-06-07)
conductor:
Terence Minogue
arranger:
Terence Minogue
phonographisches Urheberrecht (℗) von:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973) und Lastrada Entertainment Co., Ltd. (in 1973)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1973-06-07)
recording of:
I’ll Have to Say I Love You in a Song (am 1973-06-07)
Texter und Komponist(in):
Jim Croce
publisher:
Blendingwell Music, Inc., DenJac Music Company und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.82:33
21Radar Love
Produzent(in):
Golden Earring
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1973) und Red Bullet Productions B.V. (in 1973)
recording of:
Radar Love
Texter:
Barry Hay
Komponist(in):
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) und Sony/ATV Music Publishing
Golden Earring4.255:02

Nennungen

Veröffentlichungsgruppe

Teil von:Sounds of the Seventies (Time-Life Music) (Nummer: 15) (Reihenfolge: 15)