Tracklist

1CD: Symphony No. 39, K. 543 / Sinfonia Concertante, K. 297b
2CD: Symphonies No. 40 & 41 "Jupiter"
3CD: Requiem
4CD: Beethoven Symphonies 1 & 7
5CD: Beethoven Symphonies 2 & 8
6CD: Symphony No.3 Eroica
7CD: Symphonies 4 & 5
8CD: Symphony No. 6 "Pastoral"; Coriolan & Egmont Overtures
9CD: Violin Concerto / Romances For Violin And Orchestra
10CD: Symphonien Nr. 4 & 7 (8)
11CD: Symphony No. 8 (9) "The Great"
12CD: Missa, D 950
13CD: Piano Concerto
14CD: Symphony No.7
15CD: Symphony No.9 "From The New World"
16CD: Symphony No. 8 / Ma Mère L'oye
17CD: Debussy / Ravel: Orchestral Works
18CD: Symphony in D / Wiener Philharmoniker
19CD: Mussorgski: Pictures At An Exhibition Stravinsky :The Firebird Suite
20CD: Quattro Pezzi Sacri / Credo
21CD: Mass In B minor / Messe in H moll
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1Missa - Kyrie: No. 1 Chorus "Kyrie eleison"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach11:08
2Missa - Kyrie: No. 2 Duet: "Christe eleison"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
soprano vocals:
Roberta Alexander (soprano) (from 1994-06-02 until 1994-06-03) and Ruth Ziesak (soprano) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:52
3Missa - Kyrie: No. 3 Chorus "Kyrie eleison"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:22
4Missa - Gloria: No. 4 Chorus "Gloria in excelsis"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:10
5Missa - Gloria: No. 5 Chorus "Et in terra pax"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:37
6Missa - Gloria: No. 6 Aria: "Laudamus te"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
soprano vocals:
Ruth Ziesak (soprano) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:35
7Missa - Gloria: No. 7 Chorus "Gratias agimus tibi"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:50
8Missa - Gloria: No. 8 Duet "Domine Deus"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
soprano vocals:
Roberta Alexander (soprano) (from 1994-06-02 until 1994-06-03)
tenor vocals:
Keith Lewis (tenor) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:34
9Missa - Gloria: No. 9 Chorus: "Qui tollis peccata mundi"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:35
10Missa - Gloria: No. 10 Aria "Qui sedes ad dextram Patris"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
alto vocals:
Jard van Nes (mezzo-soprano) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:25
11Missa - Gloria: No. 11 Aria "Quoniam tu solus Sanctus"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
bass vocals:
David Wilson‐Johnson (baritone) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:22
12Missa - Gloria: No. 12 Chorus: "Cum Sancto Spiritu"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:54
13Symbolum Nicenum - Credo: No. 1 Chorus: "Credo in unum Deum"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:11
14Symbolum Nicenum - Credo: No. 2 Chorus: "Patrem omnipotentem"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:18
15Symbolum Nicenum - Credo: No. 3 Duet: "Et in unum Dominum"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
contralto vocals:
Jard van Nes (mezzo-soprano) (from 1994-06-02 until 1994-06-03)
soprano vocals:
Ruth Ziesak (soprano) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:10
16Symbolum Nicenum - Credo: No. 4 Chorus: "Et incarnatus est"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:33
17Symbolum Nicenum - Credo: No. 5 Chorus: "Crucifixus"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:46
18Symbolum Nicenum - Credo: No. 6 Chorus "Et resurrexit"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:42
19Symbolum Nicenum - Credo: No. 7 Aria "Es in Spiritum Sanctum"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
bass-baritone vocals:
David Wilson‐Johnson (baritone) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:04
20Symbolum Nicenum - Credo: No. 8 Chorus: "Confiteor"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:26
21Symbolum Nicenum - Credo: No. 9 Chorus: "Et exspecto"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:18
22Chorus: "Sanctus"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:40
23Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem - No. 1 Chorus I/II: "Osanna in excelsis"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:15
24Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem - No. 2 Aria: "Benedictus qui venit"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
tenor vocals:
Keith Lewis (tenor) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:00
25Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem - No. 3 Chorus I/II: "Osanna in excelsis" (da capo)
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:17
26Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem - No. 4 Aria: "Agnus Dei"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
contralto vocals:
Jard van Nes (mezzo-soprano) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:56
27Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem - No. 5 Chorus: "Dona nobis pacem"
recording engineer:
Peter Jütte (from 1994-06-02 until 1994-06-03)
producer:
David Mottley (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1994-06-02 until 1994-06-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1994-06-02 until 1994-06-03)
conductor:
Carlo Maria Giulini (conductor) (from 1994-06-02 until 1994-06-03)
phonographic copyright (℗) by:
Sony Classical GmbH (not for release label use, for ℗ & © copyrights use only) (in 1994)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1994-06-02 until 1994-06-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1994-06-02 until 1994-06-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:18

Credits

Release group

includes:Sacred Pieces by Vivaldi (Antonio Vivaldi, Italian baroque composer and violinist), Verdi (Giuseppe Verdi, Italian opera composer); Ernst‐Senff‐Chor, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Carlo Maria Giulini (conductor)