| # | Title | Artist | Rating | Length |
|---|
| 1 | Missa - Kyrie: No. 1 Chorus "Kyrie eleison" | Johann Sebastian Bach | | 11:08 |
| 2 | Missa - Kyrie: No. 2 Duet: "Christe eleison" | Johann Sebastian Bach | | 5:52 |
| 3 | Missa - Kyrie: No. 3 Chorus "Kyrie eleison" | Johann Sebastian Bach | | 4:22 |
| 4 | Missa - Gloria: No. 4 Chorus "Gloria in excelsis" | Johann Sebastian Bach | | 2:10 |
| 5 | Missa - Gloria: No. 5 Chorus "Et in terra pax" | Johann Sebastian Bach | | 5:37 |
| 6 | Missa - Gloria: No. 6 Aria: "Laudamus te" | Johann Sebastian Bach | | 5:35 |
| 7 | Missa - Gloria: No. 7 Chorus "Gratias agimus tibi"- recording engineer:
- Peter Jütte (from 1994-06-02 until 1994-06-03)
- producer:
- David Mottley
- choir vocals:
- Chor des Bayerischen Rundfunks (from 1994-06-02 until 1994-06-03)
- orchestra:
- Symphonieorchester des Bayerischen Rundfunks (from 1994-06-02 until 1994-06-03)
- conductor:
- Carlo Maria Giulini (from 1994-06-02 until 1994-06-03)
- phonographic copyright (℗) by:
- Sony Classical GmbH (in 1994)
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1994-06-02 until 1994-06-03)
- live recording of:
- h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (from 1994-06-02 until 1994-06-03)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:50 |
| 8 | Missa - Gloria: No. 8 Duet "Domine Deus" | Johann Sebastian Bach | | 6:34 |
| 9 | Missa - Gloria: No. 9 Chorus: "Qui tollis peccata mundi" | Johann Sebastian Bach | | 3:35 |
| 10 | Missa - Gloria: No. 10 Aria "Qui sedes ad dextram Patris" | Johann Sebastian Bach | | 5:25 |
| 11 | Missa - Gloria: No. 11 Aria "Quoniam tu solus Sanctus" | Johann Sebastian Bach | | 5:22 |
| 12 | Missa - Gloria: No. 12 Chorus: "Cum Sancto Spiritu" | Johann Sebastian Bach | | 4:54 |
| 13 | Symbolum Nicenum - Credo: No. 1 Chorus: "Credo in unum Deum" | Johann Sebastian Bach | | 2:11 |
| 14 | Symbolum Nicenum - Credo: No. 2 Chorus: "Patrem omnipotentem"- recording engineer:
- Peter Jütte (from 1994-06-02 until 1994-06-03)
- producer:
- David Mottley
- choir vocals:
- Chor des Bayerischen Rundfunks (from 1994-06-02 until 1994-06-03)
- orchestra:
- Symphonieorchester des Bayerischen Rundfunks (from 1994-06-02 until 1994-06-03)
- conductor:
- Carlo Maria Giulini (from 1994-06-02 until 1994-06-03)
- phonographic copyright (℗) by:
- Sony Classical GmbH (in 1994)
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1994-06-02 until 1994-06-03)
- live recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 1994-06-02 until 1994-06-03)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:18 |
| 15 | Symbolum Nicenum - Credo: No. 3 Duet: "Et in unum Dominum" | Johann Sebastian Bach | | 5:10 |
| 16 | Symbolum Nicenum - Credo: No. 4 Chorus: "Et incarnatus est" | Johann Sebastian Bach | | 3:33 |
| 17 | Symbolum Nicenum - Credo: No. 5 Chorus: "Crucifixus"- recording engineer:
- Peter Jütte (from 1994-06-02 until 1994-06-03)
- producer:
- David Mottley
- choir vocals:
- Chor des Bayerischen Rundfunks (from 1994-06-02 until 1994-06-03)
- orchestra:
- Symphonieorchester des Bayerischen Rundfunks (from 1994-06-02 until 1994-06-03)
- conductor:
- Carlo Maria Giulini (from 1994-06-02 until 1994-06-03)
- phonographic copyright (℗) by:
- Sony Classical GmbH (in 1994)
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1994-06-02 until 1994-06-03)
- live recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1994-06-02 until 1994-06-03)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:46 |
| 18 | Symbolum Nicenum - Credo: No. 6 Chorus "Et resurrexit" | Johann Sebastian Bach | | 4:42 |
| 19 | Symbolum Nicenum - Credo: No. 7 Aria "Es in Spiritum Sanctum" | Johann Sebastian Bach | | 6:04 |
| 20 | Symbolum Nicenum - Credo: No. 8 Chorus: "Confiteor" | Johann Sebastian Bach | | 3:26 |
| 21 | Symbolum Nicenum - Credo: No. 9 Chorus: "Et exspecto" | Johann Sebastian Bach | | 4:18 |
| 22 | Chorus: "Sanctus" | Johann Sebastian Bach | | 6:40 |
| 23 | Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem - No. 1 Chorus I/II: "Osanna in excelsis"- recording engineer:
- Peter Jütte (from 1994-06-02 until 1994-06-03)
- producer:
- David Mottley
- choir vocals:
- Chor des Bayerischen Rundfunks (from 1994-06-02 until 1994-06-03)
- orchestra:
- Symphonieorchester des Bayerischen Rundfunks (from 1994-06-02 until 1994-06-03)
- conductor:
- Carlo Maria Giulini (from 1994-06-02 until 1994-06-03)
- phonographic copyright (℗) by:
- Sony Classical GmbH (in 1994)
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1994-06-02 until 1994-06-03)
- live recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 1994-06-02 until 1994-06-03)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:15 |
| 24 | Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem - No. 2 Aria: "Benedictus qui venit" | Johann Sebastian Bach | | 5:00 |
| 25 | Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem - No. 3 Chorus I/II: "Osanna in excelsis" (da capo)- recording engineer:
- Peter Jütte (from 1994-06-02 until 1994-06-03)
- producer:
- David Mottley
- choir vocals:
- Chor des Bayerischen Rundfunks (from 1994-06-02 until 1994-06-03)
- orchestra:
- Symphonieorchester des Bayerischen Rundfunks (from 1994-06-02 until 1994-06-03)
- conductor:
- Carlo Maria Giulini (from 1994-06-02 until 1994-06-03)
- phonographic copyright (℗) by:
- Sony Classical GmbH (in 1994)
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1994-06-02 until 1994-06-03)
- live recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (from 1994-06-02 until 1994-06-03)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:17 |
| 26 | Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem - No. 4 Aria: "Agnus Dei" | Johann Sebastian Bach | | 5:56 |
| 27 | Osanna, Benedictus, Agnus Dei et Dona Nobis Pacem - No. 5 Chorus: "Dona nobis pacem" | Johann Sebastian Bach | | 4:18 |